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Recorded with producer Nick Launay at Foo Fighters’ 606 Studios in Los Angeles, on the same desk that captured Nirvana’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNevermind\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand Fleetwood Mac’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRumours\u003c\/i\u003e, the latest Amyl offering is full of surprises. Musically, Mehrtens, Romer and Wilson have written The Sniffers’ most diverse album yet. It stretches from classic punk to the glammy strut of recent single ‘U Should Not Be Doing That’ to the stormy balladry of ‘Big Dreams’ (which is a sonic gear shift worthy of the title). \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eCartoon Darkness\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis about climate crisis, war, AI, tip-toeing on the eggshells of politics, and people feeling like they're helping by having a voice online when we’re all just feeding the data beast of Big Tech, our modern day god. It’s about the fact that our generation is spoon-fed information. We look like adults, but we’re children forever cocooned in a shell. We’re all passively gulping up distractions that don’t even cause pleasure, sensation or joy, they just cause numbness. \u003c\/p\u003e\n\u003cp\u003eEverything is such hard work, everything is heartbreaking, but everything is beautiful. I want to celebrate. I want to put my phone down and see someone's facial expression change with what they say. I want to people-watch. I want to see if there are bugs where I walk, but I don't see them. I also want the fantasy and the escapism. I want to lean into hedonism, I want to feel alive, while acknowledging the dystopia and chaos unfolding around me.\u003c\/p\u003e\n\u003cp\u003eCartoon Darkness is driving head first into the unknown, into this looming sketch of the future that feels terrible, but doesn’t even exist yet. A childlike darkness. 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And as the greatest punk band alive, they’re the loudest vessel we have… to give it a shot.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGreen Day are ready to flip off the famous, stupid and contagious, by putting a mirror to the present tense like only they can, with Saviors — an inspired new studio album to be released in early 2024. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAmazingly, Saviors represents Green Day's 14th studio album, yet somehow this enduring power trio -- Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt -- remain devoted to their defiant craft that has fueled their career-long destruction of every boundary bestowed on the genre, and landed 3 East Bay punks in the Rock n Roll Hall of Fame.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe album was recorded in both London and Los Angeles under the audacious ear and Rock prowess of Green Day's longtime friend \u0026amp; collaborator, GRAMMY® Award-winning producer Rob Cavallo. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Green Day","offers":[{"title":"Default Title","offer_id":49803766169816,"sku":"0093624849001","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/IMG_0297.heic?v=1734207654"},{"product_id":"charley-crockett-lonesome-drifter-cd","title":"Charley Crockett \"Lonesome Drifter\" CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLonesome Drifter\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eis the new album from \u003c\/span\u003e\u003cspan\u003eGRAMMY® Award-nominated artist Charley Crockett. 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But it didn’t take long to realize that I was not flying; I was running away. In the solitude, I found myself smashing open the piggy bank of deeply-buried memories. Those gems of my real-life exploits spilled into my creative consciousness and emboldened me to write an album that reaches far beyond what actually happened–launching me down the alternate-reality roads of what could have happened.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Eric Valentine (Queens of the Stone Age, Nickel Creek) and recorded at RCA’s famed Studio A in Nashville and Topangadise in Topanga, CA,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMother Road\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efollows Grace’s 2019’s acclaimed, 2X GRAMMY-nominated album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDaylight\u003c\/em\u003e. Throughout the album’s 10 original tracks, Grace, along with contributions from a top-flight band including guitarist Nick Bockrath, bassist Tim Deaux, drummer Matt Musty, pedal steel guitarist Dan Kalisher, and keyboardist Benmont Tench, commands an expansive soundscape of soulful rock, roots, funk, country, and R\u0026amp;B.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMother Road\u003c\/em\u003e’s myriad high points include the searing “Ready Set Go,” which ricochets with stinging slide guitar and attitude to burn; “Lady Vagabond,” a paean to anti-heroines everywhere; the self-deceptive “Rose Colored Rearview;” the spirit-purifying “All My Ghosts;” and the album’s wild, theatrical finale, “Masterpiece.” At the album’s center is “Little Hitchhiker,” a beautifully detailed story-song co-written by superstar songwriter Natalie Hemby, which poignantly re-imagines the time nine-year-old Potter ran away from home, a profound experience that sparked much of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMother Road\u003c\/em\u003e’s narrative. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMother Road\u003c\/li\u003e\n\u003cli\u003eTruck Stop Angels\u003c\/li\u003e\n\u003cli\u003eReady Set Go\u003c\/li\u003e\n\u003cli\u003eGood Time\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLittle Hitchhiker\u003c\/li\u003e\n\u003cli\u003eLady Vagabond\u003c\/li\u003e\n\u003cli\u003eRose-Colored Rearview\u003c\/li\u003e\n\u003cli\u003eAll My Ghosts\u003c\/li\u003e\n\u003cli\u003eFutureland\u003c\/li\u003e\n\u003cli\u003eMasterpiece\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369854730456,"sku":"888072432178","price":11.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/GP_CD_STICKER.png?v=1770327286"},{"product_id":"tired-hearts-cd","title":"Bailen \"Tired Hearts\" CD","description":"\u003cp\u003eOn \u003cem\u003eTired Hearts\u003c\/em\u003e, \u003cstrong\u003eDaniel\u003c\/strong\u003e, \u003cstrong\u003eDavid\u003c\/strong\u003e, and \u003cstrong\u003eJulia BAILEN\u003c\/strong\u003e deliver a dazzling set of songs that navigates the space between the heart’s expectation and the head’s sober reality. At times both intricate and playful, measured and elaborate, the album’s 12 original songs wrestle with an uncertain future where ethics and morality—both communal and personal—are constantly shifting.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by \u003cstrong\u003eBrad Cook\u003c\/strong\u003e (Bon Iver, Waxahatchee) and BAILEN, and mixed by \u003cstrong\u003eLars Stalfors\u003c\/strong\u003e (Soccer Mommy, St. Vincent, Local Natives) \u003cem\u003eTired Hearts’ \u003c\/em\u003etaut, synth-driven tracks are centered around BAILEN’s radiant harmonies and adventurous arrangements furthering the group’s exhilarating avant-pop evolution. Cook was instrumental in expanding the band’s ambition beyond what they initially envisioned. “We played the last record live a hundred times before recording it, so we tracked a lot of it live,” Daniel explains. “With Brad, we took a collagist’s approach. It freed us up to explore and be sonically adventurous.”\u003c\/p\u003e\n\u003cp\u003eThe album’s numerous high points include the iridescent pop of “Nothing Left to Give,” the tender hushed intimacy of “These Bones,” and the piercing, lilting title track “Tired Hearts.” The moving “BRCA (Nothing Takes Me Down),” a title derived from the breast cancer gene Julia shares with her mother (a breast cancer survivor) is indicative of the band’s incredible range. Over a slow building rhythmic pulse, Julia sings of hospital gowns and uncertainty, untying a complex knot of familial anxiety, guilt, and acceptance, while embracing the determination to move forward: \u003cem\u003eI’ll still live like I’m dying\/But I won’t let it take me down\u003c\/em\u003e. “It’s about finding ways to not be defined by these circumstances, and to move past them with resilience,” she affirms.