{"title":"WEB EXCLUSIVES","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe collaborated with record labels and are now excited to offer\u003cstrong\u003e WEB EXCLUSIVE\u003c\/strong\u003e\u003cspan\u003e items that will be fulfilled directly from the label. Additional shipping fees may apply. More Items coming soon!\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"americana-black-vinyl","title":"The Offspring \"Americana\" Vinyl","description":"\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan\u003eAmericana\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e is the fifth studio album by the American punk rock band the Offspring. The original was a major success, debuting at number six on the Billboard 200. \u003ci\u003eAmericana\u003c\/i\u003e has sold more than 10 million copies worldwide, with over 9 million copies certified, while achieving 5x platinum status alone in the United States for 5 million copies shipped. The album contains the hit singles \"Pretty Fly (for a White Guy)\", \"Why Don't You Get a Job?\" and \"The Kids Aren't Alright\". \u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51356057829592,"sku":"602577951398","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/THE_OFFSPRING_AMERICANA_PACKSHOT-WIDE.png?v=1769731637"},{"product_id":"love-you-anyway-cd","title":"Devon Gilfillian \"Love You Anyway\"  CD","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eFirst 100 initial orders will include a SIGNED CD booklet.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn intoxicating, genre-crossing game changer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove You Anyway\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003espans soul, hip-hop, R\u0026amp;B, and rock, all under the banner of Black joy. The Philadelphia-born, Nashville-based soul artist also debuted a sinuous and seductive new single, “\u003cstrong\u003eAll I Really Wanna Do\u003c\/strong\u003e,” along with the track’s accompanying interstellar-inspired animated video that finds Devon traveling through a love-induced galaxy of his own making.   \u003c\/p\u003e\n\u003cp\u003eProduced by\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eJeremy Lutito\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Joy Oladokun, NEEDTOBREATHE),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove You Anyway\u003c\/em\u003e, confronts as well as comforts. Chronicling Gilfillian’s journey as a Black artist living in 21\u003csup\u003est\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury America, the album’s 10 original tracks, (all co-written by Gilfillian) are as much about fighting for what you believe in: equity and representation, as it is about love, finding it, making it, and channeling it into every facet of our lives. \u003c\/p\u003e\n\u003cp\u003eDevon Gilfillian on the new album and single:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“I wanted to share my story on this album and pour a whole lot of love into the gap that’s grown between people in our country. “All I Really Wanna Do” is an anthem for living in the moment. It’s a song about taking a chance on love, on life, and on exploring yourself. It’s about being weird with the one you love and knowing that being yourself is enough. I want people to listen to this song and forget - even for a second - the sad things going on around the world. I want them to be reminded of the beauty and joy we have around us, as long as we’re looking and open to receive.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe recording of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eLove You Anyway\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ebegan during the pandemic, as the nation’s political chasm widened, leading Gilfillian to rely on a few simple resources: the music of Marvin Gaye, new love, therapy, and his beloved cats, Barry White and Felicia. \u003c\/p\u003e\n\u003cp\u003eSummoning an array of musical touchstones amid a rush of unexpected ear-catching twists and turns,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove You Anyway\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis as listenable as it is thought-provoking. The elegant, “All I Really Wanna Do,” is the LP’s alluring Temps-infused opening invitation. In quick succession, soulful provocateurs, “The Recipe,” and “Right Kind of Crazy,” wrap around \"Brown Sugar Queen,\"\u003cspan\u003e \u003c\/span\u003ea Prince x Anderson Paak super-sized jam that features rising Swedish pop star Janice. Elsewhere, “Better Broken” evokes Bill Withers’ slinky gift for melody, the spiritual \"Let The Water Flow,\" reaffirms Georgia’s political awakening, and “Righteous,” (featuring new labelmate Nathaniel Rateliff) takes an unblinking look at racial injustice in America. Lastly, on “Love You Anyway,” the open-hearted and transcendent end-title track, Gilfillian captures the raw power and beauty of acceptance.\u003c\/p\u003e\n\u003cp\u003eGrowing up in Philadelphia, Gilfillian discovered that the towering icons of his musician father’s era—Ray Charles,\u003cspan\u003e \u003c\/span\u003eStevie Wonder,\u003cspan\u003e \u003c\/span\u003eOtis Redding,\u003cspan\u003e \u003c\/span\u003eThe Temptations—were just as formative and exciting as discovering the new sounds of his own generation: Wu-Tang Clan,\u003cspan\u003e \u003c\/span\u003eNotorious B.I.G., and\u003cspan\u003e \u003c\/span\u003eJay-Z, who all inspired him in different ways. Bursting on the scene in 2020 with his highly regarded debut album\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlack Hole Rainbow\u003c\/em\u003e, he received glowing acclaim from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNPR\u003c\/em\u003e, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNew York Times\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePASTE\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Tennessean\u003c\/em\u003e, among many others. Then later that year, Gilfillian re-recorded and released\u003cspan\u003e \u003c\/span\u003eMarvin Gaye’s iconic album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWhat’s Going On\u003c\/em\u003e, which raised funds for low-income communities of color, and provided resources and education around the democratic process.\u003c\/p\u003e\n\u003cp\u003eNow, with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eLove You Anyway\u003c\/em\u003e\u003c\/strong\u003e, Devon Gilfillian pays it forward. Conjuring the raw, sexy emotions of his predecessors and the next-level production grooves of his R\u0026amp;B and hip-hop contemporaries, Gilfillian is taking soul music into an exciting and restorative new future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eTRACK LIST\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e  All I Really Wanna Do  \u003c\/li\u003e\n\u003cli\u003e  The Recipe \u003c\/li\u003e\n\u003cli\u003e  Brown Sugar Queen (feat. Janice) \u003c\/li\u003e\n\u003cli\u003e  Right Kind Of Crazy\u003c\/li\u003e\n\u003cli\u003e  Let The Water Flow\u003c\/li\u003e\n\u003cli\u003e  Imma Let My Body Move \u003c\/li\u003e\n\u003cli\u003e  Better Broken\u003c\/li\u003e\n\u003cli\u003e  Follow The Leader \u003c\/li\u003e\n\u003cli\u003e  Righteous (feat. Nathaniel Rateliff)\u003c\/li\u003e\n\u003cli\u003ePiano (Interlude) \u003c\/li\u003e\n\u003cli\u003eLove You Anyway\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369854566616,"sku":"888072481756","price":7.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/DevonGilfillian_cd-sleeve.png?v=1770327286"},{"product_id":"tired-hearts-baby-blue-vinyl","title":"Bailen \"Tired Hearts\" Baby Blue Vinyl","description":"\u003cp\u003e\u003cstrong\u003eLimited Edition Baby Blue colored vinyl. \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOn \u003cem\u003eTired Hearts\u003c\/em\u003e, \u003cstrong\u003eDaniel\u003c\/strong\u003e, \u003cstrong\u003eDavid\u003c\/strong\u003e, and \u003cstrong\u003eJulia BAILEN\u003c\/strong\u003e deliver a dazzling set of songs that navigates the space between the heart’s expectation and the head’s sober reality. At times both intricate and playful, measured and elaborate, the album’s 12 original songs wrestle with an uncertain future where ethics and morality—both communal and personal—are constantly shifting.\u003c\/p\u003e\n\u003cp\u003eProduced by \u003cstrong\u003eBrad Cook\u003c\/strong\u003e (Bon Iver, Waxahatchee) and BAILEN, and mixed by \u003cstrong\u003eLars Stalfors\u003c\/strong\u003e (Soccer Mommy, St. Vincent, Local Natives) \u003cem\u003eTired Hearts’ \u003c\/em\u003etaut, synth-driven tracks are centered around BAILEN’s radiant harmonies and adventurous arrangements furthering the group’s exhilarating avant-pop evolution. Cook was instrumental in expanding the band’s ambition beyond what they initially envisioned. “We played the last record live a hundred times before recording it, so we tracked a lot of it live,” Daniel explains. “With Brad, we took a collagist’s approach. It freed us up to explore and be sonically adventurous.”\u003c\/p\u003e\n\u003cp\u003eThe album’s numerous high points include the iridescent pop of “Nothing Left to Give,” the tender hushed intimacy of “These Bones,” and the piercing, lilting title track “Tired Hearts.” The moving “BRCA (Nothing Takes Me Down),” a title derived from the breast cancer gene Julia shares with her mother (a breast cancer survivor) is indicative of the band’s incredible range. Over a slow building rhythmic pulse, Julia sings of hospital gowns and uncertainty, untying a complex knot of familial anxiety, guilt, and acceptance, while embracing the determination to move forward: \u003cem\u003eI’ll still live like I’m dying\/But I won’t let it take me down\u003c\/em\u003e. “It’s about finding ways to not be defined by these circumstances, and to move past them with resilience,” she affirms.\u003c\/p\u003e\n\u003cp\u003eKnown for their stunning vocals and sharp, literate songwriting, BAILEN have cultivated a passionate following and emerged in indie circles via word of mouth, robust playlisting and a stream of steady touring with artists such as Hozier, Amos Lee, The Lone Bellow, and Joseph, to name a few. The group’s acclaimed 2019 debut, \u003cem\u003eThrilled To Be Here\u003c\/em\u003e, produced by John Congleton, has amassed over 25 million streams since its release.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTired Hearts 3:49\u003c\/li\u003e\n\u003cli\u003eNothing Left To Give 3:13\u003c\/li\u003e\n\u003cli\u003eThese Bones 3:54\u003c\/li\u003e\n\u003cli\u003eLeave Me Wanting More 2:46\u003c\/li\u003e\n\u003cli\u003eHere We Are Again 2:44\u003c\/li\u003e\n\u003cli\u003eCall It Like It Is 3:24\u003c\/li\u003e\n\u003cli\u003eChange Your Mind 3:19\u003c\/li\u003e\n\u003cli\u003eLove You Blind 3:45\u003c\/li\u003e\n\u003cli\u003eRelic 3:03\u003c\/li\u003e\n\u003cli\u003eBRCA (Nothing Takes Me Down) 3:22\u003c\/li\u003e\n\u003cli\u003eShadows 4:10\u003c\/li\u003e\n\u003cli\u003eHiding 3:33\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369854599384,"sku":"888072509122","price":19.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/bailen_tired-hearts_packshot_sticker.png?v=1770327286"},{"product_id":"love-you-anyway-pink-purple-marbled-vinyl","title":"Devon Gilfillian \"Love You Anyway\" Pink\/Purple Marbled Vinyl","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eLimited Edition and EXCLUSIVE Pink\/Purple Marbled Vinyl. 500 copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn intoxicating, genre-crossing game changer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove You Anyway\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003espans soul, hip-hop, R\u0026amp;B, and rock, all under the banner of Black joy. The Philadelphia-born, Nashville-based soul artist also debuted a sinuous and seductive new single, “\u003cstrong\u003eAll I Really Wanna Do\u003c\/strong\u003e,” along with the track’s accompanying interstellar-inspired animated video that finds Devon traveling through a love-induced galaxy of his own making.   \u003c\/p\u003e\n\u003cp\u003eProduced by\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eJeremy Lutito\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Joy Oladokun, NEEDTOBREATHE),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove You Anyway\u003c\/em\u003e, confronts as well as comforts. Chronicling Gilfillian’s journey as a Black artist living in 21\u003csup\u003est\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury America, the album’s 10 original tracks, (all co-written by Gilfillian) are as much about fighting for what you believe in: equity and representation, as it is about love, finding it, making it, and channeling it into every facet of our lives. \u003c\/p\u003e\n\u003cp\u003eDevon Gilfillian on the new album and single:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“I wanted to share my story on this album and pour a whole lot of love into the gap that’s grown between people in our country. “All I Really Wanna Do” is an anthem for living in the moment. It’s a song about taking a chance on love, on life, and on exploring yourself. It’s about being weird with the one you love and knowing that being yourself is enough. I want people to listen to this song and forget - even for a second - the sad things going on around the world. I want them to be reminded of the beauty and joy we have around us, as long as we’re looking and open to receive.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe recording of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eLove You Anyway\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ebegan during the pandemic, as the nation’s political chasm widened, leading Gilfillian to rely on a few simple resources: the music of Marvin Gaye, new love, therapy, and his beloved cats, Barry White and Felicia. \u003c\/p\u003e\n\u003cp\u003eSummoning an array of musical touchstones amid a rush of unexpected ear-catching twists and turns,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove You Anyway\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis as listenable as it is thought-provoking. The elegant, “All I Really Wanna Do,” is the LP’s alluring Temps-infused opening invitation. In quick succession, soulful provocateurs, “The Recipe,” and “Right Kind of Crazy,” wrap around \"Brown Sugar Queen,\"\u003cspan\u003e \u003c\/span\u003ea Prince x Anderson Paak super-sized jam that features rising Swedish pop star Janice. Elsewhere, “Better Broken” evokes Bill Withers’ slinky gift for melody, the spiritual \"Let The Water Flow,\" reaffirms Georgia’s political awakening, and “Righteous,” (featuring new labelmate Nathaniel Rateliff) takes an unblinking look at racial injustice in America. Lastly, on “Love You Anyway,” the open-hearted and transcendent end-title track, Gilfillian captures the raw power and beauty of acceptance.\u003c\/p\u003e\n\u003cp\u003eGrowing up in Philadelphia, Gilfillian discovered that the towering icons of his musician father’s era—Ray Charles,\u003cspan\u003e \u003c\/span\u003eStevie Wonder,\u003cspan\u003e \u003c\/span\u003eOtis Redding,\u003cspan\u003e \u003c\/span\u003eThe Temptations—were just as formative and exciting as discovering the new sounds of his own generation: Wu-Tang Clan,\u003cspan\u003e \u003c\/span\u003eNotorious B.I.G., and\u003cspan\u003e \u003c\/span\u003eJay-Z, who all inspired him in different ways. Bursting on the scene in 2020 with his highly regarded debut album\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlack Hole Rainbow\u003c\/em\u003e, he received glowing acclaim from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNPR\u003c\/em\u003e, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNew York Times\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePASTE\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Tennessean\u003c\/em\u003e, among many others. Then later that year, Gilfillian re-recorded and released\u003cspan\u003e \u003c\/span\u003eMarvin Gaye’s iconic album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWhat’s Going On\u003c\/em\u003e, which raised funds for low-income communities of color, and provided resources and education around the democratic process.\u003c\/p\u003e\n\u003cp\u003eNow, with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eLove You Anyway\u003c\/em\u003e\u003c\/strong\u003e, Devon Gilfillian pays it forward. Conjuring the raw, sexy emotions of his predecessors and the next-level production grooves of his R\u0026amp;B and hip-hop contemporaries, Gilfillian is taking soul music into an exciting and restorative new future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eTRACK LIST\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e  All I Really Wanna Do  \u003c\/li\u003e\n\u003cli\u003e  The Recipe \u003c\/li\u003e\n\u003cli\u003e  Brown Sugar Queen (feat. Janice) \u003c\/li\u003e\n\u003cli\u003e  Right Kind Of Crazy\u003c\/li\u003e\n\u003cli\u003e  Let The Water Flow\u003c\/li\u003e\n\u003cli\u003e  Imma Let My Body Move \u003c\/li\u003e\n\u003cli\u003e  Better Broken\u003c\/li\u003e\n\u003cli\u003e  Follow The Leader \u003c\/li\u003e\n\u003cli\u003e  Righteous (feat. Nathaniel Rateliff)\u003c\/li\u003e\n\u003cli\u003ePiano (Interlude) \u003c\/li\u003e\n\u003cli\u003eLove You Anyway\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369854632152,"sku":"GILFILLIAN-LOVEYOU-PINKMARBLE-LP","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/DG_LoveYouAnywayPinkPurpleMarbledVinyl_f9cf4c3a-06f9-4ab5-84cb-a77c6b8648bc.png?v=1770327286"},{"product_id":"mother-road-yellow-vinyl","title":"Grace Potter \"Mother Road\" Yellow Vinyl","description":"\u003cp\u003eAn audacious and heart-pounding map of the soul,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMother Road\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efinds Grace deconstructing her deepest fears and darkest regrets, charting the fallout with brutal honesty and emotional daring. \u003c\/p\u003e\n\u003cp\u003eGrace Potter on the meaning of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMother Road\u003c\/em\u003e: \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“In Grapes of Wrath, John Steinbeck called Route 66 the ‘The Mother of all roads...the road of flight.’ As I zeroed out my odometer and started west on my road trip across the US, I hoped that driving the road of flight would give me a bird’s eye view of my life. But it didn’t take long to realize that I was not flying; I was running away. In the solitude, I found myself smashing open the piggy bank of deeply-buried memories. Those gems of my real-life exploits spilled into my creative consciousness and emboldened me to write an album that reaches far beyond what actually happened–launching me down the alternate-reality roads of what could have happened.