{"title":"April 3rd 2026 New Releases","description":"","products":[{"product_id":"zilgi-longlegs-original-soundtrack","title":"OST \"Longlegs (Original Soundtrack by Zilgi)\"","description":"\u003cp\u003eMutant, in conjunction with Milan Records and NEON, is proud to release the premiere physical release of LONGLEGS (ORIGINAL MOTION PICTURE SOUNDTRACK) with music by ZILGI.\u003c\/p\u003e\n\u003cp\u003eThe album features an original score written by Zilgi for director Osgood Perkins’ horrifying new thriller following an FBI agent searching for a deranged serial killer. As disturbing and all-consuming as a nightmare, LONGLEGS required a soundscape as gripping as its onscreen story, prompting Zilgi to craft a palette of dark, foreboding synth work, warped instrumentation and subliminal sound design elements. Working closely with sound designer and editor Eugenio Battaglia, who contributes two tracks to the album, the resulting soundtrack is unsettling, uncomfortable and utterly riveting. Zigli has crafted a genuinely terrifying listen that mixes soundscapes, electronics, and discordant rock to create a portal to hell that will stay with you long after the needle leaves the record. Hail Satan.\u003c\/p\u003e\n\u003cp\u003eFeaturing package design by Greg Ruth and Spencer Hickman.\u003c\/p\u003e","brand":"Original Sound Track","offers":[{"title":"140g RED","offer_id":49949872554200,"sku":"810155840105","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/459727.png?v=1736655647"},{"product_id":"olivia-rodrigo-david-byrne-drivers-license-burning-down-the-house","title":"Olivia Rodrigo \u0026 David Byrne \"Drivers License \/ Burning Down the House\"","description":"Experience “drivers license” for the first time all over again – this time through the voice of the legendary David Byrne. Celebrating five years since Olivia’s breakout single, this limited first pressing vinyl features Byrne’s cover of “drivers license” on Side A, and Olivia and David’s live performance of “burning down the house” from Governor’s Ball on Side B. Pressed on red translucent 7-inch vinyl.","brand":"Olivia Rodrigo \u0026 David Byrne","offers":[{"title":"TRANSLUCENT RED","offer_id":51305069478104,"sku":"602478814761","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/98OliviaRodrigo_Front.png?v=1768520520"},{"product_id":"arlo-parks-ambiguous-desir","title":"Arlo Parks \"Ambiguous Desir\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwice Grammy-nominated, Mercury Prize and BRIT Award-winning artist Arlo Parks announces her new album, Ambiguous Desire, due April 3rd via Transgressive Records. Ambiguous Desire is Parks at her most confident and experimental, supplanting live band sessions for modular synths, Ableton plugins and samplers that channel the frenetic, vibrant spaces she was immersed in, all while spotlighting the acclaimed poetry and lyricism she’s beloved for. Reflecting on the making of the record, Parks shares, \"I danced more than ever as I made this record, I made more friends than ever too, found myself in the weird underbelly of New York juke nights, unleashed, laughed and laughed and laughed. This record has desire at its centre. Desire is a life force, it’s a wanting, a yearning, a momentum - we are all alive because there is something or someone we want - desire is an engine. But it is also mysterious, tangled, random, enlightening and HUMAN.\" Parks crafted the album with producer Baird (Brockhampton, Kevin Abstract). Their process unfolded between NYC’s vibrant, community-rooted nightlife and long, introspective days spent in Baird’s downtown loft. The result is Parks’ most vulnerable, self-affirming, and euphoric work to date.\u003c\/span\u003e\u003c\/p\u003e","brand":"Arlo Parks","offers":[{"title":"Marble Blue w\/ Poster","offer_id":51307311694040,"sku":"5400863201654","price":33.98,"currency_code":"USD","in_stock":true},{"title":"Standard","offer_id":51307312480472,"sku":"5400863201630","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/418467308737_500.png?v=1768580997"},{"product_id":"mac-ayres-magic-8ball","title":"Mac Ayres \"Magic 8Ball\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMac Ayres is a self-taught and independent singer-songwriter, producer and multi-instrumentalist from Long Island, NY. 