\u003c\/p\u003e\n\u003cp\u003eKnown for their stunning vocals and sharp, literate songwriting, BAILEN have cultivated a passionate following and emerged in indie circles via word of mouth, robust playlisting and a stream of steady touring with artists such as Hozier, Amos Lee, The Lone Bellow, and Joseph, to name a few. The group’s acclaimed 2019 debut, \u003cem\u003eThrilled To Be Here\u003c\/em\u003e, produced by John Congleton, has amassed over 25 million streams since its release.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTired Hearts 3:49\u003c\/li\u003e\n\u003cli\u003eNothing Left To Give 3:13\u003c\/li\u003e\n\u003cli\u003eThese Bones 3:54\u003c\/li\u003e\n\u003cli\u003eLeave Me Wanting More 2:46\u003c\/li\u003e\n\u003cli\u003eHere We Are Again 2:44\u003c\/li\u003e\n\u003cli\u003eCall It Like It Is 3:24\u003c\/li\u003e\n\u003cli\u003eChange Your Mind 3:19\u003c\/li\u003e\n\u003cli\u003eLove You Blind 3:45\u003c\/li\u003e\n\u003cli\u003eRelic 3:03\u003c\/li\u003e\n\u003cli\u003eBRCA (Nothing Takes Me Down) 3:22\u003c\/li\u003e\n\u003cli\u003eShadows 4:10\u003c\/li\u003e\n\u003cli\u003eHiding 3:33\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369854763224,"sku":"888072498334","price":11.23,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/bailen-tired-hearts_cd-packshot.png?v=1770327286"},{"product_id":"take-good-care-cd","title":"The Revivalists \"Take Good Care\" CD","description":"\u003cp\u003eStandard CD\u003cbr\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369855025368,"sku":"888072074699","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/Revivalists-take-good-care-cd.png?v=1770327286"},{"product_id":"pour-it-out-into-the-night-cd","title":"The Revivalists \"Pour It Out Into The Night\" CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Revivalists make the kind of rock ‘n’ roll that grabs you and doesn’t let go. On their fifth full-length release, the New Orleans outfit was inspired to create a life-affirming album that in many ways connects to the original seed of inspiration for the band’s name. Pour It Out Into The Night is a celebration of resilience, living for who you are and what you’re about.         TRACK LISTING \\n \\nDIGI\/CD \\n\\nKid (3:28) \\n\\nDon’t Look Back (3:24) \\n\\nGood Old Days (4:22) \\n\\nDown In The Dirt (3:34) \\n\\nThe Long Con (3:15) \\n\\nOnly You (3:17) \\n\\nAlive (5:08) \\n\\nWait For The Sun (2:41) \\n\\nWhen I Got You (3:31) \\n\\nHow We Move (3:35) \\n\\nSay Goodbye (2:51) \\n\\nPour It Out Into The Night (3:03) \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}'\u003eThe Revivalists make the kind of rock ‘n’ roll that grabs you and doesn’t let go. On their fifth full-length release, the New Orleans outfit was inspired to create a life-affirming album that in many ways connects to the original seed of inspiration for the band’s name. Pour It Out Into The Night is a celebration of resilience, living for who you are and what you’re about.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Revivalists make the kind of rock ‘n’ roll that grabs you and doesn’t let go. On their fifth full-length release, the New Orleans outfit was inspired to create a life-affirming album that in many ways connects to the original seed of inspiration for the band’s name. Pour It Out Into The Night is a celebration of resilience, living for who you are and what you’re about.         TRACK LISTING \\n \\nDIGI\/CD \\n\\nKid (3:28) \\n\\nDon’t Look Back (3:24) \\n\\nGood Old Days (4:22) \\n\\nDown In The Dirt (3:34) \\n\\nThe Long Con (3:15) \\n\\nOnly You (3:17) \\n\\nAlive (5:08) \\n\\nWait For The Sun (2:41) \\n\\nWhen I Got You (3:31) \\n\\nHow We Move (3:35) \\n\\nSay Goodbye (2:51) \\n\\nPour It Out Into The Night (3:03) \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}'\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Revivalists make the kind of rock ‘n’ roll that grabs you and doesn’t let go. On their fifth full-length release, the New Orleans outfit was inspired to create a life-affirming album that in many ways connects to the original seed of inspiration for the band’s name. Pour It Out Into The Night is a celebration of resilience, living for who you are and what you’re about.         TRACK LISTING \\n \\nDIGI\/CD \\n\\nKid (3:28) \\n\\nDon’t Look Back (3:24) \\n\\nGood Old Days (4:22) \\n\\nDown In The Dirt (3:34) \\n\\nThe Long Con (3:15) \\n\\nOnly You (3:17) \\n\\nAlive (5:08) \\n\\nWait For The Sun (2:41) \\n\\nWhen I Got You (3:31) \\n\\nHow We Move (3:35) \\n\\nSay Goodbye (2:51) \\n\\nPour It Out Into The Night (3:03) \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}'\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Revivalists make the kind of rock ‘n’ roll that grabs you and doesn’t let go. On their fifth full-length release, the New Orleans outfit was inspired to create a life-affirming album that in many ways connects to the original seed of inspiration for the band’s name. Pour It Out Into The Night is a celebration of resilience, living for who you are and what you’re about.         TRACK LISTING \\n \\nDIGI\/CD \\n\\nKid (3:28) \\n\\nDon’t Look Back (3:24) \\n\\nGood Old Days (4:22) \\n\\nDown In The Dirt (3:34) \\n\\nThe Long Con (3:15) \\n\\nOnly You (3:17) \\n\\nAlive (5:08) \\n\\nWait For The Sun (2:41) \\n\\nWhen I Got You (3:31) \\n\\nHow We Move (3:35) \\n\\nSay Goodbye (2:51) \\n\\nPour It Out Into The Night (3:03) \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cstrong\u003eTRACK LISTING\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eKid (3:28) \u003cbr\u003e\u003cbr\u003eDon’t Look Back (3:24) \u003cbr\u003e\u003cbr\u003eGood Old Days (4:22) \u003cbr\u003e\u003cbr\u003eDown In The Dirt (3:34) \u003cbr\u003e\u003cbr\u003eThe Long Con (3:15) \u003cbr\u003e\u003cbr\u003eOnly You (3:17) \u003cbr\u003e\u003cbr\u003eAlive (5:08) \u003cbr\u003e\u003cbr\u003eWait For The Sun (2:41) \u003cbr\u003e\u003cbr\u003eWhen I Got You (3:31) \u003cbr\u003e\u003cbr\u003eHow We Move (3:35) \u003cbr\u003e\u003cbr\u003eSay Goodbye (2:51) \u003cbr\u003e\u003cbr\u003ePour It Out Into The Night (3:03) \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW74932928 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW74932928 BCX0\" data-ccp-charstyle=\"Emphasis\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369855910104,"sku":"888072497702","price":12.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/TR_CD_Packshot_WSticker.png?v=1770327287"},{"product_id":"the-returner-cd","title":"Allison Russell \"The Returner\" CD","description":"\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cstrong\u003eThe Returner on CD\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e4x GRAMMY-nominated singer, songwriter, poet, activist, and multi-instrumentalist Allison Russell has announced her new album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e. The album was written and co-produced by Allison along with dim star (her partner JT Nero and Drew Lindsay) and was recorded over Solstice week in December 2022 at Henson Recording Studios in Los Angeles, CA. It features Russell’s “Rainbow Coalition” band of all female musicians along with special guest appearances from the legendary Wendy \u0026amp; Lisa, Brandi Carlile, Brandy Clark, and Hozier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAllison Russell on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“My goal with The Returner – sonically, poetically, and spiritually – is a radical reclamation of the present tense, a real time union of body, mind, and soul. This album is a much deeper articulation of rhythm, groove, and syncopation. Groove as it heralds the self back into the body, groove as it celebrates sensual and sexual agency and flowering, groove as an urgent call to action and political activism.