{"title":"March 27th 2026 New Releases","description":"","products":[{"product_id":"mk-gee-two-star-the-dream-police","title":"Mk.Gee \"Two Star \u0026 the Dream Police\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo Star \u0026amp; The Dream Police is the latest album by songwriter, producer, and multi-instrumentalist Mk. Gee, released on February 9, 2024, through R\u0026amp;R. Two Star \u0026amp; The Dream Police blends '80s pop, rock, and R\u0026amp;B, the record brimming with expansive, genre-defying, and loosely structured songs that evoke dreaminess and emotion. The record is nearly entirely self-produced along with Mk. Gee's frequent collaborator Dijon. The record received widespread love from fans along with critical acclaim from major outlets such a Pitchfork, Rolling Stone, Stereogum, Billboard, NPR, Complex, and many many more.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mk.Gee","offers":[{"title":"Green","offer_id":49473129087192,"sku":"3760396026196","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/mk-gee-two-star-the-dream-police-green_1024x_c078f40d-7e1d-445d-92c0-f0727acdbde7.jpg?v=1756953448"},{"product_id":"ost-the-toxic-avenger-original-soundtrack","title":"OST \"The Toxic Avenger (Original Soundtrack by Brooke Blair and Will Blair)\"","description":"\u003cp\u003eLakeshore Records and Legendary Entertainment, is proud to present The Toxic Avenger — Original Motion Picture Soundtrack, featuring a wildly eclectic score and original songs by composers Brooke and Will Blair. In this unhinged reimagining of Lloyd Kaufman’s cult classic, the brothers capture the chaos, the silliness, and the triumphant heart of the original Troma trilogy.\u003c\/p\u003e\n\u003cp\u003eThe guitar-drenched orchestral score careens from surfy crime-jazz and occult rock to Bossa Nova, classic superhero motifs, and an unhinged take on Mussorgsky’s “Night on Bald Mountain” (featured in the original Toxic Avenger) — complete with burps, farts, and the Prague Philharmonic. The pair also deliver original songs, including the nu-rap\/slop-rock hit “(We Are) Crazy and Dangerous” from on-screen goth villains The Killer Nutz, their B-side “My Baby is an Axe,” and the classic Doo Wop ode to young lovers “The Good Things” by fictional '50s group The Whoopsie Dews.\u003c\/p\u003e\n\u003cp\u003eOver 120 musicians in eight countries contributed to the soundtrack, including Medirecon. A generator recorded this 16-piece Kyiv-based string ensemble after Russian forces cut power to the city’s power grid during the early days of the occupation. The year-long composing effort resulted in a soundtrack that’s as fun, messy, and moving as the Troma films that inspired it.\u003c\/p\u003e\n\u003cp\u003e“The original Toxie soundtrack was such a bonkers mash-up of styles,” says Will Blair. “Dancey-pop songs would be followed by punk rock, then go immediately into big orchestral pieces, followed by weird electro score — and it not only worked, it became part of the Troma experience. We trusted it would work with Macon’s version of Toxie, and we’re grateful he cut us loose to throw everything we had at it.” Written and directed by the Blairs’ older brother, Macon Blair, and starring Peter Dinklage, Jacob Tremblay, Elijah Wood, and Kevin Bacon, The Toxic Avenger follows janitor Winston Gooze, who — after a freak toxic accident — mutates into an unlikely hero battling corporate overlords and corruption to save his son and his community.\u003c\/p\u003e\n\u003cp\u003eThe album also comes complete with liner notes by writer\/director Macon Blair as well as composers Brooke Blair and Will Blair, and is pressed on 140gm toxic black and green vinyl with glow-in-the-dark splatter and housed inside a silver mirrorboard jacket with glow-in-the-dark elements.\u003c\/p\u003e","brand":"Original Sound Track","offers":[{"title":"NEON GREEN","offer_id":51508505313496,"sku":"810155841355","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/524650.png?v=1760029138"},{"product_id":"ost-beverly-hills-cop-ii-original-motion-picture-score","title":"OST \"Beverly Hills Cop II (Original Motion Picture Score)\"","description":"\u003cul\u003e\n\u003cli\u003eLimited edition of 200 copies\u003c\/li\u003e\n\u003cli\u003eAvailable for the first time on vinyl\u003c\/li\u003e\n\u003cli\u003eHoused in a gatefold jacket and red poly-lined inner sleeves\u003c\/li\u003e\n\u003cli\u003eComposed by Harold Faltermeyer (Top Gun, Fletch, The Running Man)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eComposed by Harold Faltermeyer\u003c\/p\u003e\n\u003cp\u003eBack again for the 1987 sequel starring Eddie Murphy, Judge Reinhold, and John Ashton, and directed by Tony Scott, Faltermeyer (Top Gun, Fletch, The Running Man) brings back the iconic Axel Foley theme, along with the rest of the score (and a couple of bonus tracks, too).\u003c\/p\u003e\n\u003cp\u003eBeverly Hills Cop II Original Motion Picture Score is available for the first time on 2xLP vinyl and is pressed at 45 RPM. Housed in a gatefold jacket and red poly-lined inner sleeves, the pressing is limited to 1,000 copies across four colorful themed variants.