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As her first Latin studio album with crossover hits like “telapatia” and “fue major,” this album solidified Kali as one of the most important and versatile voices in modern music. In celebration of its five-year anniversary, a freshly pressed Cielo Swirl vinyl variant is now available.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kali Uchis","offers":[{"title":"Cielo Swirl","offer_id":51318128804056,"sku":"199957107495","price":35.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/418467309076_1000.png?v=1768940064"},{"product_id":"the-new-pornographers-the-former-site-of","title":"The New Pornographers \"The Former Site Of\"","description":"\u003cp\u003eA woman is trapped on a cruise ship. A preacher decides to go down with his town. A man at the florist finds himself lost in the meaning of the arrangement. These and other people at personal and societal extremes are the subjects of ten timely, timeless short stories collected as meticulously crafted pop songs by The New Pornographers on their forthcoming album, The Former Site Of.\u003c\/p\u003e\n\u003cp\u003eThe album, like Continue as a Guest, finds The New Pornographers—bandleader A.C. Newman, Neko Case, Kathryn Calder, John Collins, and Todd Fancey—expanding their already rich catalog in surprising fashion. Joined by legendary session drummer Charley Drayton (Divinyls, Keith Richards, Fiona Apple), the space contained in a New Pornographers song has never been this clearly articulated or generously textured, giving a distinct pulse to the characters whose lives spill out in Newman’s tender, evocative lyrics.\u003c\/p\u003e\n\u003cp\u003eThe Former Site Of adds new depth to the sound Newman shook loose through building and recording in a home studio, fine-tuning the band’s creative process far beyond the lockdown-era necessities of remote collaboration. “Having time in my studio really opened things up,” he explains. “I can get the skeleton of a song together first—just a couple of elements, the key feeling, really as little as possible—before bringing it to the band and running from there.”\u003c\/p\u003e\n\u003cp\u003eTwo albums into this shift, The New Pornographers are creating universes of intricately textured sound and narrative detail, every layer keyed to reveal an unexpected new facet. As on Continue as a Guest, one of the more readily apparent layers is the way a song forms itself around a featured instrument. On The Former Site Of, it’s a mandolin which, in Carl Newman’s hands, lends lead single “Votive” its sense of acceleration as it builds from the atmospheric sweep of its synth and keyboard opening to a classic, wide-open jam.\u003c\/p\u003e\n\u003cp\u003e“Hands are cupped around a match \/ I’m just trying to keep the lights on,” Newman sings on the track, the metaphor—hanging on despite the precarity of life—a thread that weaves through The Former Site Of. “Bonus Mai Tais” is, in a sense, about the flame going out, Newman writing directly of meeting a friend with advanced cancer for drinks, disarmed by their candor in the face of death. It is a brutally sad song, the anguish of the moment hanging in Newman’s voice, and one of the band’s most beautiful, with Neko Case’s and Kathryn Calder’s harmonies acting as the scene’s ethereal mirror.\u003c\/p\u003e\n\u003cp\u003eThe Former Site Of places many of its subjects on the edge of oblivion—their time growing short, their situation doomed—but hanging on. This is also true when The New Pornographers turn their focus inward as they do on “Pure Sticker Shock,” Newman’s lyrics grappling with self-worth. That they can identify themselves among such a disparate cast—even the Cassini-Huygens satellite of “Spooky Action”—ties the album together before the final repeated lyric of its title track, the way into the heart of each of these songs warmly lit and inviting. Far from being the expected next chapter from The New Pornographers, The Former Site Of is an argument against expectation by a band that continues to evolve rather than rest on their laurels. Even in its darkest or most self-deprecating moments, there is an effervescence to the music here that is irresistible, an affirmation that the struggle of its characters and the listener, like a photograph of a distant planet, is worth it.