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Eric Valentine (Queens of the Stone Age, Nickel Creek) and recorded at RCA’s famed Studio A in Nashville and Topangadise in Topanga, CA,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMother Road\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efollows Grace’s 2019’s acclaimed, 2X GRAMMY-nominated album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDaylight\u003c\/em\u003e. Throughout the album’s 10 original tracks, Grace, along with contributions from a top-flight band including guitarist Nick Bockrath, bassist Tim Deaux, drummer Matt Musty, pedal steel guitarist Dan Kalisher, and keyboardist Benmont Tench, commands an expansive soundscape of soulful rock, roots, funk, country, and R\u0026amp;B.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMother Road\u003c\/em\u003e’s myriad high points include the searing “Ready Set Go,” which ricochets with stinging slide guitar and attitude to burn; “Lady Vagabond,” a paean to anti-heroines everywhere; the self-deceptive “Rose Colored Rearview;” the spirit-purifying “All My Ghosts;” and the album’s wild, theatrical finale, “Masterpiece.” At the album’s center is “Little Hitchhiker,” a beautifully detailed story-song co-written by superstar songwriter Natalie Hemby, which poignantly re-imagines the time nine-year-old Potter ran away from home, a profound experience that sparked much of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMother Road\u003c\/em\u003e’s narrative. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMother Road\u003c\/li\u003e\n\u003cli\u003eTruck Stop Angels\u003c\/li\u003e\n\u003cli\u003eReady Set Go\u003c\/li\u003e\n\u003cli\u003eGood Time\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLittle Hitchhiker\u003c\/li\u003e\n\u003cli\u003eLady Vagabond\u003c\/li\u003e\n\u003cli\u003eRose-Colored Rearview\u003c\/li\u003e\n\u003cli\u003eAll My Ghosts\u003c\/li\u003e\n\u003cli\u003eFutureland\u003c\/li\u003e\n\u003cli\u003eMasterpiece\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369854697688,"sku":"888072432185","price":19.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/GP_packshot_yellow_sticker.png?v=1770327286"},{"product_id":"mother-road-cd","title":"Grace Potter \"Mother Road\" CD","description":"\u003cp\u003eAn audacious and heart-pounding map of the soul,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMother Road\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efinds Grace deconstructing her deepest fears and darkest regrets, charting the fallout with brutal honesty and emotional daring. \u003c\/p\u003e\n\u003cp\u003eGrace Potter on the meaning of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMother Road\u003c\/em\u003e: \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“In Grapes of Wrath, John Steinbeck called Route 66 the ‘The Mother of all roads...the road of flight.’ As I zeroed out my odometer and started west on my road trip across the US, I hoped that driving the road of flight would give me a bird’s eye view of my life. But it didn’t take long to realize that I was not flying; I was running away. In the solitude, I found myself smashing open the piggy bank of deeply-buried memories. Those gems of my real-life exploits spilled into my creative consciousness and emboldened me to write an album that reaches far beyond what actually happened–launching me down the alternate-reality roads of what could have happened.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Eric Valentine (Queens of the Stone Age, Nickel Creek) and recorded at RCA’s famed Studio A in Nashville and Topangadise in Topanga, CA,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMother Road\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efollows Grace’s 2019’s acclaimed, 2X GRAMMY-nominated album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDaylight\u003c\/em\u003e. Throughout the album’s 10 original tracks, Grace, along with contributions from a top-flight band including guitarist Nick Bockrath, bassist Tim Deaux, drummer Matt Musty, pedal steel guitarist Dan Kalisher, and keyboardist Benmont Tench, commands an expansive soundscape of soulful rock, roots, funk, country, and R\u0026amp;B.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMother Road\u003c\/em\u003e’s myriad high points include the searing “Ready Set Go,” which ricochets with stinging slide guitar and attitude to burn; “Lady Vagabond,” a paean to anti-heroines everywhere; the self-deceptive “Rose Colored Rearview;” the spirit-purifying “All My Ghosts;” and the album’s wild, theatrical finale, “Masterpiece.” At the album’s center is “Little Hitchhiker,” a beautifully detailed story-song co-written by superstar songwriter Natalie Hemby, which poignantly re-imagines the time nine-year-old Potter ran away from home, a profound experience that sparked much of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMother Road\u003c\/em\u003e’s narrative. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMother Road\u003c\/li\u003e\n\u003cli\u003eTruck Stop Angels\u003c\/li\u003e\n\u003cli\u003eReady Set Go\u003c\/li\u003e\n\u003cli\u003eGood Time\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLittle Hitchhiker\u003c\/li\u003e\n\u003cli\u003eLady Vagabond\u003c\/li\u003e\n\u003cli\u003eRose-Colored Rearview\u003c\/li\u003e\n\u003cli\u003eAll My Ghosts\u003c\/li\u003e\n\u003cli\u003eFutureland\u003c\/li\u003e\n\u003cli\u003eMasterpiece\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369854730456,"sku":"888072432178","price":11.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/GP_CD_STICKER.png?v=1770327286"},{"product_id":"tired-hearts-cd","title":"Bailen \"Tired Hearts\" CD","description":"\u003cp\u003eOn \u003cem\u003eTired Hearts\u003c\/em\u003e, \u003cstrong\u003eDaniel\u003c\/strong\u003e, \u003cstrong\u003eDavid\u003c\/strong\u003e, and \u003cstrong\u003eJulia BAILEN\u003c\/strong\u003e deliver a dazzling set of songs that navigates the space between the heart’s expectation and the head’s sober reality. At times both intricate and playful, measured and elaborate, the album’s 12 original songs wrestle with an uncertain future where ethics and morality—both communal and personal—are constantly shifting.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by \u003cstrong\u003eBrad Cook\u003c\/strong\u003e (Bon Iver, Waxahatchee) and BAILEN, and mixed by \u003cstrong\u003eLars Stalfors\u003c\/strong\u003e (Soccer Mommy, St. Vincent, Local Natives) \u003cem\u003eTired Hearts’ \u003c\/em\u003etaut, synth-driven tracks are centered around BAILEN’s radiant harmonies and adventurous arrangements furthering the group’s exhilarating avant-pop evolution. Cook was instrumental in expanding the band’s ambition beyond what they initially envisioned. “We played the last record live a hundred times before recording it, so we tracked a lot of it live,” Daniel explains. “With Brad, we took a collagist’s approach. It freed us up to explore and be sonically adventurous.”\u003c\/p\u003e\n\u003cp\u003eThe album’s numerous high points include the iridescent pop of “Nothing Left to Give,” the tender hushed intimacy of “These Bones,” and the piercing, lilting title track “Tired Hearts.” The moving “BRCA (Nothing Takes Me Down),” a title derived from the breast cancer gene Julia shares with her mother (a breast cancer survivor) is indicative of the band’s incredible range. Over a slow building rhythmic pulse, Julia sings of hospital gowns and uncertainty, untying a complex knot of familial anxiety, guilt, and acceptance, while embracing the determination to move forward: \u003cem\u003eI’ll still live like I’m dying\/But I won’t let it take me down\u003c\/em\u003e. “It’s about finding ways to not be defined by these circumstances, and to move past them with resilience,” she affirms.\u003c\/p\u003e\n\u003cp\u003eKnown for their stunning vocals and sharp, literate songwriting, BAILEN have cultivated a passionate following and emerged in indie circles via word of mouth, robust playlisting and a stream of steady touring with artists such as Hozier, Amos Lee, The Lone Bellow, and Joseph, to name a few. The group’s acclaimed 2019 debut, \u003cem\u003eThrilled To Be Here\u003c\/em\u003e, produced by John Congleton, has amassed over 25 million streams since its release.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTired Hearts 3:49\u003c\/li\u003e\n\u003cli\u003eNothing Left To Give 3:13\u003c\/li\u003e\n\u003cli\u003eThese Bones 3:54\u003c\/li\u003e\n\u003cli\u003eLeave Me Wanting More 2:46\u003c\/li\u003e\n\u003cli\u003eHere We Are Again 2:44\u003c\/li\u003e\n\u003cli\u003eCall It Like It Is 3:24\u003c\/li\u003e\n\u003cli\u003eChange Your Mind 3:19\u003c\/li\u003e\n\u003cli\u003eLove You Blind 3:45\u003c\/li\u003e\n\u003cli\u003eRelic 3:03\u003c\/li\u003e\n\u003cli\u003eBRCA (Nothing Takes Me Down) 3:22\u003c\/li\u003e\n\u003cli\u003eShadows 4:10\u003c\/li\u003e\n\u003cli\u003eHiding 3:33\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369854763224,"sku":"888072498334","price":11.23,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/bailen-tired-hearts_cd-packshot.png?v=1770327286"},{"product_id":"the-returner-neon-coral-vinyl","title":"Allison Russell \"The Returner\" Neon Coral Vinyl","description":"\u003cp\u003e\u003cstrong\u003eNeon Coral 180g Vinyl\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e4x GRAMMY-nominated singer, songwriter, poet, activist, and multi-instrumentalist Allison Russell has announced her new album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e. The album was written and co-produced by Allison along with dim star (her partner JT Nero and Drew Lindsay) and was recorded over Solstice week in December 2022 at Henson Recording Studios in Los Angeles, CA. It features Russell’s “Rainbow Coalition” band of all female musicians along with special guest appearances from the legendary Wendy \u0026amp; Lisa, Brandi Carlile, Brandy Clark, and Hozier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAllison Russell on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“My goal with The Returner – sonically, poetically, and spiritually – is a radical reclamation of the present tense, a real time union of body, mind, and soul. This album is a much deeper articulation of rhythm, groove, and syncopation. Groove as it heralds the self back into the body, groove as it celebrates sensual and sexual agency and flowering, groove as an urgent call to action and political activism.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eIn just a word, it's funkier. But as is the history of anything funky, it’s never just a party. It is a multiverse of energies that merges the celebration and the battle cry. For while an embrace of the present tense is a celebration, it is equally an unquestioning leap into battle – cultural, political, environmental.”\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSince the release of her debut solo LP two years ago\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOutside Child\u003c\/i\u003e, Russell’s often devastating, deeply moving, cathartic celebration of survivor’s joy has become one of the most acclaimed albums of the past 10 years. Now comes the second chapter in her story,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returne\u003c\/i\u003er, a body-shaking, mind-expanding, soulful expression of liberation, love, and self-respect that serves as a fierce declaration of joy for all survivors that have made it to the other side. Allison, JT, and Drew built\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efrom the bottom up with a rhythm-first, genre-fluid approach. The improvisational energy of great female artists sparked the album’s fierce joy, and provided a wider canvas for Allison’s immense, unlimited talent. In all, the new album doesn’t just deliver on the promise of the last two years, it exceeds all reasonable (and unreasonable) expectations and affirms Allison Russell’s place among music’s most vital artists and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e, as one of 2023’s most essential recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAllison Russell has spent her career in multiple bands, including Po’ Girl, Our Native Daughters, and Birds of Chicago. After a career spent as a gifted multi-instrumentalist, backing numerous other artists, she finally dared to release her solo project in 2021. \"It’s an album of strength and affirmation, not victimization,” said The New York Times in their profile on Russell and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOutside Child\u003c\/i\u003e. 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She was recently nominated for Song of the Year and Artist of the Year for the 2023 Americana Awards. In addition, Russell has consistently used her newfound platform to elevate, educate and inspire; curating the history making\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOnce And Future Sounds: Roots and Revolution\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eset for the Newport Folk Festival in 2021 and mobilizing this year’s triumphant\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLove Rising\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eAll-Star benefit concert in support of LGBTQIA+ causes in Nashville - raising over $550,000 and calling national attention to Tennessee’s dangerous anti\/trans and anti\/drag laws. Russell has also announced a book deal with Flatiron\/MacMillan for her debut novel, a memoir based on her life and the material that inspired\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOutside Child\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eThe Returner - Track List:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e  1.   Springtime (04:11)\u003cbr data-mce-fragment=\"1\"\u003e  2.   The Returner (03:51)\u003cbr data-mce-fragment=\"1\"\u003e  3.   All Without Within (03:13)\u003cbr data-mce-fragment=\"1\"\u003e  4.   Demons (04:29)\u003cbr data-mce-fragment=\"1\"\u003e  5.   Eve Was Black (06:04)\u003cbr data-mce-fragment=\"1\"\u003e  6.   Stay Right Here (04:10)\u003cbr data-mce-fragment=\"1\"\u003e  7.   Shadowlands (04:13)\u003cbr data-mce-fragment=\"1\"\u003e  8.   Rag Child (03:04)\u003cbr data-mce-fragment=\"1\"\u003e  9.   Snakelife (04:38)\u003cbr data-mce-fragment=\"1\"\u003e 10.  Requiem (06:14)\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eThe Returner - Credits: \u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs written by Allison Russell, JT Nero, and Drew Lindsay\u003cbr data-mce-fragment=\"1\"\u003eCo-Producers: Dim Star and AR                                                        \u003cbr data-mce-fragment=\"1\"\u003eRecorded by Brandon Bell at Henson Recording Studios (Los Angeles, CA)\u003cbr data-mce-fragment=\"1\"\u003eAssistant Engineer: Kelsey Porter                                                                    \u003cbr data-mce-fragment=\"1\"\u003eMixed by Brandon Bell at The Cabin Studio (Nashville, TN)\u003cbr data-mce-fragment=\"1\"\u003eMastered by Kim Rosen at Knack Mastering (Ringwood, NJ)\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAllison Russell (vocals, banjo, clarinet), Elenna Canlas (keyboards\/synth, backing vocals), Elizabeth Pupo-Walker (percussion), Chauntee Ross (violin, backing vocals) \u0026amp; Monique Ross (cello, backing vocals) aka SistaStrings, Ganessa James (bass, backing vocals), Joy Clark (guitar), Kerenza Peacock (violin), Larissa Maestro (cello, backing vocals), Lisa Coleman (piano), Mandy Fer (guitar, backing vocals), Meg Coleman (drums), Meg McCormick (guitar), Wendy Melvoin (guitar, bass), and Wiktoria Bialic (drums). Special guests Brandi Carlile, Brandy Clark, and Hozier provide backing vocals on “Requiem”. \u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369854795992,"sku":"888072524101","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/AR_VINYLpackshot_neoncoral_wide.png?v=1770327287"},{"product_id":"take-good-care-cd","title":"The Revivalists \"Take Good Care\" CD","description":"\u003cp\u003eStandard CD\u003cbr\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369855025368,"sku":"888072074699","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/Revivalists-take-good-care-cd.png?v=1770327286"},{"product_id":"men-amongst-mountains-black-vinyl","title":"The Revivalists \"Men Amongst Mountains\" Vinyl","description":"\u003cp\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369854992600,"sku":"601501346927","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/Revivalists_Men_Amongst_Mountains-2LP.png?v=1770327285"},{"product_id":"let-the-bad-times-roll-black-vinyl","title":"The Offspring \"Let The Bad Times Roll\" Vinyl","description":"\u003cp data-mce-fragment=\"1\"\u003eALBUM OVERVIEW\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;ALBUM OVERVIEW \\nThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.  \\nThe album is the band’s 10th, but their first new offering in eight years. There wasn’t a break up, no hiatus (they’ve kept up a steady level of touring during the span between albums), simply the band likes to take their time. And Holland had something else he needed to wrap up, finally getting his Ph.D. in Molecular Biology from USC, a 30-year odyssey that culminated in his thesis on the makeup of the HIV virus. “I had kept in touch with my professors and they encouraged me to come back and finish it up,” he says. “The band was cool about it,” before adding with a laugh “and that only took five years.”  \\nThe material on Let the Bad Times Roll was written and recorded at various times during the last eight years. Highlights include the devastating urgency of “The Opioid Diaries” and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor but underneath is the story of a guy who just wants his wife to feel anything towards him, love or hate. “I had written most of that song five years ago and finally put it together,” says Holland. “We do better when we work in spurts.”  \\nLet the Bad Times Roll finds the band collaborating with mega producer Bob Rock for the third time, working in Rock’s studios in Maui and Vancouver as well as the band’s own recently completed studio in Huntington Beach. Rock has become an increasingly important part of the band’s creative process. “First off, he’s an amazing guitar player so he’d play a small part and we would go back and forth with it and it usually turned into something we used,” says Holland. Rock also pushes Holland on his songwriting. Nicely of course. “I’ll have a line and he’ll like it,” says Holland. “But a few minutes later, he'll kind of put it back on you in a way that makes you feel like, okay, maybe I can, maybe I can get a little bit more out of this.”  \\nThe album contains some of Holland’s most direct and intense lyrics to date. The scourge of mental illness hovers throughout, especially on the fierce “Army of One” that has a surf guitar line that would make Dick Dale proud and the epic “Breaking These Bones” which slots next to classic Offspring anthems such as “Gone Away” and “The Kids Aren’t All Right.” Says Holland: “We've been talking about mental illness in rock and roll especially, for a long time, but it seems to be more on the table to me now. I think that that's great. I don't want to put too fine a point on it in songs like ‘Breaking These Bones’ and ‘We Never Have Sex Anymore’ because I want people to be able to interpret it on their own so hopefully that makes it more relatable.”  \\nHolland remains unafraid to pen topical material, but instead of taking the easy route in, say, bashing Trump, the title track and first single takes a more nuanced look around and what is happening in present day society. “I feel like we're in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more of a stubborn mentality where they’re not making the slightest attempt to fix things, it’s like ‘fuck it, bring on the North Korea nukes, bring on white nationalism.’ It's a much different attitude than I've seen in the past. And it’s really fucking scary.”  \\nIn times of tumult, punk has been the leader in addressing what ails society, but in 2020 it’s a weird time to be in a rock band. The ‘rock is dead’ trope is uttered as often as the latest trap banger gets played on the radio. But with other legendary acts such as Green Day, Bad Religion and Rage Against the Machine along with up-and-comers like Idles and PUP, rock and roll is still vital component of today’s culture, a genre that can smack you upside the head with nihilism but then offer a ray of sunlight through the darkened windows. “This album is probably the most cathartic thing we’ve done,” says Holland. “The messages might be dark, but at the end what’s left is that communication is important, working through feelings is important and most of all, hope is important.” Then let the bad times roll for now, in the hopes that good times lie ahead.  \\n\\n\\nTRACK LIST: \\n1. This Is Not Utopia (2:38)                \\n2. Let The Bad Times Roll (3:18)        \\n3. Behind Your Walls (3:21)                \\n4. Army Of One        (3:11)                \\n5. Breaking These Bones (2:46)                \\n6. Coming For You (3:48        )        \\n7. We Never Have Sex Anymore        (3:30)                \\n8. In The Hall Of The Mountain King (1:00)                \\n9. The Opioid Diaries (3:01)                \\n10. Hassan Chop (2:20)                \\n11. Gone Away (3:16)                \\n12. Lullaby (1:12)\\n\u0026quot;}\" data-mce-fragment=\"1\"\u003eThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll. \u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;ALBUM OVERVIEW \\nThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.  \\nThe album is the band’s 10th, but their first new offering in eight years. There wasn’t a break up, no hiatus (they’ve kept up a steady level of touring during the span between albums), simply the band likes to take their time. And Holland had something else he needed to wrap up, finally getting his Ph.D. in Molecular Biology from USC, a 30-year odyssey that culminated in his thesis on the makeup of the HIV virus. “I had kept in touch with my professors and they encouraged me to come back and finish it up,” he says. “The band was cool about it,” before adding with a laugh “and that only took five years.”  \\nThe material on Let the Bad Times Roll was written and recorded at various times during the last eight years. Highlights include the devastating urgency of “The Opioid Diaries” and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor but underneath is the story of a guy who just wants his wife to feel anything towards him, love or hate. “I had written most of that song five years ago and finally put it together,” says Holland. “We do better when we work in spurts.”  \\nLet the Bad Times Roll finds the band collaborating with mega producer Bob Rock for the third time, working in Rock’s studios in Maui and Vancouver as well as the band’s own recently completed studio in Huntington Beach. Rock has become an increasingly important part of the band’s creative process. “First off, he’s an amazing guitar player so he’d play a small part and we would go back and forth with it and it usually turned into something we used,” says Holland. Rock also pushes Holland on his songwriting. Nicely of course. “I’ll have a line and he’ll like it,” says Holland. “But a few minutes later, he'll kind of put it back on you in a way that makes you feel like, okay, maybe I can, maybe I can get a little bit more out of this.”  \\nThe album contains some of Holland’s most direct and intense lyrics to date. The scourge of mental illness hovers throughout, especially on the fierce “Army of One” that has a surf guitar line that would make Dick Dale proud and the epic “Breaking These Bones” which slots next to classic Offspring anthems such as “Gone Away” and “The Kids Aren’t All Right.” Says Holland: “We've been talking about mental illness in rock and roll especially, for a long time, but it seems to be more on the table to me now. I think that that's great. I don't want to put too fine a point on it in songs like ‘Breaking These Bones’ and ‘We Never Have Sex Anymore’ because I want people to be able to interpret it on their own so hopefully that makes it more relatable.”  \\nHolland remains unafraid to pen topical material, but instead of taking the easy route in, say, bashing Trump, the title track and first single takes a more nuanced look around and what is happening in present day society. “I feel like we're in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more of a stubborn mentality where they’re not making the slightest attempt to fix things, it’s like ‘fuck it, bring on the North Korea nukes, bring on white nationalism.’ It's a much different attitude than I've seen in the past. And it’s really fucking scary.”  \\nIn times of tumult, punk has been the leader in addressing what ails society, but in 2020 it’s a weird time to be in a rock band. The ‘rock is dead’ trope is uttered as often as the latest trap banger gets played on the radio. But with other legendary acts such as Green Day, Bad Religion and Rage Against the Machine along with up-and-comers like Idles and PUP, rock and roll is still vital component of today’s culture, a genre that can smack you upside the head with nihilism but then offer a ray of sunlight through the darkened windows. “This album is probably the most cathartic thing we’ve done,” says Holland. “The messages might be dark, but at the end what’s left is that communication is important, working through feelings is important and most of all, hope is important.” Then let the bad times roll for now, in the hopes that good times lie ahead.  \\n\\n\\nTRACK LIST: \\n1. This Is Not Utopia (2:38)                \\n2. Let The Bad Times Roll (3:18)        \\n3. Behind Your Walls (3:21)                \\n4. Army Of One        (3:11)                \\n5. Breaking These Bones (2:46)                \\n6. Coming For You (3:48        )        \\n7. We Never Have Sex Anymore        (3:30)                \\n8. In The Hall Of The Mountain King (1:00)                \\n9. The Opioid Diaries (3:01)                \\n10. Hassan Chop (2:20)                \\n11. Gone Away (3:16)                \\n12. Lullaby (1:12)\\n\u0026quot;}\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;ALBUM OVERVIEW \\nThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.  \\nThe album is the band’s 10th, but their first new offering in eight years. There wasn’t a break up, no hiatus (they’ve kept up a steady level of touring during the span between albums), simply the band likes to take their time. And Holland had something else he needed to wrap up, finally getting his Ph.D. in Molecular Biology from USC, a 30-year odyssey that culminated in his thesis on the makeup of the HIV virus. “I had kept in touch with my professors and they encouraged me to come back and finish it up,” he says. “The band was cool about it,” before adding with a laugh “and that only took five years.”  \\nThe material on Let the Bad Times Roll was written and recorded at various times during the last eight years. Highlights include the devastating urgency of “The Opioid Diaries” and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor but underneath is the story of a guy who just wants his wife to feel anything towards him, love or hate. “I had written most of that song five years ago and finally put it together,” says Holland. “We do better when we work in spurts.”  \\nLet the Bad Times Roll finds the band collaborating with mega producer Bob Rock for the third time, working in Rock’s studios in Maui and Vancouver as well as the band’s own recently completed studio in Huntington Beach. Rock has become an increasingly important part of the band’s creative process. “First off, he’s an amazing guitar player so he’d play a small part and we would go back and forth with it and it usually turned into something we used,” says Holland. Rock also pushes Holland on his songwriting. Nicely of course. “I’ll have a line and he’ll like it,” says Holland. “But a few minutes later, he'll kind of put it back on you in a way that makes you feel like, okay, maybe I can, maybe I can get a little bit more out of this.”  \\nThe album contains some of Holland’s most direct and intense lyrics to date. The scourge of mental illness hovers throughout, especially on the fierce “Army of One” that has a surf guitar line that would make Dick Dale proud and the epic “Breaking These Bones” which slots next to classic Offspring anthems such as “Gone Away” and “The Kids Aren’t All Right.” Says Holland: “We've been talking about mental illness in rock and roll especially, for a long time, but it seems to be more on the table to me now. I think that that's great. I don't want to put too fine a point on it in songs like ‘Breaking These Bones’ and ‘We Never Have Sex Anymore’ because I want people to be able to interpret it on their own so hopefully that makes it more relatable.”  \\nHolland remains unafraid to pen topical material, but instead of taking the easy route in, say, bashing Trump, the title track and first single takes a more nuanced look around and what is happening in present day society. “I feel like we're in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more of a stubborn mentality where they’re not making the slightest attempt to fix things, it’s like ‘fuck it, bring on the North Korea nukes, bring on white nationalism.’ It's a much different attitude than I've seen in the past. And it’s really fucking scary.”  \\nIn times of tumult, punk has been the leader in addressing what ails society, but in 2020 it’s a weird time to be in a rock band. The ‘rock is dead’ trope is uttered as often as the latest trap banger gets played on the radio. But with other legendary acts such as Green Day, Bad Religion and Rage Against the Machine along with up-and-comers like Idles and PUP, rock and roll is still vital component of today’s culture, a genre that can smack you upside the head with nihilism but then offer a ray of sunlight through the darkened windows. “This album is probably the most cathartic thing we’ve done,” says Holland. “The messages might be dark, but at the end what’s left is that communication is important, working through feelings is important and most of all, hope is important.” Then let the bad times roll for now, in the hopes that good times lie ahead.  \\n\\n\\nTRACK LIST: \\n1. This Is Not Utopia (2:38)                \\n2. Let The Bad Times Roll (3:18)        \\n3. Behind Your Walls (3:21)                \\n4. Army Of One        (3:11)                \\n5. Breaking These Bones (2:46)                \\n6. Coming For You (3:48        )        \\n7. We Never Have Sex Anymore        (3:30)                \\n8. In The Hall Of The Mountain King (1:00)                \\n9. The Opioid Diaries (3:01)                \\n10. Hassan Chop (2:20)                \\n11. Gone Away (3:16)                \\n12. Lullaby (1:12)\\n\u0026quot;}\" data-mce-fragment=\"1\"\u003eTRACK LIST:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;ALBUM OVERVIEW \\nThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.  \\nThe album is the band’s 10th, but their first new offering in eight years. There wasn’t a break up, no hiatus (they’ve kept up a steady level of touring during the span between albums), simply the band likes to take their time. And Holland had something else he needed to wrap up, finally getting his Ph.D. in Molecular Biology from USC, a 30-year odyssey that culminated in his thesis on the makeup of the HIV virus. “I had kept in touch with my professors and they encouraged me to come back and finish it up,” he says. “The band was cool about it,” before adding with a laugh “and that only took five years.”  \\nThe material on Let the Bad Times Roll was written and recorded at various times during the last eight years. Highlights include the devastating urgency of “The Opioid Diaries” and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor but underneath is the story of a guy who just wants his wife to feel anything towards him, love or hate. “I had written most of that song five years ago and finally put it together,” says Holland. “We do better when we work in spurts.”  \\nLet the Bad Times Roll finds the band collaborating with mega producer Bob Rock for the third time, working in Rock’s studios in Maui and Vancouver as well as the band’s own recently completed studio in Huntington Beach. Rock has become an increasingly important part of the band’s creative process. “First off, he’s an amazing guitar player so he’d play a small part and we would go back and forth with it and it usually turned into something we used,” says Holland. Rock also pushes Holland on his songwriting. Nicely of course. “I’ll have a line and he’ll like it,” says Holland. “But a few minutes later, he'll kind of put it back on you in a way that makes you feel like, okay, maybe I can, maybe I can get a little bit more out of this.”  \\nThe album contains some of Holland’s most direct and intense lyrics to date. The scourge of mental illness hovers throughout, especially on the fierce “Army of One” that has a surf guitar line that would make Dick Dale proud and the epic “Breaking These Bones” which slots next to classic Offspring anthems such as “Gone Away” and “The Kids Aren’t All Right.” Says Holland: “We've been talking about mental illness in rock and roll especially, for a long time, but it seems to be more on the table to me now. I think that that's great. I don't want to put too fine a point on it in songs like ‘Breaking These Bones’ and ‘We Never Have Sex Anymore’ because I want people to be able to interpret it on their own so hopefully that makes it more relatable.”  \\nHolland remains unafraid to pen topical material, but instead of taking the easy route in, say, bashing Trump, the title track and first single takes a more nuanced look around and what is happening in present day society. “I feel like we're in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more of a stubborn mentality where they’re not making the slightest attempt to fix things, it’s like ‘fuck it, bring on the North Korea nukes, bring on white nationalism.’ It's a much different attitude than I've seen in the past. And it’s really fucking scary.”  \\nIn times of tumult, punk has been the leader in addressing what ails society, but in 2020 it’s a weird time to be in a rock band. The ‘rock is dead’ trope is uttered as often as the latest trap banger gets played on the radio. But with other legendary acts such as Green Day, Bad Religion and Rage Against the Machine along with up-and-comers like Idles and PUP, rock and roll is still vital component of today’s culture, a genre that can smack you upside the head with nihilism but then offer a ray of sunlight through the darkened windows. “This album is probably the most cathartic thing we’ve done,” says Holland. “The messages might be dark, but at the end what’s left is that communication is important, working through feelings is important and most of all, hope is important.” Then let the bad times roll for now, in the hopes that good times lie ahead.  \\n\\n\\nTRACK LIST: \\n1. This Is Not Utopia (2:38)                \\n2. Let The Bad Times Roll (3:18)        \\n3. Behind Your Walls (3:21)                \\n4. Army Of One        (3:11)                \\n5. Breaking These Bones (2:46)                \\n6. Coming For You (3:48        )        \\n7. We Never Have Sex Anymore        (3:30)                \\n8. In The Hall Of The Mountain King (1:00)                \\n9. The Opioid Diaries (3:01)                \\n10. Hassan Chop (2:20)                \\n11. Gone Away (3:16)                \\n12. Lullaby (1:12)\\n\u0026quot;}\" data-mce-fragment=\"1\"\u003eSIDE A\u003cbr data-mce-fragment=\"1\"\u003e1. This Is Not Utopia (2:38)\u003cbr data-mce-fragment=\"1\"\u003e2. Let The Bad Times Roll (3:18)\u003cbr data-mce-fragment=\"1\"\u003e3. Behind Your Walls (3:21)\u003cbr data-mce-fragment=\"1\"\u003e4. Army Of One (3:11)\u003cbr data-mce-fragment=\"1\"\u003e5. Breaking These Bones (2:46)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;ALBUM OVERVIEW \\nThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.  \\nThe album is the band’s 10th, but their first new offering in eight years. There wasn’t a break up, no hiatus (they’ve kept up a steady level of touring during the span between albums), simply the band likes to take their time. And Holland had something else he needed to wrap up, finally getting his Ph.D. in Molecular Biology from USC, a 30-year odyssey that culminated in his thesis on the makeup of the HIV virus. “I had kept in touch with my professors and they encouraged me to come back and finish it up,” he says. “The band was cool about it,” before adding with a laugh “and that only took five years.”  \\nThe material on Let the Bad Times Roll was written and recorded at various times during the last eight years. Highlights include the devastating urgency of “The Opioid Diaries” and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor but underneath is the story of a guy who just wants his wife to feel anything towards him, love or hate. “I had written most of that song five years ago and finally put it together,” says Holland. “We do better when we work in spurts.”  \\nLet the Bad Times Roll finds the band collaborating with mega producer Bob Rock for the third time, working in Rock’s studios in Maui and Vancouver as well as the band’s own recently completed studio in Huntington Beach. Rock has become an increasingly important part of the band’s creative process. “First off, he’s an amazing guitar player so he’d play a small part and we would go back and forth with it and it usually turned into something we used,” says Holland. Rock also pushes Holland on his songwriting. Nicely of course. “I’ll have a line and he’ll like it,” says Holland. “But a few minutes later, he'll kind of put it back on you in a way that makes you feel like, okay, maybe I can, maybe I can get a little bit more out of this.”  \\nThe album contains some of Holland’s most direct and intense lyrics to date. The scourge of mental illness hovers throughout, especially on the fierce “Army of One” that has a surf guitar line that would make Dick Dale proud and the epic “Breaking These Bones” which slots next to classic Offspring anthems such as “Gone Away” and “The Kids Aren’t All Right.” Says Holland: “We've been talking about mental illness in rock and roll especially, for a long time, but it seems to be more on the table to me now. I think that that's great. I don't want to put too fine a point on it in songs like ‘Breaking These Bones’ and ‘We Never Have Sex Anymore’ because I want people to be able to interpret it on their own so hopefully that makes it more relatable.”  \\nHolland remains unafraid to pen topical material, but instead of taking the easy route in, say, bashing Trump, the title track and first single takes a more nuanced look around and what is happening in present day society. “I feel like we're in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more of a stubborn mentality where they’re not making the slightest attempt to fix things, it’s like ‘fuck it, bring on the North Korea nukes, bring on white nationalism.’ It's a much different attitude than I've seen in the past. And it’s really fucking scary.”  \\nIn times of tumult, punk has been the leader in addressing what ails society, but in 2020 it’s a weird time to be in a rock band. The ‘rock is dead’ trope is uttered as often as the latest trap banger gets played on the radio. But with other legendary acts such as Green Day, Bad Religion and Rage Against the Machine along with up-and-comers like Idles and PUP, rock and roll is still vital component of today’s culture, a genre that can smack you upside the head with nihilism but then offer a ray of sunlight through the darkened windows. “This album is probably the most cathartic thing we’ve done,” says Holland. “The messages might be dark, but at the end what’s left is that communication is important, working through feelings is important and most of all, hope is important.” Then let the bad times roll for now, in the hopes that good times lie ahead.  \\n\\n\\nTRACK LIST: \\n1. This Is Not Utopia (2:38)                \\n2. Let The Bad Times Roll (3:18)        \\n3. Behind Your Walls (3:21)                \\n4. Army Of One        (3:11)                \\n5. Breaking These Bones (2:46)                \\n6. Coming For You (3:48        )        \\n7. We Never Have Sex Anymore        (3:30)                \\n8. In The Hall Of The Mountain King (1:00)                \\n9. The Opioid Diaries (3:01)                \\n10. Hassan Chop (2:20)                \\n11. Gone Away (3:16)                \\n12. Lullaby (1:12)\\n\u0026quot;}\" data-mce-fragment=\"1\"\u003eSIDE B\u003cbr data-mce-fragment=\"1\"\u003e1. Coming For You (3:48 )\u003cbr data-mce-fragment=\"1\"\u003e2. We Never Have Sex Anymore (3:30)\u003cbr data-mce-fragment=\"1\"\u003e3. In The Hall Of The Mountain King (1:00)\u003cbr data-mce-fragment=\"1\"\u003e4. The Opioid Diaries (3:01)\u003cbr data-mce-fragment=\"1\"\u003e5. Hassan Chop (2:20)\u003cbr data-mce-fragment=\"1\"\u003e6. Gone Away (3:16)\u003cbr data-mce-fragment=\"1\"\u003e7. Lullaby (1:12)\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369855484120,"sku":"888072230200","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/p_47f56f85-a3cc-4823-8291-e922960f15c7.png?v=1770327286"},{"product_id":"songs-for-a-nervous-planet-black-vinyl-2lp","title":"Tears For Fears \"Songs For A Nervous Planet\" Vinyl","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eThe new album from Tears For Fears, Songs For A Nervous Planet, features four new studio tracks plus live recordings of Tears For Fears on tour and at their best. The album features live performances of hit songs like “Shout”, “Head Over Heels”, “Everybody Wants To Rule The World”, “Mad World” \u0026amp; more. Spanning all eras of the band from The Hurting to The Tipping Point and beyond, this record takes you on the incomparable sonic journey that is a Tears For Fears live show and their career to date. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cstrong\u003eTRACK LIST \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide A:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e01. Say Goodbye To Mum And Dad  \u003cbr\u003e\u003cbr\u003e02. The Girl That I Call Home \u003cbr\u003e\u003cbr\u003e03. Emily Said  \u003cbr\u003e\u003cbr\u003e04. Astronaut  \u003cbr\u003e\u003cbr\u003e05. Tipping Point     \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide B:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e06. Everybody Wants To Rule The World    \u003cbr\u003e\u003cbr\u003e07. Sowing The Seeds Of Love \u003cbr\u003e\u003cbr\u003e08. Break The Man \u003cbr\u003e\u003cbr\u003e09. Mad World  \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide C:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e10. Woman In Chains  \u003cbr\u003e\u003cbr\u003e11. Bad Man’s Song  \u003cbr\u003e\u003cbr\u003e12. Pale Shelter \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide D:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e13. Break It Down Again \u003cbr\u003e\u003cbr\u003e14. Head Over Heels  \u003cbr\u003e\u003cbr\u003e15. Change  \u003cbr\u003e\u003cbr\u003e16. Shout       \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369855451352,"sku":"888072635333","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/TearsForFears_NervousPlanet_2LP_Wide_Black.png?v=1770327287"},{"product_id":"pour-it-out-into-the-night-cd","title":"The Revivalists \"Pour It Out Into The Night\" CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Revivalists make the kind of rock ‘n’ roll that grabs you and doesn’t let go. On their fifth full-length release, the New Orleans outfit was inspired to create a life-affirming album that in many ways connects to the original seed of inspiration for the band’s name. Pour It Out Into The Night is a celebration of resilience, living for who you are and what you’re about.         TRACK LISTING \\n \\nDIGI\/CD \\n\\nKid (3:28) \\n\\nDon’t Look Back (3:24) \\n\\nGood Old Days (4:22) \\n\\nDown In The Dirt (3:34) \\n\\nThe Long Con (3:15) \\n\\nOnly You (3:17) \\n\\nAlive (5:08) \\n\\nWait For The Sun (2:41) \\n\\nWhen I Got You (3:31) \\n\\nHow We Move (3:35) \\n\\nSay Goodbye (2:51) \\n\\nPour It Out Into The Night (3:03) \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}'\u003eThe Revivalists make the kind of rock ‘n’ roll that grabs you and doesn’t let go. On their fifth full-length release, the New Orleans outfit was inspired to create a life-affirming album that in many ways connects to the original seed of inspiration for the band’s name. Pour It Out Into The Night is a celebration of resilience, living for who you are and what you’re about.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Revivalists make the kind of rock ‘n’ roll that grabs you and doesn’t let go. On their fifth full-length release, the New Orleans outfit was inspired to create a life-affirming album that in many ways connects to the original seed of inspiration for the band’s name. Pour It Out Into The Night is a celebration of resilience, living for who you are and what you’re about.         TRACK LISTING \\n \\nDIGI\/CD \\n\\nKid (3:28) \\n\\nDon’t Look Back (3:24) \\n\\nGood Old Days (4:22) \\n\\nDown In The Dirt (3:34) \\n\\nThe Long Con (3:15) \\n\\nOnly You (3:17) \\n\\nAlive (5:08) \\n\\nWait For The Sun (2:41) \\n\\nWhen I Got You (3:31) \\n\\nHow We Move (3:35) \\n\\nSay Goodbye (2:51) \\n\\nPour It Out Into The Night (3:03) \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}'\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Revivalists make the kind of rock ‘n’ roll that grabs you and doesn’t let go. On their fifth full-length release, the New Orleans outfit was inspired to create a life-affirming album that in many ways connects to the original seed of inspiration for the band’s name. Pour It Out Into The Night is a celebration of resilience, living for who you are and what you’re about.         TRACK LISTING \\n \\nDIGI\/CD \\n\\nKid (3:28) \\n\\nDon’t Look Back (3:24) \\n\\nGood Old Days (4:22) \\n\\nDown In The Dirt (3:34) \\n\\nThe Long Con (3:15) \\n\\nOnly You (3:17) \\n\\nAlive (5:08) \\n\\nWait For The Sun (2:41) \\n\\nWhen I Got You (3:31) \\n\\nHow We Move (3:35) \\n\\nSay Goodbye (2:51) \\n\\nPour It Out Into The Night (3:03) \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}'\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Revivalists make the kind of rock ‘n’ roll that grabs you and doesn’t let go. On their fifth full-length release, the New Orleans outfit was inspired to create a life-affirming album that in many ways connects to the original seed of inspiration for the band’s name. Pour It Out Into The Night is a celebration of resilience, living for who you are and what you’re about.         TRACK LISTING \\n \\nDIGI\/CD \\n\\nKid (3:28) \\n\\nDon’t Look Back (3:24) \\n\\nGood Old Days (4:22) \\n\\nDown In The Dirt (3:34) \\n\\nThe Long Con (3:15) \\n\\nOnly You (3:17) \\n\\nAlive (5:08) \\n\\nWait For The Sun (2:41) \\n\\nWhen I Got You (3:31) \\n\\nHow We Move (3:35) \\n\\nSay Goodbye (2:51) \\n\\nPour It Out Into The Night (3:03) \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cstrong\u003eTRACK LISTING\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eKid (3:28) \u003cbr\u003e\u003cbr\u003eDon’t Look Back (3:24) \u003cbr\u003e\u003cbr\u003eGood Old Days (4:22) \u003cbr\u003e\u003cbr\u003eDown In The Dirt (3:34) \u003cbr\u003e\u003cbr\u003eThe Long Con (3:15) \u003cbr\u003e\u003cbr\u003eOnly You (3:17) \u003cbr\u003e\u003cbr\u003eAlive (5:08) \u003cbr\u003e\u003cbr\u003eWait For The Sun (2:41) \u003cbr\u003e\u003cbr\u003eWhen I Got You (3:31) \u003cbr\u003e\u003cbr\u003eHow We Move (3:35) \u003cbr\u003e\u003cbr\u003eSay Goodbye (2:51) \u003cbr\u003e\u003cbr\u003ePour It Out Into The Night (3:03) \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun SCXW74932928 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW74932928 BCX0\" data-ccp-charstyle=\"Emphasis\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369855910104,"sku":"888072497702","price":12.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/TR_CD_Packshot_WSticker.png?v=1770327287"},{"product_id":"violet-opaque-violet-vinyl","title":"L.S. Dunes \"Violet\" Opaque Violet Vinyl","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003ePrepare to embark on a sonic journey unlike any other as L.S. Dunes unveils their highly anticipated new album, Violet. With a fusion of experimental melodies and introspective lyricism, their latest offering is a giant leap forward in the evolution of the band. For the follow-up to Past Lives, the band returned to work with producer Will Yip (Turnstile, The Menzingers, Movements) on their sophomore album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003eTRACK LIST:\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003eSide A\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e1. Like \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW223267529 BCX0\"\u003eMagick\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e(4:15)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e2. Fatal Deluxe (3:31)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e3. I Can See It Now… (3:45)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e4. Violet (4:21)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e5. Machines (4:06)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003eSide B\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e6. You Deserve \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW223267529 BCX0\"\u003eTo\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e Be Haunted (3:28)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e7. Holograms (3:41)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e8. Paper Tigers (3:48)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e9. Things I Thought Would Last Forever (3:43)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan class=\"TextRun SCXW223267529 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e10. Forgiveness (4:20)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}' class=\"EOP SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856041176,"sku":"888072659407","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/L.S.Dunes_Violet_LPMockup_OpaqueViolet_96.png?v=1770327286"},{"product_id":"the-returner-cd","title":"Allison Russell \"The Returner\" CD","description":"\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cstrong\u003eThe Returner on CD\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e4x GRAMMY-nominated singer, songwriter, poet, activist, and multi-instrumentalist Allison Russell has announced her new album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e. The album was written and co-produced by Allison along with dim star (her partner JT Nero and Drew Lindsay) and was recorded over Solstice week in December 2022 at Henson Recording Studios in Los Angeles, CA. It features Russell’s “Rainbow Coalition” band of all female musicians along with special guest appearances from the legendary Wendy \u0026amp; Lisa, Brandi Carlile, Brandy Clark, and Hozier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAllison Russell on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“My goal with The Returner – sonically, poetically, and spiritually – is a radical reclamation of the present tense, a real time union of body, mind, and soul. This album is a much deeper articulation of rhythm, groove, and syncopation. Groove as it heralds the self back into the body, groove as it celebrates sensual and sexual agency and flowering, groove as an urgent call to action and political activism.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eIn just a word, it's funkier. But as is the history of anything funky, it’s never just a party. It is a multiverse of energies that merges the celebration and the battle cry. For while an embrace of the present tense is a celebration, it is equally an unquestioning leap into battle – cultural, political, environmental.”\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSince the release of her debut solo LP two years ago\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOutside Child\u003c\/i\u003e, Russell’s often devastating, deeply moving, cathartic celebration of survivor’s joy has become one of the most acclaimed albums of the past 10 years. Now comes the second chapter in her story,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returne\u003c\/i\u003er, a body-shaking, mind-expanding, soulful expression of liberation, love, and self-respect that serves as a fierce declaration of joy for all survivors that have made it to the other side. Allison, JT, and Drew built\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efrom the bottom up with a rhythm-first, genre-fluid approach. The improvisational energy of great female artists sparked the album’s fierce joy, and provided a wider canvas for Allison’s immense, unlimited talent. In all, the new album doesn’t just deliver on the promise of the last two years, it exceeds all reasonable (and unreasonable) expectations and affirms Allison Russell’s place among music’s most vital artists and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e, as one of 2023’s most essential recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAllison Russell has spent her career in multiple bands, including Po’ Girl, Our Native Daughters, and Birds of Chicago. After a career spent as a gifted multi-instrumentalist, backing numerous other artists, she finally dared to release her solo project in 2021. \"It’s an album of strength and affirmation, not victimization,” said The New York Times in their profile on Russell and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOutside Child\u003c\/i\u003e. Following the album’s release,\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eRussell performed on Jimmy Kimmel Live!, Ellen, Late Night With Stephen Colbert, CBS Saturday Morning, Austin City Limits, The Kelly Clarkson Show made her Opry debut and appeared at the Country Music Hall of Fame and performed at the 2022 GRAMMY’s Premiere Ceremony.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe accolades for Russell have been immense. In addition to her four GRAMMY nominations, she has earned three 2022 Americana Award nominations and a win for Album of the Year, two International Folk Music Award wins, a 2022 Juno nomination for ‘Songwriter of the Year,’ and her first-ever Juno Award win for Contemporary Roots Album of the Year. Russell received two 2021 Americana Awards nominations, won three Canadian Folk Music Awards, two UK Americana Music Awards, and more. She was recently nominated for Song of the Year and Artist of the Year for the 2023 Americana Awards. In addition, Russell has consistently used her newfound platform to elevate, educate and inspire; curating the history making\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOnce And Future Sounds: Roots and Revolution\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eset for the Newport Folk Festival in 2021 and mobilizing this year’s triumphant\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLove Rising\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eAll-Star benefit concert in support of LGBTQIA+ causes in Nashville - raising over $550,000 and calling national attention to Tennessee’s dangerous anti\/trans and anti\/drag laws. Russell has also announced a book deal with Flatiron\/MacMillan for her debut novel, a memoir based on her life and the material that inspired\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOutside Child\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Returner\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eThe Returner - Track List:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e  1.   Springtime (04:11)\u003cbr data-mce-fragment=\"1\"\u003e  2.   The Returner (03:51)\u003cbr data-mce-fragment=\"1\"\u003e  3.   All Without Within (03:13)\u003cbr data-mce-fragment=\"1\"\u003e  4.   Demons (04:29)\u003cbr data-mce-fragment=\"1\"\u003e  5.   Eve Was Black (06:04)\u003cbr data-mce-fragment=\"1\"\u003e  6.   Stay Right Here (04:10)\u003cbr data-mce-fragment=\"1\"\u003e  7.   