\u003c\/p\u003e","brand":"Original Sound Track","offers":[{"title":"2xLP HAND POUR RED \u0026 BLACK SWIRL ( \/ 200 )","offer_id":51040466698456,"sku":"843563186015","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/843563186015_974x_b8c742c7-737f-41c6-9561-15a6fb44afe1.jpg?v=1762629880"},{"product_id":"grateful-dead-fillmore-east-2-11-69","title":"Grateful Dead \"Fillmore East 2-11-69\"","description":"\u003ch2\u003e\u003cspan\u003eGrateful Dead \u003cem\u003eFillmore East 2-11-69\u003c\/em\u003e on 180g 3LP from Friday Music: Mastered by Joe Reagoso from the Original Grateful Dead Recordings Featuring Restored Vault Tapes by David Glasser\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eThe legendary Bay Area rock superstars Grateful Dead scored with a plethora of wonderful recordings throughout their incredible career that encompassed four decades. Their concerts were of legendary proportions, and during their mammoth breakthrough years of the late sixties, a whole new audience was discovering their magic thanks to their inspiring concerts and musical acumen.\u003c\/p\u003e\n\u003cp\u003eAs a new touring season began, the Dead celebrated with a very appreciative New York City audience at the Fillmore East. This masterful performance went on to become one of the most revered ever in their long concert history.\u003c\/p\u003e\n\u003cp\u003eAlways known for being on top of the audiophile medium, the Dead would record a lot of their shows over the years with state of the art equipment. This particular show was of no exception as long time Dead member\/producer Phil Lesh and producer John Cutler teamed up with the definitive Dead archivist David Lemeiux and compiled the much celebrated\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFillmore East 2-11-69.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFilled with 17 stellar vinyl performances, The Grateful Dead’s Jerry Garcia, Bob Weir, Phil Lesh, Mickey Hart, Bill Kruetzmann, Ron McKernan and Tom Constanten truly radiate with some of their finest playing and singing ever, making this a wonderful listen and highly collectible album for years to come.\u003c\/p\u003e\n\u003cp\u003eMany favorite Grateful Dead classics and superior rarities abound in this lengthy dream set including the long-awaited audiophile vinyl releases of \"St. Stephen,\" \"Dupree’s Diamond Blues\" and the superior jam of the Bobby \"Blue\" Bland classic \"Turn On Your Lovelight.\" Known for their lengthy jams, solid live masterpieces get their due on this amazing set like brilliant versions of \"Dark Star,\" \"The Other One,\" and \"The Eleven.\"\u003c\/p\u003e\n\u003cp\u003eAs an added super rare treat, a tip of the hat to The Beatles is preserved in the audiophile domain with their fine interpretation of \"Hey Jude\" as well as a pair of masterful blues classics with \"King Bee\" and \"Good Morning Little School Girl.\"\u003c\/p\u003e\n\u003cp\u003eMastered by Joe Reagoso at Friday Music Studios, featuring restored vault tapes by David Glasser, this reissue is packaged in a tri-fold cover with Gary Lambert’s original liner notes and retro LP label artwork.\u003c\/p\u003e","brand":"Grateful Dead","offers":[{"title":"Default Title","offer_id":51085378584792,"sku":"829421021698","price":134.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/gratefuldeadfillmore__31316.1762876803.jpg?v=1763406994"},{"product_id":"the-cramps-bad-music-for-bad-people-rsd-essential","title":"The Cramps \"Bad Music For Bad People\" (RSD Essential)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/ci3.googleusercontent.com\/meips\/ADKq_Naw9U7KKDZ2QPBBUnt_DuSgnWQ834K9rIJZ5AYICvLU5u3i7XqVoIn1O1dutDG-cRoFBdy3kRTMNxujbycpa0z1TJqMBV91uLuo91gO7ZI6HXtRsMP4hxmns0agYxZ5XEENt2y4K5-lBjJSEn6BgNNtpnNp6tNFQBg=s0-d-e1-ft#https:\/\/mcusercontent.com\/e9060c30b692888bcf55081e2\/images\/aeb9280a-9ccc-a6b8-447d-eb6a477c816e.png\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan\u003e***RSD Essential 083***\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBad Music For Bad People is a compilation of stand-out psychobilly rock songs by The Cramps, including “Goo Goo Muck” and “Human Fly.” There is no other band quite like The Cramps.  Formed in 1976 and led by the subversive “Mad Daddy,” Lux Interior (vocals), and femme fatale, Poison Ivy (guitar), their blend of rockabilly, punk, horror, and straight-up rock \u0026amp; roll continues to influence people all around the world. 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Featuring original music by John Williams, and including such classic Christmas songs such as \"White Christmas,\" \"I'll be Home For Christmas,\" and \"Have Yourself A Merry Little Christmas.\"\u003c\/p\u003e\n\u003cp\u003eFeaturing original artwork by Andrew Kolb, and housed in a die-cut gatefold jacket, with printed inner sleeves.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Original Sound Track","offers":[{"title":"2xLP Christmas Cornetto (Die Cut Gatefold)","offer_id":51164892758232,"sku":"198029301915","price":64.