\u003c\/p\u003e","brand":"The New Pornographers","offers":[{"title":"ORANGE \u0026 RED MARBLE","offer_id":51326173544664,"sku":"673855087900","price":26.98,"currency_code":"USD","in_stock":false},{"title":"STANDARD","offer_id":51326174134488,"sku":"673855087917","price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/95_09557145-518a-48ec-873a-66d6c9fcc1c2.jpg?v=1769117341"},{"product_id":"sponge-rotting-pinata-2026-reissue","title":"Sponge \"Rotting Pinata\" (2026 Reissue)","description":"\u003ch2\u003e\u003cstrong\u003eLIMITED EDITION to 750 COPIES\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDetroit-based rock band Sponge was formed in 1992 and consisted of vocalist Vinnie Dombroski, guitarist Mike Cross, bassist Tim Cross, drummer Jimmy Paluzzi and guitarist Joey Mazzola. 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A gifted singer, songwriter, and storyteller, Dermot sharpens his craft across Ireland and Nashville with producer Gabe Simon. In summer 2026, he embarks on a major global tour, including London’s O2 and two nights at Dublin’s Aviva Stadium, with night one selling out in minutes. 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'Die Kreuzen' roughly translates out of German meaning 'to intersect' or 'to hybridize,' which is exactly what they did on their five LP's for Touch and Go. Their self titled debut is considered one of the most seminal hardcore |records of the early 80’s. As far as October File is concerned, remember that flannel shirt movement in the 90's This is what those guys were listening to.\u003c\/p\u003e","brand":"Die Kreuzen","offers":[{"title":"BLUE \u0026 BLACK + CLEAR ( \/ 500)","offer_id":51356434137304,"sku":"36172070732","price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/547-1.jpg?v=1769747374"},{"product_id":"thundercat-distracted","title":"Thundercat \"Distracted\"","description":"\u003cp\u003eThundercat fans rejoice! The longest album drought of his career is officially OVER. Distracted will be released on April 3, 2026 - 6 years to the day after release of his previous LP, the 2020 GRAMMY Award winning record It Is What It Is. \u003c\/p\u003e\n\u003cp\u003eDistracted was primarily created in close collaboration with a new creative partner for Thundercat - the super producer Greg Kurstin, known for his work with some of the biggest names in pop like Adele, Paul McCartney, Sia, Beyoncé, Beck and more. The record features 15 tracks and a host of exciting collaborators including Mac Miller, A$AP Rocky, Willow Smith, Tame Impala, Channel Tres, and production from Thundercat \u0026amp; Greg Kurstin, Flying Lotus, Kenny Beats \u0026amp; more.\u003c\/p\u003e\n\u003cp\u003eOver the past six years, Thundercat’s been a very busy man. Beyond releasing two new tracks this past September (\"I Wish I Didn't Waste Your Time\" \u0026amp; \"Children of the Baked Potato (feat. 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Across her discography, she has tallied hundreds of millions of streams, harnessed viral momentum on platforms such as TikTok (where she has surpassed 800k+ followers), collaborated with Polyphia, Scene Queen, and Papa Roach, and toured with the likes of Coheed \u0026amp; Cambria, Halestorm, and more  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNow, in her new EP, Mothica returns with a renewed sense of purpose and a willingness to open up about her experience unfettering herself from the throes of addiction, wrestling with mental health, and growing as an artist and as a woman. \"Somewhere In Between\" is only five tracks (including previous single \"Evergreen Misery\"), but each one shines.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Mothica","offers":[{"title":"Transparent Red","offer_id":51357078782168,"sku":"4065629759933","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/ADKq_NbGnvAeUFEeu731sS7YQ-BBl5zMVuOi4OWA8NE5bd2PJjyjlTnxdiLq8EruFbn6t4T0eNdmNlwvKkjLRFOIC0U9DyImsni2Uvw3NMb2qavUS_i3IBu48OnT3zHxk5988kc5Rp1Vfgl8US1UDe8Bdhb0_s0-d-e1-ft.jpg?v=1769785390"},{"product_id":"johnny-cash-this-is-johnny-cash","title":"Johnny Cash \"This Is Johnny Cash\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohnny Cash (1932-2003) was a legendary singer-songwriter whose deep voice and storytelling made him one of the most influential figures in American music. Blending country, rock, folk, and gospel, he created timeless songs like \"I Walk the Line,\" \"Ring of Fire,\" \"Folsom Prison Blues.\", \"I Got Stripes,\" and \"Oh Lonesome Me.\" Known as The Man in Black, Cash's music spoke to themes of love, faith, and redemption, leaving an enduring mark on generations of artists.