Shadowlands (04:13)\u003cbr data-mce-fragment=\"1\"\u003e  8.   Rag Child (03:04)\u003cbr data-mce-fragment=\"1\"\u003e  9.   Snakelife (04:38)\u003cbr data-mce-fragment=\"1\"\u003e 10.  Requiem (06:14)\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eThe Returner - Credits: \u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs written by Allison Russell, JT Nero, and Drew Lindsay\u003cbr data-mce-fragment=\"1\"\u003eCo-Producers: Dim Star and AR                           \u003cbr data-mce-fragment=\"1\"\u003eRecorded by Brandon Bell at Henson Recording Studios (Los Angeles, CA)\u003cbr data-mce-fragment=\"1\"\u003eAssistant Engineer: Kelsey Porter                                                                    \u003cbr data-mce-fragment=\"1\"\u003eMixed by Brandon Bell at The Cabin Studio (Nashville, TN)\u003cbr data-mce-fragment=\"1\"\u003eMastered by Kim Rosen at Knack Mastering (Ringwood, NJ)\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAllison Russell (vocals, banjo, clarinet), Elenna Canlas (keyboards\/synth, backing vocals), Elizabeth Pupo-Walker (percussion), Chauntee Ross (violin, backing vocals) \u0026amp; Monique Ross (cello, backing vocals) aka SistaStrings, Ganessa James (bass, backing vocals), Joy Clark (guitar), Kerenza Peacock (violin), Larissa Maestro (cello, backing vocals), Lisa Coleman (piano), Mandy Fer (guitar, backing vocals), Meg Coleman (drums), Meg McCormick (guitar), Wendy Melvoin (guitar, bass), and Wiktoria Bialic (drums). Special guests Brandi Carlile, Brandy Clark, and Hozier provide backing vocals on “Requiem”. \u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856205016,"sku":"888072524095","price":13.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/AR_The_Returner_CD.png?v=1770327287"},{"product_id":"152-cd","title":"Taking Back Sunday \"152\" CD","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTaking Back Sunday: John Nolan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(lead guitar, piano, vocals),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAdam Lazzara\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(lead vocals),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eShaun Cooper\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(bass) and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMark O’Connell\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(drums), announce their eighth studio album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e152\u003c\/strong\u003e, set for release\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOctober 27, 2023\u003c\/strong\u003e, via Fantasy Records. Named for the section of road in North Carolina between Highpoint, Chapel Hill, and Raleigh where the band and their friends would meet up as teenagers⎯152 is the multl-platinum selling rock band’s first full-length offering since 2016’s Tidal Wave. To mark the occasion, Taking Back Sunday released a brand-new track, “S’old,” a fiery declaration of commitment and accountability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Commenting on their new album 152, Taking Back Sunday stated:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"152” offers a lot more hope and light than we first realized when we were in the thick of it, putting it all together. We’ve been fortunate enough, through our music, to grow up with a lot of people going through the same things at the same time, and probably feeling the same way. Our hope is that you’re able to find a little bit of yourself in this new collection of songs, because you’re not alone, and neither are we.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Produced by Tushar Apte (whom the band met through a mutual collaboration with noted DJ Steve Aoki) and mixed by Neal Avron (Twenty One Pilots, Bleachers), the long-awaited LP features 10 intensely vulnerable and absorbing new tracks all delivered with fresh ambition and newfound purpose. Inspired by the long layoff and the cloud of uncertainty that blanketed the world (and music industry) these past few years, 152 stands among the most genuinely reflective and emotionally pure efforts of Taking Back Sunday’s illustrious career.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e “You would think after 20 years, we knew what each other is going to do,” said Lazzara. “But there were so many times making this record where I heard the initial idea and thought I knew where it would go, but then I was super surprised. It’s those kinds of surprises that make it so exciting. That’s why we all still want it so badly.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Added O’Connell: ”When we’re writing songs, the one thing we ask ourselves, ‘Is it capable of making people feel something?’ You try to make people feel emotion. That’s the one goal we went in with, and we think we did it.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e From the album’s intricate riffs and anthemic vocals to its elegantly warm synths and economical string arrangements, the quartet work-shopped these new tracks like never before. That musical ambition, both musically and lyrically, is evident on the soaring album opener, “Amphetamine Smiles,” a powerful tale of reconnection that is as much about the band themselves as it is the world at-large. From send-up to seriousness, Taking Back Sunday continually challenged one another, exploring musical ideas in new and exciting ways. So many of these tracks dig deep and connect on a gut level. “S’old” struggles with the obligations of adult responsibility and acceptance, (the previously released single) \"The One,\" is a far-reaching anthem of love and brotherhood, “Keep Going,” tracks the self-defeating darkness of betrayal, and “Quit Trying,” drips with a ‘can’t run from who you are’ self-awareness. All through 152, the consistent thread is one of generosity, gratitude and ultimately, hope.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Despite the sizable gap between releases, a new generation of fans have discovered Taking Back Sunday and their enduring legacy has only grown in stature. The new album proves it was well worth the wait. 152 is Taking Back Sunday at their very best, a gripping and self-assured statement from an essential band once again at the peak of their prodigious powers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e 152 TRACK LISTING:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \"Amphetamine Smiles\" \"S'old\" \"The One\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Keep Going\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"I Am the Only One Who Knows You\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Quit Trying\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Lightbringer\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"New Music Friday\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Juice 2 Me\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"The Stranger\"\u003c\/p\u003e\n\u003cbr\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856368856,"sku":"888072550391","price":11.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/TakingBackSunday_152_CD.png?v=1770327287"},{"product_id":"just-wont-burn-black-vinyl","title":"Susan Tedeschi \"Just Won't Burn\" Vinyl","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eSusan Tedeschi is one of the most celebrated blues and American roots musicians of her generation, and her unyielding commitment to her craft – both as a solo artist and in Tedeschi Trucks Band – has earned her multiple GRAMMY nominations and the adoration of audiences around the world. It all began humbly at blues jams in her native Boston back in the early ‘90s and led to significant regional acclaim, but with the 1998 release of her solo debut,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e, Tedeschi put the wider music world on notice that she was a true force to be reckoned with. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e“Making\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas a pivot,” Tedeschi says of the album, which was co-p\u003c\/span\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003eroduced by Tom Hambridge and Tedeschi and recorded by Sean Carberry at Rear Window Studio,\u003c\/span\u003e\u003cspan class=\"s4\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003eBrookline, MA. The album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003efeatures musicians such as guitarists Adrienne Hayes and Sean Costello and harmonica player Annie Raines tackling Tedeschi’s original songs in tandem with material popularized by Ruth Brown, Junior Wells, and John Prine. “All of a sudden, I was working with different groups of people, new musicians, new songwriting collaborators. We had no idea how it was going to turn out. I think the thing that held it all together was the blues. Blues is a language that I love. You can take it anywhere in the world and communicate with people, which isn’t necessarily true about other forms of music. And being a white artist in a black milieu, you just have to let the music speak.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eSpeak it did, as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewent Platinum (a rare achievement for a blues-based album at that time) and earned Tedeschi a GRAMMY nomination for Best New Artist in 2000 (alongside the of-the-moment cast of Britney Spears, Macy Gray, Kid Rock, and Christina Aguilera).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eIt would be the first of five GRAMMY nominations for Tedeschi as a solo artist, with each of her next three solo releases earning nods for Best Contemporary Blues Album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eEven after 25 years, the past-decade plus of which have seen Tedeschi rise to even greater heights with her husband Derek Trucks in Tedeschi Trucks Band,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eremains a touchstone of blues-based rock’n’roll. “The way people react to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas always been heartwarming and surprising,” she admits. “I used to get letters from a prisoner who identified with the songs and found hope in them, and then I started getting letters from the rest of the prisoners on the cell block because it was the only cassette they had.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e“Sometimes when I look back on the 25 years since the release, I think about the places I’ve been and the adventures I’ve had, and I feel like Forrest Gump,” Tedeschi continues. “I say, ‘No! You’re a baseball mom. You didn’t do all that!’ But I must have. The blues has its demands. You have to be honest — musically, emotionally, and personally — above everything else, and that can lead to some uncomfortable truths. But the blues hasn’t burned me. It hasn’t hurt me. It’s \u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003emy main resource. I can express myself and get stuff out about my life – or, like B.B. always said, ‘whatever ails you.’ The blues got me here.”\u003c\/span\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJust Won’t Burn (25th Anniversary Edition) Track List:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Rock Me Right\u003cbr data-mce-fragment=\"1\"\u003e2. You Need to Be With Me\u003cbr data-mce-fragment=\"1\"\u003e3. Little By Little\u003cbr data-mce-fragment=\"1\"\u003e4. It Hurt So Bad\u003cbr data-mce-fragment=\"1\"\u003e5. Found Someone New\u003cbr data-mce-fragment=\"1\"\u003e6. Looking For Answers\u003cbr data-mce-fragment=\"1\"\u003e7. Can’t Leave You Alone\u003cbr data-mce-fragment=\"1\"\u003e8. Just Won’t Burn\u003cbr data-mce-fragment=\"1\"\u003e9. Mama, He Treats Your Daughter Mean\u003cbr data-mce-fragment=\"1\"\u003e10. Angel From Montgomery\u003cbr data-mce-fragment=\"1\"\u003e11. Friar’s Point\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856401624,"sku":"SUSANTEDESCHI-JWB-BLACK-LP","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/SusanTedeschi_JWB_Packshot_Sticker_BlackVinyl_91.png?v=1770327287"},{"product_id":"just-wont-burn-clear-vinyl","title":"Susan Tedeschi \"Just Won't Burn\" Clear Vinyl","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eLimited Edition 1st Pressing on 180g Clear Vinyl.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eSusan Tedeschi is one of the most celebrated blues and American roots musicians of her generation, and her unyielding commitment to her craft – both as a solo artist and in Tedeschi Trucks Band – has earned her multiple GRAMMY nominations and the adoration of audiences around the world. It all began humbly at blues jams in her native Boston back in the early ‘90s and led to significant regional acclaim, but with the 1998 release of her solo debut,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e, Tedeschi put the wider music world on notice that she was a true force to be reckoned with. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e“Making\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas a pivot,” Tedeschi says of the album, which was co-p\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s2\"\u003eroduced by Tom Hambridge and Tedeschi and recorded by Sean Carberry at Rear Window Studio,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s4\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s2\"\u003eBrookline, MA. The album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003efeatures musicians such as guitarists Adrienne Hayes and Sean Costello and harmonica player Annie Raines tackling Tedeschi’s original songs in tandem with material popularized by Ruth Brown, Junior Wells, and John Prine. “All of a sudden, I was working with different groups of people, new musicians, new songwriting collaborators. We had no idea how it was going to turn out. I think the thing that held it all together was the blues. Blues is a language that I love. You can take it anywhere in the world and communicate with people, which isn’t necessarily true about other forms of music. And being a white artist in a black milieu, you just have to let the music speak.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s2\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eSpeak it did, as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewent Platinum (a rare achievement for a blues-based album at that time) and earned Tedeschi a GRAMMY nomination for Best New Artist in 2000 (alongside the of-the-moment cast of Britney Spears, Macy Gray, Kid Rock, and Christina Aguilera).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eIt would be the first of five GRAMMY nominations for Tedeschi as a solo artist, with each of her next three solo releases earning nods for Best Contemporary Blues Album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003eEven after 25 years, the past-decade plus of which have seen Tedeschi rise to even greater heights with her husband Derek Trucks in Tedeschi Trucks Band,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eremains a touchstone of blues-based rock’n’roll. “The way people react to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas always been heartwarming and surprising,” she admits. “I used to get letters from a prisoner who identified with the songs and found hope in them, and then I started getting letters from the rest of the prisoners on the cell block because it was the only cassette they had.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e“Sometimes when I look back on the 25 years since the release, I think about the places I’ve been and the adventures I’ve had, and I feel like Forrest Gump,” Tedeschi continues. “I say, ‘No! You’re a baseball mom. You didn’t do all that!’ But I must have. The blues has its demands. You have to be honest — musically, emotionally, and personally — above everything else, and that can lead to some uncomfortable truths. But the blues hasn’t burned me. It hasn’t hurt me. It’s \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003emy main resource. I can express myself and get stuff out about my life – or, like B.B. always said, ‘whatever ails you.’ The blues got me here.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"s2\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJust Won’t Burn (25th Anniversary Edition) Track List:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Rock Me Right\u003cbr data-mce-fragment=\"1\"\u003e2. You Need to Be With Me\u003cbr data-mce-fragment=\"1\"\u003e3. Little By Little\u003cbr data-mce-fragment=\"1\"\u003e4. It Hurt So Bad\u003cbr data-mce-fragment=\"1\"\u003e5. Found Someone New\u003cbr data-mce-fragment=\"1\"\u003e6. Looking For Answers\u003cbr data-mce-fragment=\"1\"\u003e7. Can’t Leave You Alone\u003cbr data-mce-fragment=\"1\"\u003e8. Just Won’t Burn\u003cbr data-mce-fragment=\"1\"\u003e9. Mama, He Treats Your Daughter Mean\u003cbr data-mce-fragment=\"1\"\u003e10. Angel From Montgomery\u003cbr data-mce-fragment=\"1\"\u003e11. Friar’s Point\u003cbr\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856434392,"sku":"888072533295","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/SusanTedeschi_JWB_Packshot_Sticker_LtdEditionClearVinyl_7.png?v=1770327288"},{"product_id":"152-cassette","title":"Taking Back Sunday \"152\" Cassette","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":16957,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"17\":1}' data-sheets-value='{\"1\":2,\"2\":\"Limited Edition Cassette. \"}'\u003eLimited Edition Cassette. \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTaking Back Sunday: John Nolan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(lead guitar, piano, vocals),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAdam Lazzara\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(lead vocals),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eShaun Cooper\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(bass) and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMark O’Connell\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(drums), announce their eighth studio album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e152\u003c\/strong\u003e, set for release\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOctober 27, 2023\u003c\/strong\u003e, via Fantasy Records. Named for the section of road in North Carolina between Highpoint, Chapel Hill, and Raleigh where the band and their friends would meet up as teenagers⎯152 is the multl-platinum selling rock band’s first full-length offering since 2016’s Tidal Wave. To mark the occasion, Taking Back Sunday released a brand-new track, “S’old,” a fiery declaration of commitment and accountability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Commenting on their new album 152, Taking Back Sunday stated:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"152” offers a lot more hope and light than we first realized when we were in the thick of it, putting it all together. We’ve been fortunate enough, through our music, to grow up with a lot of people going through the same things at the same time, and probably feeling the same way. Our hope is that you’re able to find a little bit of yourself in this new collection of songs, because you’re not alone, and neither are we.