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eIn just a word, it's funkier. But as is the history of anything funky, it’s never just a party. It is a multiverse of energies that merges the celebration and the battle cry. For while an embrace of the present tense is a celebration, it is equally an unquestioning leap into battle – cultural, political, environmental.”\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSince the release of her debut solo LP two years ago\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOutside Child\u003c\/i\u003e, Russell’s often devastating, deeply moving, cathartic celebration of survivor’s joy has become one of the most acclaimed albums of the past 10 years. Now comes the second chapter in her story,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returne\u003c\/i\u003er, a body-shaking, mind-expanding, soulful expression of liberation, love, and self-respect that serves as a fierce declaration of joy for all survivors that have made it to the other side. Allison, JT, and Drew built\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efrom the bottom up with a rhythm-first, genre-fluid approach. The improvisational energy of great female artists sparked the album’s fierce joy, and provided a wider canvas for Allison’s immense, unlimited talent. In all, the new album doesn’t just deliver on the promise of the last two years, it exceeds all reasonable (and unreasonable) expectations and affirms Allison Russell’s place among music’s most vital artists and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e, as one of 2023’s most essential recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAllison Russell has spent her career in multiple bands, including Po’ Girl, Our Native Daughters, and Birds of Chicago. After a career spent as a gifted multi-instrumentalist, backing numerous other artists, she finally dared to release her solo project in 2021. \"It’s an album of strength and affirmation, not victimization,” said The New York Times in their profile on Russell and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOutside Child\u003c\/i\u003e. Following the album’s release,\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eRussell performed on Jimmy Kimmel Live!, Ellen, Late Night With Stephen Colbert, CBS Saturday Morning, Austin City Limits, The Kelly Clarkson Show made her Opry debut and appeared at the Country Music Hall of Fame and performed at the 2022 GRAMMY’s Premiere Ceremony.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe accolades for Russell have been immense. In addition to her four GRAMMY nominations, she has earned three 2022 Americana Award nominations and a win for Album of the Year, two International Folk Music Award wins, a 2022 Juno nomination for ‘Songwriter of the Year,’ and her first-ever Juno Award win for Contemporary Roots Album of the Year. Russell received two 2021 Americana Awards nominations, won three Canadian Folk Music Awards, two UK Americana Music Awards, and more. She was recently nominated for Song of the Year and Artist of the Year for the 2023 Americana Awards. In addition, Russell has consistently used her newfound platform to elevate, educate and inspire; curating the history making\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOnce And Future Sounds: Roots and Revolution\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eset for the Newport Folk Festival in 2021 and mobilizing this year’s triumphant\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLove Rising\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eAll-Star benefit concert in support of LGBTQIA+ causes in Nashville - raising over $550,000 and calling national attention to Tennessee’s dangerous anti\/trans and anti\/drag laws. Russell has also announced a book deal with Flatiron\/MacMillan for her debut novel, a memoir based on her life and the material that inspired\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOutside Child\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eThe Returner - Track List:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e  1.   Springtime (04:11)\u003cbr data-mce-fragment=\"1\"\u003e  2.   The Returner (03:51)\u003cbr data-mce-fragment=\"1\"\u003e  3.   All Without Within (03:13)\u003cbr data-mce-fragment=\"1\"\u003e  4.   Demons (04:29)\u003cbr data-mce-fragment=\"1\"\u003e  5.   Eve Was Black (06:04)\u003cbr data-mce-fragment=\"1\"\u003e  6.   Stay Right Here (04:10)\u003cbr data-mce-fragment=\"1\"\u003e  7.   Shadowlands (04:13)\u003cbr data-mce-fragment=\"1\"\u003e  8.   Rag Child (03:04)\u003cbr data-mce-fragment=\"1\"\u003e  9.   Snakelife (04:38)\u003cbr data-mce-fragment=\"1\"\u003e 10.  Requiem (06:14)\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eThe Returner - Credits: \u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs written by Allison Russell, JT Nero, and Drew Lindsay\u003cbr data-mce-fragment=\"1\"\u003eCo-Producers: Dim Star and AR                           \u003cbr data-mce-fragment=\"1\"\u003eRecorded by Brandon Bell at Henson Recording Studios (Los Angeles, CA)\u003cbr data-mce-fragment=\"1\"\u003eAssistant Engineer: Kelsey Porter                                                                    \u003cbr data-mce-fragment=\"1\"\u003eMixed by Brandon Bell at The Cabin Studio (Nashville, TN)\u003cbr data-mce-fragment=\"1\"\u003eMastered by Kim Rosen at Knack Mastering (Ringwood, NJ)\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAllison Russell (vocals, banjo, clarinet), Elenna Canlas (keyboards\/synth, backing vocals), Elizabeth Pupo-Walker (percussion), Chauntee Ross (violin, backing vocals) \u0026amp; Monique Ross (cello, backing vocals) aka SistaStrings, Ganessa James (bass, backing vocals), Joy Clark (guitar), Kerenza Peacock (violin), Larissa Maestro (cello, backing vocals), Lisa Coleman (piano), Mandy Fer (guitar, backing vocals), Meg Coleman (drums), Meg McCormick (guitar), Wendy Melvoin (guitar, bass), and Wiktoria Bialic (drums). Special guests Brandi Carlile, Brandy Clark, and Hozier provide backing vocals on “Requiem”. \u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856205016,"sku":"888072524095","price":13.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/AR_The_Returner_CD.png?v=1770327287"},{"product_id":"152-cd","title":"Taking Back Sunday \"152\" CD","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTaking Back Sunday: John Nolan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(lead guitar, piano, vocals),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAdam Lazzara\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(lead vocals),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eShaun Cooper\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(bass) and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMark O’Connell\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(drums), announce their eighth studio album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e152\u003c\/strong\u003e, set for release\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOctober 27, 2023\u003c\/strong\u003e, via Fantasy Records. Named for the section of road in North Carolina between Highpoint, Chapel Hill, and Raleigh where the band and their friends would meet up as teenagers⎯152 is the multl-platinum selling rock band’s first full-length offering since 2016’s Tidal Wave. To mark the occasion, Taking Back Sunday released a brand-new track, “S’old,” a fiery declaration of commitment and accountability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Commenting on their new album 152, Taking Back Sunday stated:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"152” offers a lot more hope and light than we first realized when we were in the thick of it, putting it all together. We’ve been fortunate enough, through our music, to grow up with a lot of people going through the same things at the same time, and probably feeling the same way. Our hope is that you’re able to find a little bit of yourself in this new collection of songs, because you’re not alone, and neither are we.