\u003c\/span\u003e\u003c\/p\u003e","brand":"Johnny Cash","offers":[{"title":"ORANGE","offer_id":51362527838424,"sku":"8719039007622","price":18.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/8719039007622.jpg?v=1770065384"},{"product_id":"toad-the-wet-sprocket-rings-the-acoustic-sessions","title":"Toad The Wet Sprocket \"Rings: The Acoustic Sessions\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eToad the Wet Sprocket Presents RINGS : The Acoustic Sessions. A timeless album reimagining their classic songs, marking the enduring growth of their musical journey. 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Between 1994 and 2019 they released eight studio albums of which Stockholm Syndrome is their fifth.\u003cbr\u003eHere we have another collection of bangers brought to you by the babies with reckless abandon. This time they invited a whole slew of guest musicians such as the Ramones, Danko Jones, The Cardigans, Turbonegro, and The Hellacopters, elevating the whole affair to another level with no signs of stopping. 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Which kinda sums up TDWP’s appeal: what other band can shift so seamlessly from moments of visceral madness to spells of spiritual grace? 8:18 marked the swan song for founding band members Chris Rubey and Daniel Williams, and they certainly went out in style; the addition of some hardcore punk (“Black \u0026amp; Blue,” “Number Eleven”) and straight metal (“Rumors”) ingredients to TDWP’s melodic metalcore cauldron makes for a heady brew indeed. This sea blue pressing comes inside a gatefold with beautifully austere artwork plus an insert. 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Productions team, Eric McCaine, and Fitzgerald Scott joining Sweat in laying down the sultry grooves. “I Like” was the hit, but the whole record just has that “let’s stay in for the night” vibe. Never released on vinyl in the U.S., Surrender comes in a light blue pressing remastered for vinyl complete with a printed inner sleeve. 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Building off the strengths of their existing oeuvre, the band has developed their signature approach to grim mythmaking and scythe-swinging aggression in bold new directions, offering up a new body of songs that strike one as equal parts natural, undeniably of this world, and phantasmal.\u003c\/p\u003e\n\u003cp\u003eThe band's vision has grown substantially, pushing well past the tales of peasants and serfs that stood as allegories for contemporary alienation in their previous work: on this newest offering, Their previous stories of toil and dispossession are revealed to be but one chapter etched upon a bleaker tapestry, one populated by spirits traversing sunless deserts and wilted hillsides, demonic torture objects limning the edges of the psyche, bodies transfigured into Luciferian snakes, Sadean prisoners bound to the screaming silence of abandoned castle towers. The record is at once a forceful restatement of Poison Ruin's trademark sound and a departure from it, the crackling, cassette-dubbed darkness and crushing rhythms listeners have become accustomed to buttressed by a carefully sculpted mosaic of new textures, from flourishes of Killing Joke hacksaw primitivism and blast-beats worthy of the Relapse catalogue number to crisp analog synth lines and ambient serenades reminiscent of Scott Walker and The Durutti Column. Like a serpent moving ever outward with spiraling circularity,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHymns From the Hills\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexpands Poison Ruin's sonic landscape in imaginative new directions while maintaining its center of gravity firmly in the band’s already established mythos.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHymns from the Hills\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis meticulously composed. Much like the rest of Poison Ruin's body of work, this LP was self-recorded without the use of professional studio equipment. To meet the greater sonic demands of Hymns From the Hills, however, mastermind Mac Kennedy relocated to a private practice space, retiring from his previous routine of squeezing in tracking sessions around the rare moments that the band’s shared practice space happened to be vacant. “Having added time to breathe and really get things right felt crucial this time,” he remarks. “The stress of having to work quickly and at chaotic