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Produced by Tushar Apte (whom the band met through a mutual collaboration with noted DJ Steve Aoki) and mixed by Neal Avron (Twenty One Pilots, Bleachers), the long-awaited LP features 10 intensely vulnerable and absorbing new tracks all delivered with fresh ambition and newfound purpose. Inspired by the long layoff and the cloud of uncertainty that blanketed the world (and music industry) these past few years, 152 stands among the most genuinely reflective and emotionally pure efforts of Taking Back Sunday’s illustrious career.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e “You would think after 20 years, we knew what each other is going to do,” said Lazzara. “But there were so many times making this record where I heard the initial idea and thought I knew where it would go, but then I was super surprised. It’s those kinds of surprises that make it so exciting. That’s why we all still want it so badly.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Added O’Connell: ”When we’re writing songs, the one thing we ask ourselves, ‘Is it capable of making people feel something?’ You try to make people feel emotion. That’s the one goal we went in with, and we think we did it.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e From the album’s intricate riffs and anthemic vocals to its elegantly warm synths and economical string arrangements, the quartet work-shopped these new tracks like never before. That musical ambition, both musically and lyrically, is evident on the soaring album opener, “Amphetamine Smiles,” a powerful tale of reconnection that is as much about the band themselves as it is the world at-large. From send-up to seriousness, Taking Back Sunday continually challenged one another, exploring musical ideas in new and exciting ways. So many of these tracks dig deep and connect on a gut level. “S’old” struggles with the obligations of adult responsibility and acceptance, (the previously released single) \"The One,\" is a far-reaching anthem of love and brotherhood, “Keep Going,” tracks the self-defeating darkness of betrayal, and “Quit Trying,” drips with a ‘can’t run from who you are’ self-awareness. All through 152, the consistent thread is one of generosity, gratitude and ultimately, hope.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Despite the sizable gap between releases, a new generation of fans have discovered Taking Back Sunday and their enduring legacy has only grown in stature. The new album proves it was well worth the wait. 152 is Taking Back Sunday at their very best, a gripping and self-assured statement from an essential band once again at the peak of their prodigious powers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e 152 TRACK LISTING:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \"Amphetamine Smiles\" \"S'old\" \"The One\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Keep Going\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"I Am the Only One Who Knows You\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Quit Trying\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Lightbringer\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"New Music Friday\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Juice 2 Me\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"The Stranger\"\u003c\/p\u003e\n\u003cbr\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856532696,"sku":"888072550414","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/TakingBackSunday_152_Cassette.png?v=1770327287"},{"product_id":"if-that-makes-sense-cd","title":"Spacey Jane \"If That Makes Sense\" CD","description":"\u003cp class=\"p1\"\u003eAustralian indie rock band Spacey Jane are back with a new album, produced by Mike Crossey (Arctic Monkeys, MUNA, The 1975).\u003ci\u003e If That Makes Sense \u003c\/i\u003e– the quartet’s most accomplished and ambitious collection to date – is an album that parses the big stuff: heartbreak and longing; how the past prefigures the future; rewriting the script. As a phrase, “if that makes sense”, is often used as a query without a question mark, a request for reassurance that can signal a lack of confidence in what's being expressed. And yet, Spacey Jane have never sounded bigger, brighter, or more self-assured.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eIntro\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eThrough My Teeth\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eWhateverrrr\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAll the Noise\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eImpossible to Say\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eHow to Kill Houseplants\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eI Can’t Afford to Lose You\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eSo Much Taller\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eThe More That it Hurts\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eEstimated Delivery\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eFalling Apart\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eIly the Most\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAugust\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369856499928,"sku":"888072668317","price":12.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/SpaceyJane_CD_Packshot.png?v=1770327286"},{"product_id":"supercharged-cd","title":"The Offspring \"Supercharged\" CD","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;TRACK LIST:\\n\\n1. 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Produced by Dave Fridmann (Tame Impala, MGMT), the album is the follow-up to iDKHOW’s Razzmatazz (ft. the #1 Alternative Radio single \"Leave Me Alone\"), \u0026amp; an EP ft. the gold record \"Choke.” The most autobiographical work to date from Weekes (formerly of Panic! At The Disco), GLOOM DIVISION leaves listeners with the same sense of euphoric fascination that sparked the album’s creation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eTrack Listing: \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eDOWNSIDE\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eGLOOMTOWN BRATS\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eINFATUATION\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eWHAT LOVE?\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eSPKOTHDVL\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eSIXFT\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eFIND ME \u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eKISS \u0026amp; TELL\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eA LETTER\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eSATANIC PANIC\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":350}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eSUNNYSIDE\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":350}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eIDIOTS OF Oz\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":350}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369857220824,"sku":"888072531550","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/iDKHOW_GloomDivision_LPMockup_Black.png?v=1770327287"},{"product_id":"take-good-care-black-vinyl","title":"The Revivalists \"Take Good Care\" Vinyl","description":"\u003cp\u003eStandard LP\u003cbr\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369857253592,"sku":"888072074705","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/TheRevivalists_TakeGoodCare_LP.png?v=1770327288"},{"product_id":"gloom-division-cd","title":"I Don't Know How But They Found Me \"Gloom Division\" CD","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;I DONT KNOW HOW BUT THEY FOUND ME's second album, GLOOM DIVISION, is a glimpse into the mind of Dallon Weekes. Produced by Dave Fridmann (Tame Impala, MGMT), the album is the follow-up to iDKHOW’s Razzmatazz (ft. the #1 Alternative Radio single \\\u0026quot;Leave Me Alone\\\u0026quot;), \u0026amp; an EP ft. the gold record \\\u0026quot;Choke.” The most autobiographical work to date from Weekes (formerly of Panic! At The Disco), GLOOM DIVISION leaves listeners with the same sense of euphoric fascination that sparked the album’s creation.\u0026quot;}\" data-sheets-userformat='{\"2\":14915,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"9\":0,\"12\":0,\"14\":{\"1\":2,\"2\":1907997},\"15\":\"Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif\",\"16\":11}' data-mce-fragment=\"1\"\u003eGloom Division CD\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI DONT KNOW HOW BUT THEY FOUND ME's second album, GLOOM DIVISION, is a glimpse into the mind of Dallon Weekes. Produced by Dave Fridmann (Tame Impala, MGMT), the album is the follow-up to iDKHOW’s Razzmatazz (ft. the #1 Alternative Radio single \"Leave Me Alone\"), \u0026amp; an EP ft. the gold record \"Choke.” The most autobiographical work to date from Weekes (formerly of Panic! At The Disco), GLOOM DIVISION leaves listeners with the same sense of euphoric fascination that sparked the album’s creation.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eTrack Listing:\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"1\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eDOWNSIDE\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"2\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eGLOOMTOWN BRATS\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"3\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eINFATUATION\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"4\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eWHAT LOVE?\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"5\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eSPKOTHDVL\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"6\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eSIXFT\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"7\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eFIND ME \u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"8\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eKISS \u0026amp; TELL\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"9\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eA LETTER\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":250}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"10\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eSATANIC PANIC\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":350}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"11\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eSUNNYSIDE\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":350}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-aria-level=\"1\" data-aria-posinset=\"12\" data-list-defn-props='{\"335552541\":0,\"335559684\":-1,\"335559685\":720,\"335559991\":360,\"469769242\":[65533,0],\"469777803\":\"left\",\"469777804\":\"%1.\",\"469777815\":\"multilevel\"}' data-listid=\"1\" data-font=\"Calibri\" data-leveltext=\"%1.\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eIDIOTS OF Oz\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":48,\"335559746\":20,\"335559991\":350}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369857286360,"sku":"888072531543","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/iDKHOW_GloomDivision_CDMockup.png?v=1770327288"},{"product_id":"just-wont-burn-cassette","title":"Susan Tedeschi \"Just Won't Burn\" Cassette","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eSusan Tedeschi is one of the most celebrated blues and American roots musicians of her generation, and her unyielding commitment to her craft – both as a solo artist and in Tedeschi Trucks Band – has earned her multiple GRAMMY nominations and the adoration of audiences around the world. It all began humbly at blues jams in her native Boston back in the early ‘90s and led to significant regional acclaim, but with the 1998 release of her solo debut, \u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e, Tedeschi put the wider music world on notice that she was a true force to be reckoned with. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThis special, 16-track expanded edition features the original album plus five previously unreleased bonus tracks: an alternate take of “Looking For Answers,” two new album outtakes, and two live versions of \u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e album tracks recorded with Tedeschi Trucks Band at NYC’s Beacon Theatre\u003c\/span\u003e\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e“Making \u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e was a pivot,” Tedeschi says of the album, which was co-p\u003c\/span\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003eroduced by Tom Hambridge and Tedeschi and recorded by Sean Carberry at Rear Window Studio,\u003c\/span\u003e\u003cspan class=\"s4\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003eBrookline, MA. The album \u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003efeatures musicians such as guitarists Adrienne Hayes and Sean Costello and harmonica player Annie Raines tackling Tedeschi’s original songs in tandem with material popularized by Ruth Brown, Junior Wells, and John Prine. “All of a sudden, I was working with different groups of people, new musicians, new songwriting collaborators. We had no idea how it was going to turn out. I think the thing that held it all together was the blues. Blues is a language that I love. You can take it anywhere in the world and communicate with people, which isn’t necessarily true about other forms of music. And being a white artist in a black milieu, you just have to let the music speak.”\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eSpeak it did, as \u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e went Platinum (a rare achievement for a blues-based album at that time) and earned Tedeschi a GRAMMY nomination for Best New Artist in 2000 (alongside the of-the-moment cast of Britney Spears, Macy Gray, Kid Rock, and Christina Aguilera). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eIt would be the first of five GRAMMY nominations for Tedeschi as a solo artist, with each of her next three solo releases earning nods for Best Contemporary Blues Album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eEven after 25 years, the past-decade plus of which have seen Tedeschi rise to even greater heights with her husband Derek Trucks in Tedeschi Trucks Band, \u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e remains a touchstone of blues-based rock’n’roll. “The way people react to \u003ci data-mce-fragment=\"1\"\u003eJust Won’t Burn\u003c\/i\u003e has always been heartwarming and surprising,” she admits. “I used to get letters from a prisoner who identified with the songs and found hope in them, and then I started getting letters from the rest of the prisoners on the cell block because it was the only cassette they had.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e“Sometimes when I look back on the 25 years since the release, I think about the places I’ve been and the adventures I’ve had, and I feel like Forrest Gump,” Tedeschi continues. “I say, ‘No! You’re a baseball mom. You didn’t do all that!’ But I must have. The blues has its demands. You have to be honest — musically, emotionally, and personally — above everything else, and that can lead to some uncomfortable truths. But the blues hasn’t burned me. It hasn’t hurt me. It’s \u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003emy main resource. I can express myself and get stuff out about my life – or, like B.B. always said, ‘whatever ails you.’ The blues got me here.”\u003c\/span\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJust Won’t Burn (25th Anniversary Edition) Track List:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Rock Me Right\u003cbr data-mce-fragment=\"1\"\u003e2. You Need to Be With Me\u003cbr data-mce-fragment=\"1\"\u003e3. Little By Little\u003cbr data-mce-fragment=\"1\"\u003e4. It Hurt So Bad\u003cbr data-mce-fragment=\"1\"\u003e5. Found Someone New\u003cbr data-mce-fragment=\"1\"\u003e6. Looking For Answers\u003cbr data-mce-fragment=\"1\"\u003e7. Can’t Leave You Alone\u003cbr data-mce-fragment=\"1\"\u003e8. Just Won’t Burn\u003cbr data-mce-fragment=\"1\"\u003e9. Mama, He Treats Your Daughter Mean\u003cbr data-mce-fragment=\"1\"\u003e10. Angel From Montgomery\u003cbr data-mce-fragment=\"1\"\u003e11. Friar’s Point\u003cbr\u003e\u003cstrong\u003eBONUS TRACKS\u003c\/strong\u003e\u003cbr\u003e12. Looking For Answers (Alternate Take)\u003cbr\u003e13. Voodoo Woman (Album Outtake)\u003cbr\u003e14. Waste Of Time (Album Outtake)\u003cbr\u003e15. Looking For Answers (Tedeschi Trucks Band - Live at the Beacon Theatre,10\/06\/2022) \u003cbr\u003e16. Just Won’t Burn (Tedeschi Trucks Band - Live at the Beacon Theatre,\u003cbr\u003e      10\/07\/2022) \u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369857515736,"sku":"SUSANTEDESCHI-JWB-BLUE-CASSETTE","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/SusanTedeschi_JWB_Cassette_Packshot.png?v=1770327293"},{"product_id":"better-broken-black-vinyl","title":"Sarah McLachlan \"Better Broken\" Vinyl","description":"\u003cp\u003eHer tenth studio album and debut release for Concord Records, \u003cem\u003eBetter Broken\u003c\/em\u003e takes its title from its opening track—a soul-searching reflection on the fortitude that comes from weathering life’s constant storms. “I’m 57 now, and nobody gets to this point unscathed,” says McLachlan. “Life is hard, and you get bashed around a bit, but I feel more wholly myself than I ever have, I think it’s true that we learn so much more about ourselves from our failures – what it takes to heal and find ways to stay open and curious is a theme for a lot of this record.” A gorgeous showcase for her inimitable voice, “Better Broken” unfolds in delicate beats and lavish textures as McLachlan once again proves her singular gift for spinning wisdom into indelibly catchy melody (from the chorus: “Let it be all it is\/Small and still and better left alone\/Some things are better broken”). 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Two years of pandemic-related separation, from each other, and the audience they had meticulously built since 2011, had underscored how essential that symbiotic relationship really is.