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Produced by Tushar Apte (whom the band met through a mutual collaboration with noted DJ Steve Aoki) and mixed by Neal Avron (Twenty One Pilots, Bleachers), the long-awaited LP features 10 intensely vulnerable and absorbing new tracks all delivered with fresh ambition and newfound purpose. Inspired by the long layoff and the cloud of uncertainty that blanketed the world (and music industry) these past few years, 152 stands among the most genuinely reflective and emotionally pure efforts of Taking Back Sunday’s illustrious career.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e “You would think after 20 years, we knew what each other is going to do,” said Lazzara. “But there were so many times making this record where I heard the initial idea and thought I knew where it would go, but then I was super surprised. It’s those kinds of surprises that make it so exciting. That’s why we all still want it so badly.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Added O’Connell: ”When we’re writing songs, the one thing we ask ourselves, ‘Is it capable of making people feel something?’ You try to make people feel emotion. That’s the one goal we went in with, and we think we did it.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e From the album’s intricate riffs and anthemic vocals to its elegantly warm synths and economical string arrangements, the quartet work-shopped these new tracks like never before. That musical ambition, both musically and lyrically, is evident on the soaring album opener, “Amphetamine Smiles,” a powerful tale of reconnection that is as much about the band themselves as it is the world at-large. From send-up to seriousness, Taking Back Sunday continually challenged one another, exploring musical ideas in new and exciting ways. So many of these tracks dig deep and connect on a gut level. “S’old” struggles with the obligations of adult responsibility and acceptance, (the previously released single) \"The One,\" is a far-reaching anthem of love and brotherhood, “Keep Going,” tracks the self-defeating darkness of betrayal, and “Quit Trying,” drips with a ‘can’t run from who you are’ self-awareness. All through 152, the consistent thread is one of generosity, gratitude and ultimately, hope.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Despite the sizable gap between releases, a new generation of fans have discovered Taking Back Sunday and their enduring legacy has only grown in stature. The new album proves it was well worth the wait. 152 is Taking Back Sunday at their very best, a gripping and self-assured statement from an essential band once again at the peak of their prodigious powers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e 152 TRACK LISTING:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \"Amphetamine Smiles\" \"S'old\" \"The One\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Keep Going\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"I Am the Only One Who Knows You\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Quit Trying\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Lightbringer\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"New Music Friday\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Juice 2 Me\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"The Stranger\"\u003c\/p\u003e\n\u003cbr\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856368856,"sku":"888072550391","price":11.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/TakingBackSunday_152_CD.png?v=1770327287"},{"product_id":"if-that-makes-sense-cd","title":"Spacey Jane \"If That Makes Sense\" CD","description":"\u003cp class=\"p1\"\u003eAustralian indie rock band Spacey Jane are back with a new album, produced by Mike Crossey (Arctic Monkeys, MUNA, The 1975).\u003ci\u003e If That Makes Sense \u003c\/i\u003e– the quartet’s most accomplished and ambitious collection to date – is an album that parses the big stuff: heartbreak and longing; how the past prefigures the future; rewriting the script. As a phrase, “if that makes sense”, is often used as a query without a question mark, a request for reassurance that can signal a lack of confidence in what's being expressed. And yet, Spacey Jane have never sounded bigger, brighter, or more self-assured.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eIntro\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eThrough My Teeth\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eWhateverrrr\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAll the Noise\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eImpossible to Say\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eHow to Kill Houseplants\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eI Can’t Afford to Lose You\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eSo Much Taller\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eThe More That it Hurts\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eEstimated Delivery\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eFalling Apart\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eIly the Most\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAugust\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856499928,"sku":"888072668317","price":12.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/SpaceyJane_CD_Packshot.png?v=1770327286"},{"product_id":"supercharged-cd","title":"The Offspring \"Supercharged\" CD","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;TRACK LIST:\\n\\n1. 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You Can't Get There From Here (3:54) \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856631000,"sku":"888072628410","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/THEOFFSPRING_SUPERCHARGED_CDPACKSHOT.png?v=1770327287"},{"product_id":"men-amongst-mountains-cd","title":"The Revivalists \"Men Amongst Mountains\" CD","description":"\u003cp\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856762072,"sku":"601501341922","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/Revivalists-men-amongst-mountains-cd.png?v=1770327286"},{"product_id":"one-cold-night-cd","title":"Seether \"One Cold Night\" CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBudget Returnable \/ Live At The Grape Street Club, Philadelphia, PA \/ February 22, 2006\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856860376,"sku":"887254449720","price":10.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/SeetheronecoldnightCD.png?v=1770327286"},{"product_id":"future-soul-cd","title":"Tedeschi Trucks Band \"Future Soul\" CD","description":"\u003cdiv data-preorder-injected=\"true\"\u003e\n  \u003cp\u003e\u003cstrong\u003eThis is a PRE-ORDER. 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I have a really great dad, and that record has a tenderness and optimism that must have worked its way into the fabric of my soul because every time I hear it, I feel safe and happy.\u003c\/p\u003e\n\u003cp\u003eI had been wanting to make a covers record like Stardust for a long time. Then in 2010, thanks to cosmic magic or god or whatever, Olivia Jones reached out to me to see if I’d be willing to duet with the incomparable Sharon Jones on a song Olivia had written with her dad, Booker T. Jones, the man who produced and arranged Stardust. The two hours I spent in a crowded little Manhattan studio recording with Booker, his friends, collaborators, and family were the beginning of our friendship. In 2018, after the National finished recording I Am Easy to Find, I decided it was time to make my version of Stardust. 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I also sent him a few rough demos of originals that I had started working on with some old friends, including the songs “Serpentine Prison” and “Distant Axis”. Booker responded to those demos right away and encouraged me to keep writing and digging deeper into that stuff. Six months later we had twelve originals and seven covers. Everyone I had been working with on these songs came to Venice, CA, and we recorded it all in 14 days.\u003c\/p\u003e\n\u003cp\u003eThis record isn’t about my dad, but it is for him.” – MB\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cu\u003eTRACK LIST:\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. My Eyes Are T-Shirts (2:40)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Distant Axis (4:25)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. One More Second (5:23)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. 