intervals used to feel productive in a lot of ways, in that it instilled a sort of rough, energetic ethos into the recordings, but I also started to realize that those working habits were becoming an easy way to let myself off the hook from pursuing certain ideas that required a more measured, methodical approach.” To best serve the record’s grander ambitions, the band enlisted the mixing prowess of Jonah Falco (Fucked Up, Career Suicide) and the mastering of Arthur Rizk (Power Trip, Trapped Under Ice, Cavalera, Integrity), who helped to elevate the record’s teeming variety of sounds to new heights of self-assured fidelity. Kennedy lent a second hand to the mixing process, splicing in grittier tape recorded segments in order to maintain a certain tonal continuity with the band’s previous work, creating a rich structure of unconventional frictions, crystalline flashes of polish ripping through abysses of hissing low end only to shatter against the whipping sting of rusted chains moments later.\u003c\/p\u003e\n\u003cp\u003eLyrically,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHymns from the Hills\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eextends both the cynicism and the defiant bravado of Poison Ruin's established fantasy aesthetics. While the record continues Poison Ruin's tradition of employing medieval-inflected fantasy imagery, Kennedy does not intend for these figures to be read as historically accurate: “I’m not interested in the actual facts of medieval culture, and I’m not trying to draw a sort of literal comparison between peasant life and the political realities of today. Rather, I think in order to really make sense of the present you have to get outside of history altogether, in a certain way you have to find some sort of mythic language for talking about the spiritual damage that surrounds us, a mythology that can somehow escape the limits on imagination that are imposed upon us. For me, medieval imagery and fantasy aesthetics have always felt like a powerful starting point for creating that sort of mythology. If one is forced to be in Babylon, how can you find a way to live both through it and beyond it?”\u003c\/p\u003e\n\u003cp\u003eWith\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHymns from the Hills\u003c\/em\u003e, Poison Ruin have accomplished a feat of creative labor which few have the courage to entertain, much less the capacity to execute so effectively. They have upped the ante: they have set out to make \"The Record\".\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHymns from the Hills\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eambitiously rewrites the very rules of what punk is capable of achieving, pushing Poison Ruin's sound into expansive new terrains without sacrificing an ounce of the bleak symbolism and uncompromising aggression that first established them as an urgent new voice in the world of extreme music.\u003c\/p\u003e","brand":"Poison Ruin","offers":[{"title":"SWAMP GREEN","offer_id":51372783894744,"sku":"781676761517","price":26.98,"currency_code":"USD","in_stock":false},{"title":"CHAINMAIL","offer_id":51372784156888,"sku":"781676564712","price":27.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/CS1137053-01A-BIG.jpg?v=1770474379"},{"product_id":"alkaline-trio-good-mourning-2026-reissue","title":"Alkaline Trio \"Good Mourning\" (2026 Reissue)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Alkaline Trio's painful odes to lost love and bittersweet joy are draped in silky production here and they deliver every tune with a single-minded earnestness that practically defines the emo-core aesthetic. 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Crimson has a similar sense of emotional brokenness, but things never get so heavy that you'll need the goth eyeliner — the album's pop sense glimmers steadily beneath its dour shroud. \"Poison\" and \"Time to Waste\" downshift into powerful choruses despite lines about dead eyes and meaninglessness, \"Mercy Me\" and \"Dethbed\" rock self-hate and cynicism over propulsive beats, and \"Prevent This Tragedy\" incorporates a keyboard descent that's a perfectly pretty foil for a line like \"the flames of hell they give me hope.\" As great as Alkaline Trio are at relating their booze and blood-spattered lives to listeners, it does get a little tedious. But Skiba and Andriano's interlocking harmonies never flag, and the band's rhythms are just too catchy throughout. Let's see. They're writing smart, bright, punk-derived pop, but they're black and white and blocky-featured, and they like Depeche Mode much more than Duran Duran. 