\u003c\/p\u003e\n\u003cp\u003eIt's that sense of release that permeates \u003cem\u003eOur Roots Run Deep\u003c\/em\u003e, Kodaline’s brand-new, stripped-down, 17-track live album and Fantasy Records debut.\u003c\/p\u003e\n\u003cp\u003eProduced with pristine clarity by fellow Irish cohort, Phillip Magee, \u003cem\u003eOur Roots Run Deep\u003c\/em\u003e features a cross-section of the group’s most treasured tunes and three illuminating covers in over 80-minutes of music.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“This album is something we’ve wanted to do for a very long-time, it’s also something entirely new to us,”\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eexplain the band\u003cem\u003e. “It’s a stripped-down acoustic show with no click, which basically means, it’s very raw and unfiltered. 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It also left room for the voices of their ecstatic fans, who filled the open spaces every chance they could!\u003c\/p\u003e\n\u003cp\u003eWhile too plentiful to list in full, the set’s highlights include the highly apropos opener ‘Wherever You Are,’ the lead track from their latest LP, 2020’s \u003cem\u003eOne Day At A Time\u003c\/em\u003e, ‘High Hopes,’ the lead single from the band’s debut album, 2013’s \u003cem\u003eIn A Perfect World\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand ‘Brother,’ a moving cut from the group’s third studio album, \u003cem\u003ePolitics of Living\u003c\/em\u003e, which is now being released as the first track from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOur Roots Run Deep.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe band include three interesting and revealing covers here as well: a brooding, dramatic turn on Michael Jackson’s ‘Billie Jean,’ a mostly a cappella performance of Sam Cooke’s soul classic ‘Bring It On Home To Me,’ and a taste of ‘Dirty Old Town,’ the near Irish standard popularized by The Dubliners and The Pogues.\u003c\/p\u003e\n\u003cp\u003eIt can be argued that in some ways the international chart-topping hitmakers, and world-wide concert draws, who are massively synched on film and television, have been hiding in plain sight. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOur Roots Run Deep\u003c\/em\u003e is a spectacular showcase for the purity of their artistry and the profound musical impact they’ve had on a generation. 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Our hope is that you’re able to find a little bit of yourself in this new collection of songs, because you’re not alone, and neither are we.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Produced by Tushar Apte (whom the band met through a mutual collaboration with noted DJ Steve Aoki) and mixed by Neal Avron (Twenty One Pilots, Bleachers), the long-awaited LP features 10 intensely vulnerable and absorbing new tracks all delivered with fresh ambition and newfound purpose. Inspired by the long layoff and the cloud of uncertainty that blanketed the world (and music industry) these past few years, 152 stands among the most genuinely reflective and emotionally pure efforts of Taking Back Sunday’s illustrious career.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e “You would think after 20 years, we knew what each other is going to do,” said Lazzara. “But there were so many times making this record where I heard the initial idea and thought I knew where it would go, but then I was super surprised. It’s those kinds of surprises that make it so exciting. That’s why we all still want it so badly.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Added O’Connell: ”When we’re writing songs, the one thing we ask ourselves, ‘Is it capable of making people feel something?’ You try to make people feel emotion. 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So many of these tracks dig deep and connect on a gut level. “S’old” struggles with the obligations of adult responsibility and acceptance, (the previously released single) \"The One,\" is a far-reaching anthem of love and brotherhood, “Keep Going,” tracks the self-defeating darkness of betrayal, and “Quit Trying,” drips with a ‘can’t run from who you are’ self-awareness. All through 152, the consistent thread is one of generosity, gratitude and ultimately, hope.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Despite the sizable gap between releases, a new generation of fans have discovered Taking Back Sunday and their enduring legacy has only grown in stature. 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Two years of pandemic-related separation, from each other, and the audience they had meticulously built since 2011, had underscored how essential that symbiotic relationship really is.\u003c\/p\u003e\n\u003cp\u003eIt's that sense of release that permeates \u003cem\u003eOur Roots Run Deep\u003c\/em\u003e, Kodaline’s brand-new, stripped-down, 17-track live album and Fantasy Records debut.\u003c\/p\u003e\n\u003cp\u003eProduced with pristine clarity by fellow Irish cohort, Phillip Magee, \u003cem\u003eOur Roots Run Deep\u003c\/em\u003e features a cross-section of the group’s most treasured tunes and three illuminating covers in over 80-minutes of music.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“This album is something we’ve wanted to do for a very long-time, it’s also something entirely new to us,” \u003c\/em\u003eexplain the band\u003cem\u003e. “It’s a stripped-down acoustic show with no click, which basically means, it’s very raw and unfiltered. We wanted to try and capture the energy and atmosphere of the night as best we could. It was an intimate show recorded in one of our favourite venues in the world, in Dublin City at home in Ireland. We hope you enjoy it as much as we enjoyed playing it.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKnown for the soaring, sing-along pop-rock anthems and lush, yearning ballads that have topped radio and streaming charts around the globe, for these special intimate performances Kodaline utilized largely acoustic instruments including cellist, David Doyle and keyboardist\/vocalist, David Prendergast who help give the warm, living room sound added layers of texture and depth.\u003c\/p\u003e\n\u003cp\u003eThe quieter musical beds pushed the band’s emotionally driven lyrics and intricately woven harmonies to the forefront, deepening their poignant resonance even further. It also left room for the voices of their ecstatic fans, who filled the open spaces every chance they could!\u003c\/p\u003e\n\u003cp\u003eWhile too plentiful to list in full, the set’s highlights include the highly apropos opener ‘Wherever You Are,’ the lead track from their latest LP, 2020’s \u003cem\u003eOne Day At A Time\u003c\/em\u003e, ‘High Hopes,’ the lead single from the band’s debut album, 2013’s \u003cem\u003eIn A Perfect World\u003c\/em\u003e and ‘Brother,’ a moving cut from the group’s third studio album, \u003cem\u003ePolitics of Living\u003c\/em\u003e, which is now being released as the first track from \u003cem\u003eOur Roots Run Deep.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe band include three interesting and revealing covers here as well: a brooding, dramatic turn on Michael Jackson’s ‘Billie Jean,’ a mostly a cappella performance of Sam Cooke’s soul classic ‘Bring It On Home To Me,’ and a taste of ‘Dirty Old Town,’ the near Irish standard popularized by The Dubliners and The Pogues.\u003c\/p\u003e\n\u003cp\u003eIt can be argued that in some ways the international chart-topping hitmakers, and world-wide concert draws, who are massively synched on film and television, have been hiding in plain sight. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOur Roots Run Deep\u003c\/em\u003e is a spectacular showcase for the purity of their artistry and the profound musical impact they’ve had on a generation. Their next step is around the corner, till then, this is Kodaline—unguarded, simple, essential.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eTRACKLIST\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWherever You Are\u003c\/li\u003e\n\u003cli\u003eReady\u003c\/li\u003e\n\u003cli\u003eBrother \u003c\/li\u003e\n\u003cli\u003eBrand New Day \u003c\/li\u003e\n\u003cli\u003eBillie Jean \u003c\/li\u003e\n\u003cli\u003eThe One \u003c\/li\u003e\n\u003cli\u003eMoving On \u003c\/li\u003e\n\u003cli\u003eThe Answer \u003c\/li\u003e\n\u003cli\u003eDirty Old Town \u003c\/li\u003e\n\u003cli\u003eLove Like This\u003c\/li\u003e\n\u003cli\u003eSometimes \u003c\/li\u003e\n\u003cli\u003eLove Will Set You Free \u003c\/li\u003e\n\u003cli\u003eHigh Hopes \u003c\/li\u003e\n\u003cli\u003eBring It On Home To Me \u003c\/li\u003e\n\u003cli\u003ePerfect World \u003c\/li\u003e\n\u003cli\u003eEverything Works Out In The End \u003c\/li\u003e\n\u003cli\u003eAll I Want\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369857843416,"sku":"888072449244","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/p_a7fcf6c1-409e-4d8d-b8e7-d4a2036e17be.png?v=1770327292"},{"product_id":"songs-for-a-nervous-planet-deluxe-cd","title":"Tears For Fears \"Songs For A Nervous Planet (Deluxe)\" CD","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eThe new album from Tears For Fears, Songs For A Nervous Planet, features four new studio tracks plus live recordings of Tears For Fears on tour and at their best. The album features live performances of hit songs like “Shout”, “Head Over Heels”, “Everybody Wants To Rule The World”, “Mad World” \u0026amp; more. Spanning all eras of the band from The Hurting to The Tipping Point and beyond, this record takes you on the incomparable sonic journey that is a Tears For Fears live show and their career to date. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eDELUXE CD (2 DISCS) TRACK LIST \u003cbr\u003e\u003cbr\u003e01. Say Goodbye To Mum And Dad  \u003cbr\u003e\u003cbr\u003e02. The Girl That I Call Home \u003cbr\u003e\u003cbr\u003e03. Emily Said  \u003cbr\u003e\u003cbr\u003e04. Astronaut  \u003cbr\u003e\u003cbr\u003e05. No Small Thing  \u003cbr\u003e\u003cbr\u003e06. Tipping Point     \u003cbr\u003e\u003cbr\u003e07. Everybody Wants To Rule The World    \u003cbr\u003e\u003cbr\u003e08. Secret World       \u003cbr\u003e\u003cbr\u003e09. Sowing The Seeds Of Love  \u003cbr\u003e\u003cbr\u003e10. Long, Long, Long Time  \u003cbr\u003e\u003cbr\u003e11. Break The Man \u003cbr\u003e\u003cbr\u003e12. My Demons \u003cbr\u003e\u003cbr\u003e13. Rivers of Mercy \u003cbr\u003e\u003cbr\u003e14. Mad World  \u003cbr\u003e\u003cbr\u003e15. Suffer The Children  \u003cbr\u003e\u003cbr\u003e16. Woman In Chains  \u003cbr\u003e\u003cbr\u003e17. Bad Man’s Song  \u003cbr\u003e\u003cbr\u003e18. Pale Shelter  \u003cbr\u003e\u003cbr\u003e19. Break It Down Again  \u003cbr\u003e\u003cbr\u003e20. Head Over Heels   \u003cbr\u003e\u003cbr\u003e21. Change \u003cbr\u003e\u003cbr\u003e22. Shout \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369857876184,"sku":"888072639942","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/TearsForFears_NervousPlanet_2CD_1.png?v=1770327297"},{"product_id":"if-that-makes-sense-ruby-red-vinyl","title":"Spacey Jane \"If That Makes Sense\" Ruby Red Vinyl","description":"\u003cp class=\"p1\"\u003eAustralian indie rock band Spacey Jane are back with a new album, produced by Mike Crossey (Arctic Monkeys, MUNA, The 1975).\u003ci\u003e If That Makes Sense \u003c\/i\u003e– the quartet’s most accomplished and ambitious collection to date – is an album that parses the big stuff: heartbreak and longing; how the past prefigures the future; rewriting the script. As a phrase, “if that makes sense”, is often used as a query without a question mark, a request for reassurance that can signal a lack of confidence in what's being expressed. And yet, Spacey Jane have never sounded bigger, brighter, or more self-assured.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSIDE A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eIntro\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eThrough My Teeth\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eWhateverrrr\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAll the Noise\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eImpossible to Say\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eHow to Kill Houseplants\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eI Can’t Afford to Lose You\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSIDE B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eSo Much Taller\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eThe More That it Hurts\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eEstimated Delivery\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eFalling Apart\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eIly the Most\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAugust\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369857941720,"sku":"888072668324","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/SpaceyJaneStandardVinyl_T01.png?v=1770327295"},{"product_id":"francis-aquarius-cd","title":"Noah Floersch \"Francis Aquarius\" CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eOn Noah Floersch's new album Francis Aquarius, he plays a character that’s guilt-tripping, projecting, and spewing his insecurities all over the place. But while Francis Aquarius might be a bummer to be around, Noah Floersch isn’t. This album is playful, smart, and above anything else, so much fun. From sad-boy singalongs, to cheeky, slick funk and stirring dance floor-fillers — you might be rolling your eyes at the guy singing these songs, but you can’t help but let him make you move.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369857974488,"sku":"888072713901","price":13.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/FrancisAquarius-CD.png?v=1770327295"},{"product_id":"get-sunk-black-vinyl","title":"Matt Berninger \"Get Sunk\" Vinyl","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eMatt Berninger is the vocalist and lyricist for Grammy Award-winning band The National. His songwriting has long garnered praise for its poignant clarity, jagged-edged wit and intimately emotive melodies. His second solo album, Get Sunk, is not overtly autobiographical, but the narrator is processing how he became himself. Who is he compared to the kid on that sepia-toned farm? What is his idea of happiness? What the hell are we all searching for? Get Sunk is an ode to the infinite. The others that make us who we are; the possibilities our paths can take and the abyss of both misery and bliss. \u003cbr\u003e\u003cbr\u003eTRACK LISTING:\u003cbr\u003e\u003cbr\u003e1. INLAND OCEAN \u003cbr\u003e\u003cbr\u003e2. NO LOVE \u003cbr\u003e\u003cbr\u003e3. BONNET OF PINS \u003cbr\u003e\u003cbr\u003e4. FROZEN ORANGES \u003cbr\u003e\u003cbr\u003e5. BREAKING INTO ACTING feat. Hand Habits \u003cbr\u003e\u003cbr\u003e1. NOWHERE SPECIAL \u003cbr\u003e\u003cbr\u003e2. LITTLE BY LITTLE \u003cbr\u003e\u003cbr\u003e3. JUNK \u003cbr\u003e\u003cbr\u003e4. SILVER JEEP \u003cbr\u003e\u003cbr\u003e5. TIMES OF DIFFICULTY \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858105560,"sku":"888072674349","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/MattBerninger_Blackedited.png?v=1770327297"},{"product_id":"let-the-bad-times-roll-cd","title":"The Offspring \"Let The Bad Times Roll\" CD","description":"\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eALBUM OVERVIEW\u003cbr\u003e\u003c\/p\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;ALBUM OVERVIEW \\nThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.  \\nThe album is the band’s 10th, but their first new offering in eight years. There wasn’t a break up, no hiatus (they’ve kept up a steady level of touring during the span between albums), simply the band likes to take their time. And Holland had something else he needed to wrap up, finally getting his Ph.D. in Molecular Biology from USC, a 30-year odyssey that culminated in his thesis on the makeup of the HIV virus. “I had kept in touch with my professors and they encouraged me to come back and finish it up,” he says. “The band was cool about it,” before adding with a laugh “and that only took five years.”  \\nThe material on Let the Bad Times Roll was written and recorded at various times during the last eight years. Highlights include the devastating urgency of “The Opioid Diaries” and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor but underneath is the story of a guy who just wants his wife to feel anything towards him, love or hate. “I had written most of that song five years ago and finally put it together,” says Holland. “We do better when we work in spurts.”  \\nLet the Bad Times Roll finds the band collaborating with mega producer Bob Rock for the third time, working in Rock’s studios in Maui and Vancouver as well as the band’s own recently completed studio in Huntington Beach. Rock has become an increasingly important part of the band’s creative process. “First off, he’s an amazing guitar player so he’d play a small part and we would go back and forth with it and it usually turned into something we used,” says Holland. Rock also pushes Holland on his songwriting. Nicely of course. “I’ll have a line and he’ll like it,” says Holland. “But a few minutes later, he'll kind of put it back on you in a way that makes you feel like, okay, maybe I can, maybe I can get a little bit more out of this.”  \\nThe album contains some of Holland’s most direct and intense lyrics to date. The scourge of mental illness hovers throughout, especially on the fierce “Army of One” that has a surf guitar line that would make Dick Dale proud and the epic “Breaking These Bones” which slots next to classic Offspring anthems such as “Gone Away” and “The Kids Aren’t All Right.” Says Holland: “We've been talking about mental illness in rock and roll especially, for a long time, but it seems to be more on the table to me now. I think that that's great. I don't want to put too fine a point on it in songs like ‘Breaking These Bones’ and ‘We Never Have Sex Anymore’ because I want people to be able to interpret it on their own so hopefully that makes it more relatable.”  \\nHolland remains unafraid to pen topical material, but instead of taking the easy route in, say, bashing Trump, the title track and first single takes a more nuanced look around and what is happening in present day society. “I feel like we're in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more of a stubborn mentality where they’re not making the slightest attempt to fix things, it’s like ‘fuck it, bring on the North Korea nukes, bring on white nationalism.’ It's a much different attitude than I've seen in the past. And it’s really fucking scary.”  \\nIn times of tumult, punk has been the leader in addressing what ails society, but in 2020 it’s a weird time to be in a rock band. The ‘rock is dead’ trope is uttered as often as the latest trap banger gets played on the radio. But with other legendary acts such as Green Day, Bad Religion and Rage Against the Machine along with up-and-comers like Idles and PUP, rock and roll is still vital component of today’s culture, a genre that can smack you upside the head with nihilism but then offer a ray of sunlight through the darkened windows. “This album is probably the most cathartic thing we’ve done,” says Holland. “The messages might be dark, but at the end what’s left is that communication is important, working through feelings is important and most of all, hope is important.” Then let the bad times roll for now, in the hopes that good times lie ahead.  \\n\\n\\nTRACK LIST: \\n1. This Is Not Utopia (2:38)                \\n2. Let The Bad Times Roll (3:18)        \\n3. Behind Your Walls (3:21)                \\n4. Army Of One        (3:11)                \\n5. Breaking These Bones (2:46)                \\n6. Coming For You (3:48        )        \\n7. We Never Have Sex Anymore        (3:30)                \\n8. In The Hall Of The Mountain King (1:00)                \\n9. The Opioid Diaries (3:01)                \\n10. Hassan Chop (2:20)                \\n11. Gone Away (3:16)                \\n12. Lullaby (1:12)\\n\u0026quot;}\" data-mce-fragment=\"1\"\u003eThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll. \u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;ALBUM OVERVIEW \\nThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.  \\nThe album is the band’s 10th, but their first new offering in eight years. There wasn’t a break up, no hiatus (they’ve kept up a steady level of touring during the span between albums), simply the band likes to take their time. And Holland had something else he needed to wrap up, finally getting his Ph.D. in Molecular Biology from USC, a 30-year odyssey that culminated in his thesis on the makeup of the HIV virus. “I had kept in touch with my professors and they encouraged me to come back and finish it up,” he says. “The band was cool about it,” before adding with a laugh “and that only took five years.”  \\nThe material on Let the Bad Times Roll was written and recorded at various times during the last eight years. Highlights include the devastating urgency of “The Opioid Diaries” and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor but underneath is the story of a guy who just wants his wife to feel anything towards him, love or hate. “I had written most of that song five years ago and finally put it together,” says Holland. “We do better when we work in spurts.”  \\nLet the Bad Times Roll finds the band collaborating with mega producer Bob Rock for the third time, working in Rock’s studios in Maui and Vancouver as well as the band’s own recently completed studio in Huntington Beach. Rock has become an increasingly important part of the band’s creative process. “First off, he’s an amazing guitar player so he’d play a small part and we would go back and forth with it and it usually turned into something we used,” says Holland. Rock also pushes Holland on his songwriting. Nicely of course. “I’ll have a line and he’ll like it,” says Holland. “But a few minutes later, he'll kind of put it back on you in a way that makes you feel like, okay, maybe I can, maybe I can get a little bit more out of this.”  \\nThe album contains some of Holland’s most direct and intense lyrics to date. The scourge of mental illness hovers throughout, especially on the fierce “Army of One” that has a surf guitar line that would make Dick Dale proud and the epic “Breaking These Bones” which slots next to classic Offspring anthems such as “Gone Away” and “The Kids Aren’t All Right.” Says Holland: “We've been talking about mental illness in rock and roll especially, for a long time, but it seems to be more on the table to me now. I think that that's great. I don't want to put too fine a point on it in songs like ‘Breaking These Bones’ and ‘We Never Have Sex Anymore’ because I want people to be able to interpret it on their own so hopefully that makes it more relatable.”  \\nHolland remains unafraid to pen topical material, but instead of taking the easy route in, say, bashing Trump, the title track and first single takes a more nuanced look around and what is happening in present day society. “I feel like we're in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more of a stubborn mentality where they’re not making the slightest attempt to fix things, it’s like ‘fuck it, bring on the North Korea nukes, bring on white nationalism.’ It's a much different attitude than I've seen in the past. And it’s really fucking scary.”  \\nIn times of tumult, punk has been the leader in addressing what ails society, but in 2020 it’s a weird time to be in a rock band. The ‘rock is dead’ trope is uttered as often as the latest trap banger gets played on the radio. But with other legendary acts such as Green Day, Bad Religion and Rage Against the Machine along with up-and-comers like Idles and PUP, rock and roll is still vital component of today’s culture, a genre that can smack you upside the head with nihilism but then offer a ray of sunlight through the darkened windows. “This album is probably the most cathartic thing we’ve done,” says Holland. “The messages might be dark, but at the end what’s left is that communication is important, working through feelings is important and most of all, hope is important.” Then let the bad times roll for now, in the hopes that good times lie ahead.  \\n\\n\\nTRACK LIST: \\n1. This Is Not Utopia (2:38)                \\n2. Let The Bad Times Roll (3:18)        \\n3. Behind Your Walls (3:21)                \\n4. Army Of One        (3:11)                \\n5. Breaking These Bones (2:46)                \\n6. Coming For You (3:48        )        \\n7. We Never Have Sex Anymore        (3:30)                \\n8. In The Hall Of The Mountain King (1:00)                \\n9. The Opioid Diaries (3:01)                \\n10. Hassan Chop (2:20)                \\n11. Gone Away (3:16)                \\n12. Lullaby (1:12)\\n\u0026quot;}\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;ALBUM OVERVIEW \\nThe sound is recognizable in the first few seconds. The rumbling bass lines, the thundering drums, breakneck guitar riffs that explode out of the speakers and that voice, a searing howl equal parts snarl and desperation. This is The Offspring, kids, singer Dexter Holland, guitarist Noodles, drummer Pete Parada and new bassist Todd Morse. SoCal legends ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.  \\nThe album is the band’s 10th, but their first new offering in eight years. There wasn’t a break up, no hiatus (they’ve kept up a steady level of touring during the span between albums), simply the band likes to take their time. And Holland had something else he needed to wrap up, finally getting his Ph.D. in Molecular Biology from USC, a 30-year odyssey that culminated in his thesis on the makeup of the HIV virus. “I had kept in touch with my professors and they encouraged me to come back and finish it up,” he says. “The band was cool about it,” before adding with a laugh “and that only took five years.”  \\nThe material on Let the Bad Times Roll was written and recorded at various times during the last eight years. Highlights include the devastating urgency of “The Opioid Diaries” and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor but underneath is the story of a guy who just wants his wife to feel anything towards him, love or hate. “I had written most of that song five years ago and finally put it together,” says Holland. “We do better when we work in spurts.”  \\nLet the Bad Times Roll finds the band collaborating with mega producer Bob Rock for the third time, working in Rock’s studios in Maui and Vancouver as well as the band’s own recently completed studio in Huntington Beach. Rock has become an increasingly important part of the band’s creative process. “First off, he’s an amazing guitar player so he’d play a small part and we would go back and forth with it and it usually turned into something we used,” says Holland. Rock also pushes Holland on his songwriting. Nicely of course. “I’ll have a line and he’ll like it,” says Holland. “But a few minutes later, he'll kind of put it back on you in a way that makes you feel like, okay, maybe I can, maybe I can get a little bit more out of this.”  \\nThe album contains some of Holland’s most direct and intense lyrics to date. The scourge of mental illness hovers throughout, especially on the fierce “Army of One” that has a surf guitar line that would make Dick Dale proud and the epic “Breaking These Bones” which slots next to classic Offspring anthems such as “Gone Away” and “The Kids Aren’t All Right.” Says Holland: “We've been talking about mental illness in rock and roll especially, for a long time, but it seems to be more on the table to me now. I think that that's great. I don't want to put too fine a point on it in songs like ‘Breaking These Bones’ and ‘We Never Have Sex Anymore’ because I want people to be able to interpret it on their own so hopefully that makes it more relatable.”  \\nHolland remains unafraid to pen topical material, but instead of taking the easy route in, say, bashing Trump, the title track and first single takes a more nuanced look around and what is happening in present day society. “I feel like we're in a unique period in history where instead of our world leaders saying ‘we’re doing our best’ it’s more of a stubborn mentality where they’re not making the slightest attempt to fix things, it’s like ‘fuck it, bring on the North Korea nukes, bring on white nationalism.’ It's a much different attitude than I've seen in the past. And it’s really fucking scary.”  \\nIn times of tumult, punk has been the leader in addressing what ails society, but in 2020 it’s a weird time to be in a rock band. The ‘rock is dead’ trope is uttered as often as the latest trap banger gets played on the radio. But with other legendary acts such as Green Day, Bad Religion and Rage Against the Machine along with up-and-comers like Idles and PUP, rock and roll is still vital component of today’s culture, a genre that can smack you upside the head with nihilism but then offer a ray of sunlight through the darkened windows. “This album is probably the most cathartic thing we’ve done,” says Holland. “The messages might be dark, but at the end what’s left is that communication is important, working through feelings is important and most of all, hope is important.” Then let the bad times roll for now, in the hopes that good times lie ahead.  \\n\\n\\nTRACK LIST: \\n1. This Is Not Utopia (2:38)                \\n2. Let The Bad Times Roll (3:18)        \\n3. Behind Your Walls (3:21)                \\n4. Army Of One        (3:11)                \\n5. Breaking These Bones (2:46)                \\n6. Coming For You (3:48        )        \\n7. We Never Have Sex Anymore        (3:30)                \\n8. In The Hall Of The Mountain King (1:00)                \\n9. The Opioid Diaries (3:01)                \\n10. Hassan Chop (2:20)                \\n11. Gone Away (3:16)                \\n12. Lullaby (1:12)\\n\u0026quot;}\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTRACK LIST: \u003cbr data-mce-fragment=\"1\"\u003e1. This Is Not Utopia (2:38) \u003cbr data-mce-fragment=\"1\"\u003e2. Let The Bad Times Roll (3:18) \u003cbr data-mce-fragment=\"1\"\u003e3. Behind Your Walls (3:21) \u003cbr data-mce-fragment=\"1\"\u003e4. Army Of One (3:11) \u003cbr data-mce-fragment=\"1\"\u003e5. Breaking These Bones (2:46) \u003cbr data-mce-fragment=\"1\"\u003e6. Coming For You (3:48 ) \u003cbr data-mce-fragment=\"1\"\u003e7. We Never Have Sex Anymore (3:30) \u003cbr data-mce-fragment=\"1\"\u003e8. In The Hall Of The Mountain King (1:00) \u003cbr data-mce-fragment=\"1\"\u003e9. The Opioid Diaries (3:01) \u003cbr data-mce-fragment=\"1\"\u003e10. Hassan Chop (2:20) \u003cbr data-mce-fragment=\"1\"\u003e11. Gone Away (3:16) \u003cbr data-mce-fragment=\"1\"\u003e12. Lullaby (1:12)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858138328,"sku":"888072230217","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/p_dfc474e1-5508-4174-8622-96ced7231f3b.png?v=1770327296"},{"product_id":"violet-cd","title":"L.S. Dunes \"Violet\" CD","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003ePrepare to embark on a sonic journey unlike any other as L.S. Dunes unveils their highly anticipated new album, Violet. With a fusion of experimental melodies and introspective lyricism, their latest offering is a giant leap forward in the evolution of the band. For the follow-up to Past Lives, the band returned to work with producer Will Yip (Turnstile, The Menzingers, Movements) on their sophomore album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003eTRACK LIST:\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e1. Like \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW223267529 BCX0\"\u003eMagick\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e(4:15)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e2. Fatal Deluxe (3:31)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e3. I Can See It Now… (3:45)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e4. Violet (4:21)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e5. Machines (4:06)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e6. You Deserve \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW223267529 BCX0\"\u003eTo\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e Be Haunted (3:28)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e7. Holograms (3:41)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e8. Paper Tigers (3:48)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e9. Things I Thought Would Last Forever (3:43)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW223267529 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW223267529 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW223267529 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW223267529 BCX0\"\u003e10. Forgiveness (4:20)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW223267529 BCX0\" data-ccp-props='{\"335551550\":6,\"335551620\":6,\"335559739\":48,\"335559746\":20}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858203864,"sku":"888072659377","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/L.S.Dunes_Violet_CDMockup_Generic.png?v=1770327297"},{"product_id":"rise-and-fall-rage-and-grace-15th-anniversary-edition-black-vinyl","title":"The Offspring \"Rise And Fall, Rage And Grace (15th Anniversary Edition)\" Vinyl","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003eThe Offspring's eight studio album - Rise And Fall\", Rage And Grace - was originally released in 2008 and features the singles, \"Hammerhead\", \"You're Gonna Go Far, Kid\", \"Kristy, Are You Doing Okay?\" and \"Half-Truism\".\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eTrack List:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eSide A\u003cbr\u003e\u003c\/span\u003eHalf-Truism\u003cbr\u003eTrust in You\u003cbr\u003eYou're Gonna Go Far, Kid\u003cbr\u003eHammerhead\u003cbr\u003eA Lot Like Me\u003cbr\u003eTakes Me Nowhere\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan class=\"a-text-bold\"\u003eSide B\u003cbr\u003e\u003c\/span\u003eKristy, Are You Doing Okay?\u003cbr\u003eNothingtown\u003cbr\u003eStuff Is Messed Up\u003cbr\u003eFix You\u003cbr\u003eLet's Hear It for Rock Bottom\u003cbr\u003eRise and Fall\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858269400,"sku":"602455436573","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/OffspringThe_RiseAndFallRageAndGrace_88697029081_LP_Packshot.png?v=1770327298"},{"product_id":"future-soul-black-vinyl","title":"Tedeschi Trucks Band \"Future Soul\" Vinyl","description":"\u003cdiv data-preorder-injected=\"true\"\u003e\n  \u003cp\u003e\u003cstrong\u003eThis is a PRE-ORDER. Expected to ship the week of March 20, 2026.\u003c\/strong\u003e\u003cbr\u003e\n  PRE-ORDER ITEM! Ships when stock arrives (see expected date above). Orders with multiple items ship when all are in stock. For faster delivery, consider ordering separately.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eTRACKLIST: \u003cbr\u003e1. Crazy Cryin'\u003cbr\u003e2. I Got You\u003cbr\u003e3. Who Am I\u003cbr\u003e4. Hero\u003cbr\u003e5. What In The World\u003cbr\u003e6. Future Soul\u003cbr\u003e7. Under The Knife\u003cbr\u003e8. Be Kind\u003cbr\u003e9. Devil Be Gone\u003cbr\u003e10. Shout Out\u003cbr\u003e11. Ride On\u003c\/span\u003e\u003c\/p\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858302168,"sku":"888072737457","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/TedeschiTrucksBand_FutureSoul_LP_Wide_US_Black.png?v=1770327297"},{"product_id":"better-broken-cd","title":"Sarah McLachlan \"Better Broken\" CD","description":"\u003cp\u003eHer tenth studio album and debut release for Concord Records, \u003cem\u003eBetter Broken\u003c\/em\u003e takes its title from its opening track—a soul-searching reflection on the fortitude that comes from weathering life’s constant storms. “I’m 57 now, and nobody gets to this point unscathed,” says McLachlan. “Life is hard, and you get bashed around a bit, but I feel more wholly myself than I ever have, I think it’s true that we learn so much more about ourselves from our failures – what it takes to heal and find ways to stay open and curious is a theme for a lot of this record.” A gorgeous showcase for her inimitable voice, “Better Broken” unfolds in delicate beats and lavish textures as McLachlan once again proves her singular gift for spinning wisdom into indelibly catchy melody (from the chorus: “Let it be all it is\/Small and still and better left alone\/Some things are better broken”). The result: a perfect entry point into her latest body of work, instantly revealing her one-of-a-kind ability to swiftly lure the listener into a more elevated state of mind.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBetter Broken\u003c\/li\u003e\n\u003cli\u003eGravity\u003c\/li\u003e\n\u003cli\u003eThe Last to Go\u003c\/li\u003e\n\u003cli\u003eOnly Way Out Is Through\u003c\/li\u003e\n\u003cli\u003eReminds Me\u003c\/li\u003e\n\u003cli\u003eOne In a Long Line\u003c\/li\u003e\n\u003cli\u003eOnly Human\u003c\/li\u003e\n\u003cli\u003eLong Road Home\u003c\/li\u003e\n\u003cli\u003eRise\u003c\/li\u003e\n\u003cli\u003eWilderness\u003c\/li\u003e\n\u003cli\u003eIf This Is the End...\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":51369858334936,"sku":"888072708556","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/SARAH_CD_Packshot.png?v=1770327297"}],"url":"https:\/\/loudpizza.com\/en-au\/collections\/web-exclusives.oembed?page=2","provider":"LOUD PIZZA RECORDS","version":"1.0","type":"link"}