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Two years of pandemic-related separation, from each other, and the audience they had meticulously built since 2011, had underscored how essential that symbiotic relationship really is.\u003c\/p\u003e\n\u003cp\u003eIt's that sense of release that permeates \u003cem\u003eOur Roots Run Deep\u003c\/em\u003e, Kodaline’s brand-new, stripped-down, 17-track live album and Fantasy Records debut.\u003c\/p\u003e\n\u003cp\u003eProduced with pristine clarity by fellow Irish cohort, Phillip Magee, \u003cem\u003eOur Roots Run Deep\u003c\/em\u003e features a cross-section of the group’s most treasured tunes and three illuminating covers in over 80-minutes of music.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“This album is something we’ve wanted to do for a very long-time, it’s also something entirely new to us,”\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eexplain the band\u003cem\u003e. “It’s a stripped-down acoustic show with no click, which basically means, it’s very raw and unfiltered. We wanted to try and capture the energy and atmosphere of the night as best we could. It was an intimate show recorded in one of our favourite venues in the world, in Dublin City at home in Ireland. We hope you enjoy it as much as we enjoyed playing it.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKnown for the soaring, sing-along pop-rock anthems and lush, yearning ballads that have topped radio and streaming charts around the globe, for these special intimate performances Kodaline utilized largely acoustic instruments including cellist, David Doyle and keyboardist\/vocalist, David Prendergast who help give the warm, living room sound added layers of texture and depth.\u003c\/p\u003e\n\u003cp\u003eThe quieter musical beds pushed the band’s emotionally driven lyrics and intricately woven harmonies to the forefront, deepening their poignant resonance even further. 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Shout \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369857876184,"sku":"888072639942","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/TearsForFears_NervousPlanet_2CD_1.png?v=1770327297"},{"product_id":"francis-aquarius-cd","title":"Noah Floersch \"Francis Aquarius\" CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eOn Noah Floersch's new album Francis Aquarius, he plays a character that’s guilt-tripping, projecting, and spewing his insecurities all over the place. But while Francis Aquarius might be a bummer to be around, Noah Floersch isn’t. This album is playful, smart, and above anything else, so much fun. From sad-boy singalongs, to cheeky, slick funk and stirring dance floor-fillers — you might be rolling your eyes at the guy singing these songs, but you can’t help but let him make you move.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369857974488,"sku":"888072713901","price":13.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/FrancisAquarius-CD.png?v=1770327295"},{"product_id":"let-the-bad-times-roll-cd","title":"The Offspring \"Let The Bad Times Roll\" CD","description":"\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eALBUM OVERVIEW\u003cbr\u003e\u003c\/p\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;ALBUM OVERVIEW \\nThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.  \\nThe album is the band’s 10th, but their first new offering in eight years. There wasn’t a break up, no hiatus (they’ve kept up a steady level of touring during the span between albums), simply the band likes to take their time. And Holland had something else he needed to wrap up, finally getting his Ph.D. in Molecular Biology from USC, a 30-year odyssey that culminated in his thesis on the makeup of the HIV virus. “I had kept in touch with my professors and they encouraged me to come back and finish it up,” he says. “The band was cool about it,” before adding with a laugh “and that only took five years.”  \\nThe material on Let the Bad Times Roll was written and recorded at various times during the last eight years. Highlights include the devastating urgency of “The Opioid Diaries” and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor but underneath is the story of a guy who just wants his wife to feel anything towards him, love or hate. “I had written most of that song five years ago and finally put it together,” says Holland. “We do better when we work in spurts.”  \\nLet the Bad Times Roll finds the band collaborating with mega producer Bob Rock for the third time, working in Rock’s studios in Maui and Vancouver as well as the band’s own recently completed studio in Huntington Beach. Rock has become an increasingly important part of the band’s creative process. “First off, he’s an amazing guitar player so he’d play a small part and we would go back and forth with it and it usually turned into something we used,” says Holland. Rock also pushes Holland on his songwriting. Nicely of course. “I’ll have a line and he’ll like it,” says Holland. “But a few minutes later, he'll kind of put it back on you in a way that makes you feel like, okay, maybe I can, maybe I can get a little bit more out of this.”  \\nThe album contains some of Holland’s most direct and intense lyrics to date. The scourge of mental illness hovers throughout, especially on the fierce “Army of One” that has a surf guitar line that would make Dick Dale proud and the epic “Breaking These Bones” which slots next to classic Offspring anthems such as “Gone Away” and “The Kids Aren’t All Right.” Says Holland: “We've been talking about mental illness in rock and roll especially, for a long time, but it seems to be more on the table to me now. I think that that's great. I don't want to put too fine a point on it in songs like ‘Breaking These Bones’ and ‘We Never Have Sex Anymore’ because I want people to be able to interpret it on their own so hopefully that makes it more relatable.”  \\nHolland remains unafraid to pen topical material, but instead of taking the easy route in, say, bashing Trump, the title track and first single takes a more nuanced look around and what is happening in present day society. “I feel like we're in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more of a stubborn mentality where they’re not making the slightest attempt to fix things, it’s like ‘fuck it, bring on the North Korea nukes, bring on white nationalism.’ It's a much different attitude than I've seen in the past. And it’s really fucking scary.”  \\nIn times of tumult, punk has been the leader in addressing what ails society, but in 2020 it’s a weird time to be in a rock band. The ‘rock is dead’ trope is uttered as often as the latest trap banger gets played on the radio. But with other legendary acts such as Green Day, Bad Religion and Rage Against the Machine along with up-and-comers like Idles and PUP, rock and roll is still vital component of today’s culture, a genre that can smack you upside the head with nihilism but then offer a ray of sunlight through the darkened windows. “This album is probably the most cathartic thing we’ve done,” says Holland. “The messages might be dark, but at the end what’s left is that communication is important, working through feelings is important and most of all, hope is important.” Then let the bad times roll for now, in the hopes that good times lie ahead.  \\n\\n\\nTRACK LIST: \\n1. This Is Not Utopia (2:38)                \\n2. Let The Bad Times Roll (3:18)        \\n3. Behind Your Walls (3:21)                \\n4. Army Of One        (3:11)                \\n5. Breaking These Bones (2:46)                \\n6. Coming For You (3:48        )        \\n7. We Never Have Sex Anymore        (3:30)                \\n8. In The Hall Of The Mountain King (1:00)                \\n9. The Opioid Diaries (3:01)                \\n10. Hassan Chop (2:20)                \\n11. Gone Away (3:16)                \\n12. Lullaby (1:12)\\n\u0026quot;}\" data-mce-fragment=\"1\"\u003eThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll. \u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;ALBUM OVERVIEW \\nThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.  \\nThe album is the band’s 10th, but their first new offering in eight years. There wasn’t a break up, no hiatus (they’ve kept up a steady level of touring during the span between albums), simply the band likes to take their time. And Holland had something else he needed to wrap up, finally getting his Ph.D. in Molecular Biology from USC, a 30-year odyssey that culminated in his thesis on the makeup of the HIV virus. “I had kept in touch with my professors and they encouraged me to come back and finish it up,” he says. “The band was cool about it,” before adding with a laugh “and that only took five years.”  \\nThe material on Let the Bad Times Roll was written and recorded at various times during the last eight years. Highlights include the devastating urgency of “The Opioid Diaries” and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor but underneath is the story of a guy who just wants his wife to feel anything towards him, love or hate. “I had written most of that song five years ago and finally put it together,” says Holland. “We do better when we work in spurts.”  \\nLet the Bad Times Roll finds the band collaborating with mega producer Bob Rock for the third time, working in Rock’s studios in Maui and Vancouver as well as the band’s own recently completed studio in Huntington Beach. Rock has become an increasingly important part of the band’s creative process. “First off, he’s an amazing guitar player so he’d play a small part and we would go back and forth with it and it usually turned into something we used,” says Holland. Rock also pushes Holland on his songwriting. Nicely of course. “I’ll have a line and he’ll like it,” says Holland. “But a few minutes later, he'll kind of put it back on you in a way that makes you feel like, okay, maybe I can, maybe I can get a little bit more out of this.”  \\nThe album contains some of Holland’s most direct and intense lyrics to date. The scourge of mental illness hovers throughout, especially on the fierce “Army of One” that has a surf guitar line that would make Dick Dale proud and the epic “Breaking These Bones” which slots next to classic Offspring anthems such as “Gone Away” and “The Kids Aren’t All Right.” Says Holland: “We've been talking about mental illness in rock and roll especially, for a long time, but it seems to be more on the table to me now. I think that that's great. I don't want to put too fine a point on it in songs like ‘Breaking These Bones’ and ‘We Never Have Sex Anymore’ because I want people to be able to interpret it on their own so hopefully that makes it more relatable.”  \\nHolland remains unafraid to pen topical material, but instead of taking the easy route in, say, bashing Trump, the title track and first single takes a more nuanced look around and what is happening in present day society. “I feel like we're in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more of a stubborn mentality where they’re not making the slightest attempt to fix things, it’s like ‘fuck it, bring on the North Korea nukes, bring on white nationalism.’ It's a much different attitude than I've seen in the past. And it’s really fucking scary.”  \\nIn times of tumult, punk has been the leader in addressing what ails society, but in 2020 it’s a weird time to be in a rock band. The ‘rock is dead’ trope is uttered as often as the latest trap banger gets played on the radio. But with other legendary acts such as Green Day, Bad Religion and Rage Against the Machine along with up-and-comers like Idles and PUP, rock and roll is still vital component of today’s culture, a genre that can smack you upside the head with nihilism but then offer a ray of sunlight through the darkened windows. “This album is probably the most cathartic thing we’ve done,” says Holland. “The messages might be dark, but at the end what’s left is that communication is important, working through feelings is important and most of all, hope is important.” Then let the bad times roll for now, in the hopes that good times lie ahead.  \\n\\n\\nTRACK LIST: \\n1. This Is Not Utopia (2:38)                \\n2. Let The Bad Times Roll (3:18)        \\n3. Behind Your Walls (3:21)                \\n4. Army Of One        (3:11)                \\n5. Breaking These Bones (2:46)                \\n6. Coming For You (3:48        )        \\n7. We Never Have Sex Anymore        (3:30)                \\n8. In The Hall Of The Mountain King (1:00)                \\n9. The Opioid Diaries (3:01)                \\n10. Hassan Chop (2:20)                \\n11. Gone Away (3:16)                \\n12. Lullaby (1:12)\\n\u0026quot;}\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;ALBUM OVERVIEW \\nThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.  \\nThe album is the band’s 10th, but their first new offering in eight years. There wasn’t a break up, no hiatus (they’ve kept up a steady level of touring during the span between albums), simply the band likes to take their time. And Holland had something else he needed to wrap up, finally getting his Ph.D. in Molecular Biology from USC, a 30-year odyssey that culminated in his thesis on the makeup of the HIV virus. “I had kept in touch with my professors and they encouraged me to come back and finish it up,” he says. “The band was cool about it,” before adding with a laugh “and that only took five years.”  \\nThe material on Let the Bad Times Roll was written and recorded at various times during the last eight years. Highlights include the devastating urgency of “The Opioid Diaries” and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor but underneath is the story of a guy who just wants his wife to feel anything towards him, love or hate. “I had written most of that song five years ago and finally put it together,” says Holland. “We do better when we work in spurts.”  \\nLet the Bad Times Roll finds the band collaborating with mega producer Bob Rock for the third time, working in Rock’s studios in Maui and Vancouver as well as the band’s own recently completed studio in Huntington Beach. Rock has become an increasingly important part of the band’s creative process. “First off, he’s an amazing guitar player so he’d play a small part and we would go back and forth with it and it usually turned into something we used,” says Holland. Rock also pushes Holland on his songwriting. Nicely of course. “I’ll have a line and he’ll like it,” says Holland. “But a few minutes later, he'll kind of put it back on you in a way that makes you feel like, okay, maybe I can, maybe I can get a little bit more out of this.”  \\nThe album contains some of Holland’s most direct and intense lyrics to date. The scourge of mental illness hovers throughout, especially on the fierce “Army of One” that has a surf guitar line that would make Dick Dale proud and the epic “Breaking These Bones” which slots next to classic Offspring anthems such as “Gone Away” and “The Kids Aren’t All Right.” Says Holland: “We've been talking about mental illness in rock and roll especially, for a long time, but it seems to be more on the table to me now. I think that that's great. I don't want to put too fine a point on it in songs like ‘Breaking These Bones’ and ‘We Never Have Sex Anymore’ because I want people to be able to interpret it on their own so hopefully that makes it more relatable.”  \\nHolland remains unafraid to pen topical material, but instead of taking the easy route in, say, bashing Trump, the title track and first single takes a more nuanced look around and what is happening in present day society. “I feel like we're in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more of a stubborn mentality where they’re not making the slightest attempt to fix things, it’s like ‘fuck it, bring on the North Korea nukes, bring on white nationalism.’ It's a much different attitude than I've seen in the past. And it’s really fucking scary.”  \\nIn times of tumult, punk has been the leader in addressing what ails society, but in 2020 it’s a weird time to be in a rock band. The ‘rock is dead’ trope is uttered as often as the latest trap banger gets played on the radio. But with other legendary acts such as Green Day, Bad Religion and Rage Against the Machine along with up-and-comers like Idles and PUP, rock and roll is still vital component of today’s culture, a genre that can smack you upside the head with nihilism but then offer a ray of sunlight through the darkened windows. “This album is probably the most cathartic thing we’ve done,” says Holland. “The messages might be dark, but at the end what’s left is that communication is important, working through feelings is important and most of all, hope is important.” Then let the bad times roll for now, in the hopes that good times lie ahead.  \\n\\n\\nTRACK LIST: \\n1. This Is Not Utopia (2:38)                \\n2. Let The Bad Times Roll (3:18)        \\n3. Behind Your Walls (3:21)                \\n4. Army Of One        (3:11)                \\n5. Breaking These Bones (2:46)                \\n6. Coming For You (3:48        )        \\n7. We Never Have Sex Anymore        (3:30)                \\n8. In The Hall Of The Mountain King (1:00)                \\n9. The Opioid Diaries (3:01)                \\n10. Hassan Chop (2:20)                \\n11. Gone Away (3:16)                \\n12. Lullaby (1:12)\\n\u0026quot;}\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTRACK LIST: \u003cbr data-mce-fragment=\"1\"\u003e1. This Is Not Utopia (2:38) \u003cbr data-mce-fragment=\"1\"\u003e2. Let The Bad Times Roll (3:18) \u003cbr data-mce-fragment=\"1\"\u003e3. Behind Your Walls (3:21) \u003cbr data-mce-fragment=\"1\"\u003e4. Army Of One (3:11) \u003cbr data-mce-fragment=\"1\"\u003e5. Breaking These Bones (2:46) \u003cbr data-mce-fragment=\"1\"\u003e6. Coming For You (3:48 ) \u003cbr data-mce-fragment=\"1\"\u003e7. We Never Have Sex Anymore (3:30) \u003cbr data-mce-fragment=\"1\"\u003e8. In The Hall Of The Mountain King (1:00) \u003cbr data-mce-fragment=\"1\"\u003e9. The Opioid Diaries (3:01) \u003cbr data-mce-fragment=\"1\"\u003e10. Hassan Chop (2:20) \u003cbr data-mce-fragment=\"1\"\u003e11. Gone Away (3:16) \u003cbr data-mce-fragment=\"1\"\u003e12. Lullaby (1:12)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858138328,"sku":"888072230217","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/p_dfc474e1-5508-4174-8622-96ced7231f3b.png?v=1770327296"},{"product_id":"violet-cd","title":"L.S. Dunes \"Violet\" CD","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003ePrepare to embark on a sonic journey unlike any other as L.S. Dunes unveils their highly anticipated new album, Violet. With a fusion of experimental melodies and introspective lyricism, their latest offering is a giant leap forward in the evolution of the band. For the follow-up to Past Lives, the band returned to work with producer Will Yip (Turnstile, The Menzingers, Movements) on their sophomore album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003eTRACK LIST:\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e1. Like \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW223267529 BCX0\"\u003eMagick\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e(4:15)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e2. Fatal Deluxe (3:31)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e3. I Can See It Now… (3:45)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e4. Violet (4:21)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e5. Machines (4:06)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e6. You Deserve \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW223267529 BCX0\"\u003eTo\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e Be Haunted (3:28)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e7. Holograms (3:41)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e8. Paper Tigers (3:48)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e9. Things I Thought Would Last Forever (3:43)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e10. Forgiveness (4:20)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858203864,"sku":"888072659377","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/L.S.Dunes_Violet_CDMockup_Generic.png?v=1770327297"},{"product_id":"get-sunk-cd","title":"Matt Berninger \"Get Sunk\" CD","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eMatt Berninger is the vocalist and lyricist for Grammy Award-winning band The National. His songwriting has long garnered praise for its poignant clarity, jagged-edged wit and intimately emotive melodies. His second solo album, Get Sunk, is not overtly autobiographical, but the narrator is processing how he became himself. Who is he compared to the kid on that sepia-toned farm? What is his idea of happiness? What the hell are we all searching for? Get Sunk is an ode to the infinite. The others that make us who we are; the possibilities our paths can take and the abyss of both misery and bliss. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eTRACK LISTING:\u003cbr\u003e\u003cbr\u003e1. INLAND OCEAN \u003cbr\u003e\u003cbr\u003e2. NO LOVE \u003cbr\u003e\u003cbr\u003e3. BONNET OF PINS \u003cbr\u003e\u003cbr\u003e4. FROZEN ORANGES \u003cbr\u003e\u003cbr\u003e5. BREAKING INTO ACTING feat. Hand Hanots \u003cbr\u003e\u003cbr\u003e6. NOWHERE SPECIAL \u003cbr\u003e\u003cbr\u003e7. LITTLE BY LITTLE \u003cbr\u003e\u003cbr\u003e8. JUNK \u003cbr\u003e\u003cbr\u003e9. SILVER JEEP \u003cbr\u003e\u003cbr\u003e10. TIMES OF DIFFICULTY \u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858433240,"sku":"888072674332","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/MattBerninger_CD.png?v=1770327300"},{"product_id":"where-the-earth-bends-cd","title":"Daffo \"Where The Earth Bends\" CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-teams=\"true\"\u003eDaffo’s \u003ci\u003eWhere the Earth Bends\u003c\/i\u003e is the debut album from an essential new voice on the indie-rock scene. Produced and mixed by Rob Schnapf (known for his work with Elliott Smith, Beck, Cat Power, and more), Where the Earth Bends encompasses an intimate yet frenetic sound that perfectly mirrors the album’s emotional intensity. On this record, singer\/songwriter Daffo brings an unexpected beauty to the most uncomfortable of feelings.\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858498776,"sku":"888072713406","price":13.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/Daffo-WTEB-CD-Mockup-Front.png?v=1770327301"},{"product_id":"boiled-alive-cd","title":"DIIV \"Boiled Alive\" CD","description":"\u003c!-- PREORDER BLOCK INSERTED --\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eBoiled Alive, produced by Chris Coady, is a live album recorded at the Teragram Ballroom in Los Angeles, CA on May 24th, 25th and 26th 2025. The album consists of the entirety of the DIIV’s last album, Frog In Boiling Water, with the addition of Return Of Youth as the album closer and interludes. \u003cbr\u003e\u003cbr\u003eFrog in Boiling Water, both the title and the themes of the record, reference “The Boiling Frog” in Daniel Quinn’s The Story of B. The band explains, “If you drop a frog in a pot of boiling water, it will of course frantically try to clamber out. But if you place it gently in a pot of tepid water and turn the heat on low, the frog will sink into a tranquil stupor, exactly like one of us in a hot bath, and before long, with a smile on its face, it will unresistingly allow itself to be boiled to death.”\u003cbr\u003e“We understand the metaphor to be one about a slow, sick, and overwhelmingly banal collapse of society under end-stage capitalism, the brutal realities we’ve maybe come to accept as normal. That’s the boiling water and we are the frogs. The album is more or less a collection of snapshots from various angles of our modern condition which we think highlights what this collapse looks like and, more particularly, what it feels like.