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Also released on the same day is a four-song 7\" EP (DAMGOOD645) featuring 'Keep Mojave Weird', taken from the album, plus three exclusive non-album tracks.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wild Billy Childish \u0026 The Chatham Singers","offers":[{"title":"Default Title","offer_id":51373520453848,"sku":"5020422064416","price":23.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/75_212384d9-7ba2-467b-b359-30a0ee0a128c.jpg?v=1770500477"},{"product_id":"mojo-nixon-skid-roper-s-t","title":"Mojo Nixon \u0026 Skid Roper \"S\/T\" (2026 Reissue)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOriginally released in 1985- this is the debut album from Mojo Nixon and Skid Roper that showcases the legendary Mojo Nixon- who passed away in 2024. 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Raw, dynamic, and unapologetically diverse, the album showcases every shade of the COC sound, delivering a hard-hitting ride that’s as gritty as it is soulful.\u003c\/span\u003e\u003c\/p\u003e","brand":"Corrosion Of Conformity","offers":[{"title":"Default Title","offer_id":51380761559256,"sku":"4065629754150","price":35.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/ADKq_NYoigtW8j4jb6FTI5RDUNeF2092C1SfvW3gLnEYMPf8l8k5m0SyaZUmPmmUe2ym-0hCgfcbmbM8QYBPMFkBE4xjfit5ZLek6rVAh0YJmgOjgmr98X0xBrkq-f_zO4ydkYreR_eZMeFkYx9Q_0sPB52v_s0-d-e1-ft.jpg?v=1770751316"},{"product_id":"cradle-of-filth-from-the-cradle-to-enslave","title":"Cradle of Filth \"From The Cradle To Enslave\" (2026 Reissue)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUpon its initial inception unto the world in 1999, Cradle to Enslave the band’s second EP, provided a snapshot of Cradle of Filth sharpening and expanding their sonic monikers, ones that would eventually go on to establish the eponymic sound of a groundbreaking genre. A collection of tracks that feel both intense and theatrical hit with heavy driving riffs, sweeping orchestral touches and the inimitable bark of frontman Dani Filth.  These tracks provide an accessible entry point to the ornately gothic extreme metal milieu the band operate in and remains a sought-after release for collectors and new fans alike. \u003c\/span\u003e\u003c\/p\u003e","brand":"Cradle of Filth","offers":[{"title":"CORONA RED\/BLACK","offer_id":51380936179928,"sku":"199584108711","price":44.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/CradleofFilthFromTheCradleToEnslave.webp?v=1770760447"},{"product_id":"peach-prc-porcelain","title":"Peach PRC \"Porcelain\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePorcelain marks the most transformative chapter in Peach PRC’s artistry to date. 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Audiences can look forward to lively performances, where the fourth wall is broken and the audience is able to participate in call and response sing-a-longs. Sometimes the band will hand out instruments for fans to play, and they'll get down off the stage to perform right on the floor.These eleven songs were written with the current cultural changes and challenges in mind. The overarching message is that we can find hope in each other and still lead lives full of joy and creativity even when systems and leaders fail us. Seeking commonalties though music to create a connected shared experience for people, they strive for a live rock and roll experience akin to a church for the non-religious and religious alike. \"We would love to see you at a show, shake your hand, give you a hug, and talk with you.  We are forever grateful to you: our strange, unique, amazing fans. We are thrilled to share this album with you and hope it brings some light into the darkness,\" remarks Sollee.\" No Tomorrow was produced and recorded by multi-instrumentalist bandmate Ray Rude at his Laundry Room Studio. NPR has described the band as specializing in a kind of white-knuckle Americana: \"Their acoustic folk-rock sound is shot through with nervy, hellfire-and-brimstone intensity. The Portland-born band's hometown brethren in The Decemberists provide a useful reference point - singer\/guitaris Ryan Sollee has a wide-open bellow and a gift for vivid imagery.