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I'll use whatever words work. And a lot of it will be influenced by whatever esoteric mumbo jumbo I'm reading at the time. I try not to think too hard about any of it. Someone suggested this album sounds more upbeat, but I guess that's to do with my delivery, because lyrics like 'No Friends' might make you think otherwise. But I usually write in the third person. It's all just make believe.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile it's true \u003c\/span\u003e\u003cem\u003eThere Near\u003c\/em\u003e\u003cspan\u003e does present a slightly softer lyrical edge on some of J's songs, even a relatively gorgeous ballad like “Put It Down” eventually explodes in a shower of fiery guitar distentions. It's just what happens. Meanwhile the two tunes provided by Lou -- “Blowin' Up” and “No One's Ready” -- may have less frenzied musical settings, but their lyrics sound like pointed and timely attacks on our current regime. 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Created in short, intense bursts over the course of a year at Amherst's Bisquiteen Studio, \u003c\/span\u003e\u003cem\u003eThere Near\u003c\/em\u003e\u003cspan\u003e was recorded almost entirely by Dino's core trio -- king of the thunder tubs, Murph, human tornado Lou Barlow on bass\/vocals and the inimitable J Mascis on guitar\/vocals -- with a bit of piano and organ work by local master musician, Ken Mauri. And the album roars from start to finish.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrying to define the essence of Dino's sound is never easy. It's an instantly recognizable blend of loose vocals, sharp guitars and an animalistic rhythm section, but these parts combine into a whole far more magical and exciting than its components. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJ's guitar tone throughout \u003c\/span\u003e\u003cem\u003eThere Near\u003c\/em\u003e\u003cspan\u003e is even more animalistic than usual, perhaps owing partly to the fact he's playing through a recently acquired 70's Mesa Boogie MK 1 amp. “I bought the same amp that Chris Dixon had when we made our first album,” J says. “Chris recorded us at his house with his amp. It has a real interesting sound I haven't gotten for a while. And it's something I was trying to get back to on this album.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAsked about the philosophical opacity of his lyrical approach, J says. “I'm not always sure what a song is 'about' when I'm writing it. I guess the meaning will present itself at some point. I'll use whatever words work. And a lot of it will be influenced by whatever esoteric mumbo jumbo I'm reading at the time. I try not to think too hard about any of it. Someone suggested this album sounds more upbeat, but I guess that's to do with my delivery, because lyrics like 'No Friends' might make you think otherwise. But I usually write in the third person. It's all just make believe.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile it's true \u003c\/span\u003e\u003cem\u003eThere Near\u003c\/em\u003e\u003cspan\u003e does present a slightly softer lyrical edge on some of J's songs, even a relatively gorgeous ballad like “Put It Down” eventually explodes in a shower of fiery guitar distentions. It's just what happens. Meanwhile the two tunes provided by Lou -- “Blowin' Up” and “No One's Ready” -- may have less frenzied musical settings, but their lyrics sound like pointed and timely attacks on our current regime. 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Channeling a fluid sweep of influences, from The Durutti Column, I.A.O., and Popol Vuh's scores for Werner Herzog to Jacques Cousteau's expansion of The Silent World beneath the ocean's surface, Sirenas mediates on subconscious grooves loosely imagined and deeply felt, and opens up previously unimagined pathways in the process.\u003c\/span\u003e\u003c\/p\u003e","brand":"Allah-Las","offers":[{"title":"Tyrian Blue","offer_id":51947417698520,"sku":"184923139402","price":27.98,"currency_code":"USD","in_stock":true},{"title":"Standard","offer_id":51947417731288,"sku":"840526512478","price":25.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/4519192-3609144.jpg?v=1783210173"},{"product_id":"lucius-wildewoman","title":"Lucius \"Wildewoman\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWildewoman is the 2013 critically acclaimed debut album by Brooklyn indie pop band Lucius. 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The EP will be released as a multi-color 35th Anniversary 12-inch vinyl, as well as CD, both including new single ‘Ice Ice Baby 5.0’ in celebration of the 35th Anniversary of the mega-hit, brand new single “New Money,” and re-mixes of some of his greatest hits including: “Get With It”, “Go Ninja Go”, “Now \u0026amp; Forever 2.0”and “Cool As Ice 2.0”.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“My fans have been asking me for a long time to do a new mix of the song and I felt the 35th anniversary was a great time to do so. This version of the song remains true in spirit to the original version, but I have added even more energy and a few modern production techniques to the track which brings new excitement to the song. 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