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cbr\u003eProduced by Chris Coady \u003cbr\u003eRecorded by Dave Schiffman\u003cbr\u003eVocal Engineer: Tyler Karmen \u003cbr\u003eAssistant Engineer: Kenny Moran\u003cbr\u003eAudio Editing by Erik Brauer\u003cbr\u003eFront of House Engineer: Daniel Knowles \u003cbr\u003eMixed by Chris Coady \u003cbr\u003eMastered by Joe LaPorta\u003cbr\u003eVocals: Cole Smith, Colin Caulfield\u003cbr\u003eGuitar: Cole Smith, Andrew Bailey\u003cbr\u003eBass: Colin Caulfield\u003cbr\u003eDrums: Ben Newman\u003cbr\u003eTape Loops and Interludes: Andrew Bailey, Ben Newman, Cole Smith, Colin Caulfield\u003cbr\u003ePackage Design: Parker Sprout\u003cbr\u003e\u003cbr\u003eTRACK LIST:\u003cbr\u003e1. In Amber (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (04:17)\u003cbr\u003e2. Interlude 1 (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (00:44)\u003cbr\u003e3. Brown Paper Bag (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (04:19)\u003cbr\u003e4. Interlude 2 (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (00:53)\u003cbr\u003e5. Raining On Your Pillow (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (03:37)\u003cbr\u003e6. Interlude 3 (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (00:48)\u003cbr\u003e7. Frog In Boiling Water (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (03:55)\u003cbr\u003e8. Interlude 4 (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (00:35)\u003cbr\u003e9. Everyone Out (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (04:48)\u003cbr\u003e10. Interlude 5 (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (01:23)\u003cbr\u003e11. Reflected (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (03:32)\u003cbr\u003e12. Interlude 6 (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (00:48)\u003cbr\u003e13. Somber The Drums (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (03:38)\u003cbr\u003e14. Interlude 7 (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (01:49)\u003cbr\u003e15. Little Birds (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (04:22)\u003cbr\u003e16. Interlude 8 (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (01:08)\u003cbr\u003e17. Soul-net (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (04:17)\u003cbr\u003e18. Interlude 9 (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (00:24)\u003cbr\u003e19. Fender On The Freeway (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (05:19)\u003cbr\u003e20. Interlude 10 (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (00:38)\u003cbr\u003e21. Return of Youth (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (05:45)\u003cbr\u003e22. Interlude 11(Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (01:50)\u003cbr\u003e23. Outro (Boiled Alive \/ Live at Teragram Ballroom \/ 2025) (01:42)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858531544,"sku":"888072745841","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/BoiledAliveCD.png?v=1770327300"},{"product_id":"nathaniel-rateliff-the-night-sweats-10th-anniversary-2cd","title":"Nathaniel Rateliff \u0026 The Night Sweats \"10th Anniversary\" 2CD","description":"\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eCelebrate 10 years of Nathaniel Rateliff \u0026amp; The Night Sweats’ explosive debut album with this special anniversary edition. Featuring the timeless hits that launched their meteoric rise, including the unstoppable “S.O.B.,” this release honors the raw soul, vintage grooves, and powerful vocals that captivated fans worldwide. Revisit the record that redefined modern soul-rock and introduced a band whose music continues to move hearts and dance floors everywhere.\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858564312,"sku":"888072722408","price":19.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/NathanielRateliffNightSweats_10th_2CD_Packshot.png?v=1770327302"},{"product_id":"staring-down-the-brilliant-dream-cd","title":"Indigo Girls \"Staring Down The Brilliant Dream\" CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eCo-produced with their soundman Brian Speiser, it's compiled from tours between 2006 and 2009. Their entire discography is represented in one way or another. Along the way, from Seattle to Chicago, from Yountville, CA to Lowell, MA to Knoxville, TN, these performances all have a presence that is immediate, kinetic, and committed. Hundreds of hours of tapes were gone through to find the best performances of these songs, many of which contain guest appearances, such as \"Closer to Fine\" with guest vocalists Jill Hennessy, Sean and Dominic Kelly, and Georgia rock legend Michelle Malone (Malone also appears on the set closer, a killer reading of the Rolling Stones' \"Wild Horses\"). The 2006 band featured all-star drummer Matt Chamberlain as well as Carol Isaacs on keyboards and bassist Clare Kenny. By 2008 it was often down to just Ray and Saliers with Julie Wolf on accordion or some other wonderfully illustrative instrument. What is ever-present here in this impeccably sequenced collection: passion. There isn't one track here that feels as if the Indigo Girls are going through the motions. Check \"I Believe in Love,\" \"What Are You Like,\" \"Watershed,\" \"Prince of Darkness,\" \"Fly Away,\" or the transcendent \"Love of Our Lives.\" Ultimately, it doesn't matter which cut you select or which disc; what makes the Indigo Girls so important to their fans is on display here in spades. - Thom Jurek (AllMusic.com)\u003c\/p\u003e\n\u003cp\u003eRelease Date: 6\/29\/10\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eTRACK LIST:\u003c\/u\u003e\u003cbr\u003e1. Heartache For Everyone 3:19\u003cbr\u003e2. Closer To Fine 4:19\u003cbr\u003e3. Go 4:11\u003cbr\u003e4. Come On Home 4:40\u003cbr\u003e5. Devotion 3:23\u003cbr\u003e6. Cold Beer And Remote Control 3:52\u003cbr\u003e7. Moment Of Forgiveness 3:13\u003cbr\u003e8. Fill It Up Again 3:46\u003cbr\u003e9. Sugar Tongue 3:44\u003cbr\u003e10. Fly Away 3:20\u003cbr\u003e11. Ozilline 4:15\u003cbr\u003e12. Don't Think Twice, It's All Right 3:21\u003cbr\u003e13. Kid Fears 4:22\u003cbr\u003e14. Watershed 4:49\u003cbr\u003e15. Shame On You 4:34\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":51371429396696,"sku":"015707806923","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/IndigoGirls_StaringDown_CD.png?v=1770403937"},{"product_id":"trail-of-flowers-cd","title":"Sierra Ferrell \"Trail Of Flowers\" CD","description":"\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTrail Of Flowers CD\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the brightest young luminaries in roots music today, Sierra Ferrell brings a dose of beautifully strange magic to everything she touches. On her new album Trail Of Flowers, brought to life with producer Eddie Spear (Zach Bryan, Brandi Carlile, Chris Stapleton) and additional production by Gary Paczosa (Alison Krauss, Dwight Yoakam, Gillian Welch) she expands her sound while deepening the urgency of her songs, often revealing a wealth of wisdom within her wildly imaginative storytelling.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":14915,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"12\":0,\"14\":{\"1\":2,\"2\":2171169},\"15\":\"Garamond, Garamond_EmbeddedFont, Garamond_MSFontService, serif\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"One of the brightest young luminaries in roots music today, Sierra Ferrell brings a dose of beautifully strange magic to everything she touches. On her new album Trail Of Flowers, brought to life with producer Eddie Spear (Zach Bryan, Brandi Carlile, Chris Stapleton) and additional production by Gary Paczosa (Alison Krauss, Dwight Yoakam, Gillian Welch) she expands her sound while deepening the urgency of her songs, often revealing a wealth of wisdom within her wildly imaginative storytelling. LP –  \\n\\nSide A \\n\\n1. American Dreaming         \\n\\n2. Dollar Bill Bar     \\n\\n3. Fox Hunt              \\n\\n4. Chittlin’ Cookin’ Time In Cheatham County            \\n\\n5. Wish You Well    \\n\\n6. Money Train \\n\\nSide B \\n\\n7. I Could Drive You Crazy   \\n\\n8. Why Haven’t You Loved Me Yet  \\n\\n9. Rosemary \\n\\n10. Lighthouse \\n\\n11. I’ll Come Off The Mountain \\n\\n12. No Letter \"}' data-sheets-root=\"1\"\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. American Dreaming \u003cbr\u003e\u003cbr\u003e2. Dollar Bill Bar \u003cbr\u003e\u003cbr\u003e3. 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