\" \"As our lives become more digital, people are sharing physical spaces less and less.  The creation and performance of live music is an ever crucial, consistent, and communal space. 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Featuring 20 new recordings, \u003c\/span\u003e\u003cem\u003eAge of the Ram\u003c\/em\u003e\u003cspan\u003e is the culmination of Charley\u003c\/span\u003e\u003cspan class=\"s1\"\u003e’\u003c\/span\u003e\u003cspan\u003es incredible sonic exploration, spanning three albums, resulting in Charley\u003c\/span\u003e\u003cspan class=\"s1\"\u003e’\u003c\/span\u003e\u003cspan\u003es most realized and compelling work to date.\u003c\/span\u003e\u003c\/p\u003e","brand":"Charley Crockett","offers":[{"title":"Default Title","offer_id":51409353408728,"sku":"199957311397","price":15.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/cd_4e26cff9-82f0-4ad4-bc58-42d60895723e.png?v=1771621153"},{"product_id":"charley-crockett-age-of-the-ram-alternative-cover-art","title":"Charley Crockett \"Age Of The Ram\" (Alternative Cover Art)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCharley Crockett, the two-time Grammy-nominated artist is back with \u003c\/span\u003e\u003cem\u003eAge of the Ram,\u003c\/em\u003e\u003cspan\u003e the third and final installment of the Sagebrush Trilogy, co-produced by Shooter Jennings. Featuring 20 new recordings, \u003c\/span\u003e\u003cem\u003eAge of the Ram\u003c\/em\u003e\u003cspan\u003e is the culmination of Charley\u003c\/span\u003e\u003cspan class=\"s1\"\u003e’\u003c\/span\u003e\u003cspan\u003es incredible sonic exploration, spanning three albums, resulting in Charley\u003c\/span\u003e\u003cspan class=\"s1\"\u003e’\u003c\/span\u003e\u003cspan\u003es most realized and compelling work to date.\u003c\/span\u003e\u003c\/p\u003e","brand":"Charley Crockett","offers":[{"title":"Mesa White w\/ Insert","offer_id":51409362485464,"sku":"199957300261","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/418467312123_500_2ca71a70-455a-4913-b330-30fbb69b119f.png?v=1771622416"},{"product_id":"charley-crockett-age-of-the-ram-lp","title":"Charley Crockett \"Age Of The Ram\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCharley Crockett, the two-time Grammy-nominated artist is back with \u003c\/span\u003e\u003cem\u003eAge of the Ram,\u003c\/em\u003e\u003cspan\u003e the third and final installment of the Sagebrush Trilogy, co-produced by Shooter Jennings. 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There’s a warmth and exuberance across the album, as well as the sort of muscular sound you can really only get at a live show. For the uninitiated and die-hards alike, these recordings could well be the defining versions of the tracks, no doubt made possible through the essential live engineering of Xandy Whitesel and performances from bandmates Jenn Wasner, Sean Carey, Michael Lewis, Matthew McCaughan, and Andrew Fitzpatrick.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVernon began working on \u003c\/span\u003e\u003cem\u003eVOLUMES: ONE\u003c\/em\u003e\u003cspan\u003e in 2020, and he spent a considerable amount of time combing through concerts to pull out the right songs to define Bon Iver. “This is what we became,” Vernon comments. “This is really us at our best. This is it.” \u003c\/span\u003e\u003cem\u003eVOLUMES: ONE\u003c\/em\u003e\u003cspan\u003e, as a result, is something greater than a compilation or live album. 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Their tenth album - their debut for Sub Pop - demonstrates the duo's mastery of time and space, light and dark, and their willingness to evolve their unmistakable sound into bold new forms.The eponymously titled SUNN O))) was tracked at Bear Creek Studios, Woodinville, Washington with Brad Wood (HuM, Tar, Sunny Day Real Estate, Liz Phair). This location proved crucial to the recording process. \"The vast tracking room had big windows looking out on trees,\" says O'Malley. \"We could go hiking and be out in the woods, spend time outdoors. That became a big part of it.\" SUNN O))) have long welcomed collaborators into their self-contained world: past work has featured, Attila Csihar (Mayhem), composer Hildur Gudnadóttir, multi-instrumentalist Steve Moore, polymath Mark Deutrom, Silkworm's Tim Midyett and legendary singer-songwriter Scott Walker. 