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We Are Chaos marks Manson's 11th studio album. What will we find on this album by this shapeshifting dark lord of gothic industrial metal? As famous for his dramatic flair as for his menacing music, Marilyn Manson knows how to set up an album; for this one, he's been putting out the word that it's his \"masterpiece,\" declaring that \"sh*t is gonna get real\" and hash-tagging it with #youhavenoideawhatiscoming. 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Vocalist Rob Zombie intrigues in shock value, and here he packs it in: these songs are about muscle cars, sleazy encounters, and a glorified trash culture. Songs include brash manifestos such as \"Soul Crusher,\" indulgent macabre such as \"Spiderbaby (Yeah-Yeah-Yeah),\" and the sexually charged \"Thrust!\" This album is a celebratory act for the lover of the lewd-pressed on 180-gram vinyl and including a color insert with lyrics.\u003c\/p\u003e","brand":"White Zombie","offers":[{"title":"Default Title","offer_id":42585314754776,"sku":"600753381564","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/products\/WhiteZombie_LaSexorcisto-DevilMusic_180Gram_Import.jpg?v=1646424749"},{"product_id":"metallica-5-98-ep-garage-days-re-revisited","title":"Metallica \"5.98 Ep - Garage Days Re-revisited\" (180 Gram)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited 180gm vinyl LP pressing. Digitally remastered edition of the second studio album by Metallica, originally released in 1984. 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Responsible for bringing the genre back to Earth, the bandmates looked and talked like they were from the street, shunning the usual rockstar games of metal musicians during the early '80s. They expanded the limits of thrash, using speed and volume not for their own sake, but to enhance their intricately structured compositions. The $5.98 E.P.: Garage Days Re-Revisited is an extended play by American heavy metal band Metallica. It was released on August 21, 1987 by Elektra Records. The extended play consisted entirely of covers of late-'70s and early-'80s new wave of British heavy metal bands and hardcore punk music rehearsed in Lars Ulrich's soundproofed garage and then recorded in Los Angeles over the course of six days. It was the group's first recording to feature it's new bassist Jason Newsted, and also the band's first release following the death of second bassist Cliff Burton. 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And Justice for All was recorded in early 1988 at One on One Recording Studios in Los Angeles. It features long and complex songs, fast tempos, and few verse-chorus structures. The lyrics feature themes of political and legal injustice seen through the prisms of censorship, war, and nuclear brinkmanship... And Justice for All was acclaimed by music critics. 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Few songs in modern history can instantly ignite the adrenaline of music fans the way the song's opening dirty bass riff, and drum roll can. From zero to 100 mph in a matter of seconds. That speaker-destroying opening riff is unstoppable. And the song altered the course of hard rock... forever. Upon it's release in 1980, the 'Ace Of Spades' album was nothing short of a game changer for all forms of hard rock. Like lightning in a bottle, it perfectly captured everything great about hard rock, heavy metal, and punk, amped it all up to 11, and came racing out of the gates at what felt like a million miles an hour. 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The songs were recorded during his 2014 US tour - with 10 of the songs having not appeared on his previous live album. Includes scorching versions of ‘Thunder Kiss ‘65’, ‘Pussy Liquor’, ‘Dead City Radio’ and ‘Sick Bubblegum’ plus an oft-maligned yet important part of the live experience - a drum solo!\u003c\/span\u003e\u003c\/p\u003e","brand":"Rob Zombie","offers":[{"title":"Default Title","offer_id":42601161720024,"sku":"602547211385","price":54.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/products\/RobZombie_SpookshowI.jpg?v=1646796279"},{"product_id":"fear-factory-obsolete-import","title":"Fear Factory \"Obsolete\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited 180gm audiophile vinyl LP pressing including four page booklet. Fear Factory's breakthrough album Obsolete is a sequel to 1995's Demanufacture and a memorable concept album. The metal climate of the late 1990s was changing and their robotic music style perfectly fits in these developments. The Californian act focuses on the 'man vs. Machine' subject by playing industrial rock at full energy. They're heading in a slightly darker direction and building further on the Fear Factory sound. This album is considered essential by many fans of the band and of the genre, and even years later it still retains it's originality and intensity. A must for any fan of Industrial music or of metal in general. 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With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They've survived two decades as an underground entity cherished for coloring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. ETID makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers.\u003c\/p\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe band's ninth studio album, Radical, is 16 tracks of peak-ETID, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. To say that \"All This And War\" featuring guest vocals by Josh Scogins from The '68 is absolute brutal heaviness is an understatement. It's an addictive punch in the face, you'll want on repeat. The boys then run off to explore the dark haunted woods of a more somber and melodic side in the track \"Thing With Feathers\" featuring Andy Hull from Manchester Orchestra. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant - and fiercely combative - of the present state of world affairs.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e(Colored Vinyl, Indie Exclusive)\u003cbr\u003e\u003c\/span\u003e","brand":"Every Time I Die","offers":[{"title":"Default Title","offer_id":42714527203544,"sku":"045778774739","price":32.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/products\/EveryTimeIDie_Radical.jpg?v=1649275980"},{"product_id":"municipal-waste-electrified-brain","title":"Municipal Waste \"Electrified Brain\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThrash should leave you breathless, busted-up, and maybe even a little drunk (in a cutoff denim vest adorned with barely legible patches). Since 2001, Municipal Waste have uncompromisingly stuck to their guns as hard-partying and even harder-hitting torchbearers of 21st century thrash metal. 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Recorded in Philadelphia with producer Arthur Rizk [Power Trip, Code Orange], they achieved \"a thicker and heavier sound\" than before. The debut single \"Grave Dive\" hinges on a downright mean palm-muted riff as a percussive onslaught commences. It builds towards a gang chant call-and-response before a lead rips. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"It's in the vein of songs like 'Headbanger Face Rip' and 'Wave of Death',\" vocalist Tony Foresta notes. \"It's an inspirational song for our fans to cause bodily harm to themselves, but in a fun and healthy way, of course.\" \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"High Speed Steel\" practically splits asphalt with it's jagged thrashing. 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Few bands demonstrate this ethos as powerfully as Of Mice \u0026amp; Men, the multifaceted metalcore machine whose mission is to make the soundtrack for every heartbreak, melancholic rumination, and moment of triumph. It's a potent and perfect storm of elements. A bombastic and uplifting roar familiar to fans of Linkin Park; a layered crunch akin to the Deftones; thrashing old school riffage a la Slayer and Exodus; the sensual atmosphere of Sade or Radiohead; swirled into a singular sound uniquely OM\u0026amp;M. At every turn, no matter what obstacles presented themselves, the four men at the Of Mice \u0026amp; Men core since 2016 never lost sight of the strength of their connection to the audience or each other. They refocused and persevered at every turn, delivering massive anthems that work in the most intimate of punk clubs, the biggest of European festivals, and American rock radio formats alike. It's all about the songs themselves and what they mean to people at the end of the day. The music of Of Mice \u0026amp; Men begins as something deeply personal shared among the quartet. 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