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It’s an 11-track surge that fuses classic punk’s bare-knuckle conviction with the disillusionment, identity crises, and quiet rage of Gen-Z—delivered by three Isle of Wight lifers who’ve been sharpening their edge since they first bashed out covers at 14. Jack Chatfield, Jacob Hull, and Sid Ryan have spent thirteen years turning raw instinct into a signature roar, and\u003cspan\u003e \u003c\/span\u003e\u003cem data-start=\"537\" data-end=\"552\"\u003eTalk About It\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecaptures them at full velocity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003eTheir blistering track, “Cut Throat,” distills their ethos: fierce guitars, punishing rhythm, and a narra-tive of clawing forward while the world seems hellbent on pulling you under. “It’s about a world that takes more than it gives,” the band says—and that tension becomes fuel, a rallying cry for anyone navigating a landscape that feels colder by the day. 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Recorded between 1967 and 1969, these sessions highlight Hendrix at his most spontaneous and inventive, delivering explosive renditions of his classics, unexpected covers, and rare arrangements unique to these broadcasts.\u003c\/span\u003e\u003c\/p\u003e","brand":"Jimi Hendrix Experience","offers":[{"title":"Default Title","offer_id":51421475504344,"sku":"198029892611","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/418456083996_500.webp?v=1772061593"},{"product_id":"jimi-hendrix-experience-winterland","title":"Jimi Hendrix Experience \"Winterland\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSourced from electrifying live performances across October 10–12, 1968, this collection showcases Hendrix at peak creativity, delivering towering versions of his most iconic songs alongside extended improvisations that reveal new dimensions of his musicianship. From the blistering intensity of “Fire” to the soulful sweep of “Little Wing” and the psychedelic charge of “Are You Experienced?”, this curated single‑LP set offers a powerful snapshot of Hendrix in his prime.\u003c\/span\u003e\u003c\/p\u003e","brand":"Jimi Hendrix Experience","offers":[{"title":"Default Title","offer_id":51421522723032,"sku":"198029892710","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/198029892710_974x_de29d323-ccab-44e4-b865-2455007d769e.jpg?v=1772062135"},{"product_id":"nightmares-on-wax-in-a-space-outta-sound-20th-anniversary-edition","title":"Nightmares On Wax \"In A Space Outta Sound (20th Anniversary Edition)\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCelebrating two decades since the release of one of the most loved albums in the Nightmares on Wax catalogue, In A Space Outta Sound sought inspiration in the reggae and dub sound system roots that George Evelyn aka DJ E.A.S.E grew up on, skilfully blended with other influences such as soul, hip-hop and jazz. 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While divisive among some fans due to its gentler sounds and more traditional vocal stylings than most of his last work, ICIMI attracted new, older audiences and showed a more personal side that provided a new context to his discography. Widely considered to be some of his most powerfully emotional work, both the harshly introspective and humorous songwriting, as well as its unique delivery, are still distinctly Will Wood in their experimental nature and uncompromising unwillingness to conform to the expectations of both die-hard fans and audiences at large.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 2021, the underground singer-songwriter was suddenly the subject of unexpected online attention, which, in tandem with mental health struggles, inspired him to put out a 'musical suicide note,' intended to express parts of his artistic and personal identity that had gone largely unseen by a fanbase he felt misunderstood. Leading the album with intentionally algorithm-unfriendly singles and putting an eight-minute love ballad as the second track on the LP, Wood aggressively redefined himself as being more than just a handful of wacky, unwitting viral pops. Ironically, the surprise viral success of the deep cut 'The Main Character,' a relentless satire of online culture, drew attention to the album and its second biggest hit, the angst-ridden yet danceable 'Against the Kitchen Floor.' However, the immense orchestration and vulnerable writing have kept audiences coming back. 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