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/homealonemock_974x_299b09b5-e2f1-4ff0-9803-aedb30c417f5.jpg?v=1764955307"},{"product_id":"ost-five-nights-at-freddys","title":"OST \"Five Nights At Freddy's (Original Soundtrack by Newton Brothers)\"","description":"\u003cdiv class=\"product__selling-points fw-demi\"\u003e\n\u003cul\u003e\n\u003cli\u003eSoundtrack on Pizza Party Red Single Vinyl\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOne (1) of Four (4) Randomly-Selected Collectible Character Covers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eIncludes Removable Obi Strip\u003c\/li\u003e\n\u003cli\u003eAlbum Design by Scott Saslow\u003c\/li\u003e\n\u003cli\u003eNOTE: Artwork is not final\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"Release-Detail\" class=\"acordion_description\"\u003e\n\u003cdiv class=\"d-flex flex-wrap flex-lg-nowrap\"\u003e\n\u003cdiv class=\"product__info-description product__info-description--full product__info-description--open\"\u003e\n\u003cp class=\"section_title\"\u003eDescription\u003c\/p\u003e\n\u003cdiv class=\"section_height\"\u003e\n\u003cdiv class=\"release-description\"\u003e\n\u003cdiv class=\"release-description-complete\"\u003e\n\u003cp\u003eThe premise for Five Nights at Freddy’s is inspired by and tinged with familiar nostalgia from our collective childhoods — pizza parties at the family amusement center in Anytown, USA, presided over by archaic animatronic creatures who fancy themselves a rock band.\u003cbr\u003e\u003cbr\u003eWe always knew there was a darkness there, amongst the dusty game cabinets and wobbly tables — something lurking, something… off kilter. It’s a plot that jettisoned Freddy Fazbear and pals into the retrosphere of megastardom — a franchise of countless games, books, and merch drenched in depths of lore, with the feature film from director Emma Tammi (and our pals at Blumhouse and Universal) as the culmination of it all.\u003cbr\u003e\u003cbr\u003eHowever, an effective horror experience is nothing without its accompanying sound, and The Newton Brothers certainly showed up for this score. From the opening title track, they hypnotize us with the haunting vocals of a children’s choir, cut with the melodies of nursery rhyme horrorshow. It’s a chilling hors d'oeuvre, leading into a pulsing, synthy moody main course that is both a 90s throwback and freshly sinister. How could we expect any less from the boys behind the maniacal music of Midnight Mass, The Haunting of Hill House and Doctor Sleep?\u003cbr\u003e\u003cbr\u003eLike all iam8bit releases, the unboxing is part of the fun, too, with four collectible character jackets featuring everyone’s favorite funtime gang — Freddy, Chica, Foxy and Bonnie — adorned with glow-in-the-dark eyes, ensuring even while listening in total darkness, you’ll have company. Minted on delicious Pizza Party Red vinyl, it’s an absolute feast for fans.\u003cbr\u003e\u003cbr\u003eIt’s a killer soundtrack, but be careful. You never know what other surprises could be waiting inside…\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Original Sound Track","offers":[{"title":"RED (Collector's Cover Art \/ Randomly Selected)","offer_id":51164904751320,"sku":"0850047432834","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/4299651-3114812.jpg?v=1715462315"},{"product_id":"ost-the-plague-original-soundtrack","title":"OST \"The Plague (Original Soundtrack by Johan Lenox)\"","description":"\u003cp\u003eT\u003cmeta charset=\"utf-8\"\u003ehe release of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTHE PLAGUE Original Motion Picture Score\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecomposed and performed by \u003cstrong\u003eJohan Lenox\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"385\" data-end=\"728\"\u003ePremiering at the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCannes Film Festival\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto an\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e11-minute standing ovation\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Plague\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas garnered significant critical attention. Set at an all-boys water polo camp, the film follows a socially anxious twelve-year-old who becomes entangled in a cruel tradition targeting an outcast, as the boundary between ritual and reality begins to erode.\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1009\"\u003eComposer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohan Lenox’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eoriginal score underscores the film’s tense, feral atmosphere through an organic palette of percussion, solo strings, and densely layered vocals. The music mirrors the story’s escalating unease, balancing vulnerability with an ever-present sense of menace.\u003c\/p\u003e\n\u003cp data-start=\"1011\" data-end=\"1363\"\u003eIn exclusive liner notes included with the soundtrack,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLenox\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ereflects on his immediate connection to the project:\u003c\/p\u003e\n\u003cp data-start=\"1011\" data-end=\"1363\"\u003e\u003cstrong\u003e\u003cem\u003e“After years of dodging questions about when I would compose my first film score, I finally found the perfect project in Charlie Polinger’s The Plague. 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The album is deeply personal, emerging from a transformative period in Anderson’s life after surviving a near-fatal illness. From that experience came a renewed creative spark: Jon invited musicians from around the world to send him music through his website. The result was a global collaboration, uniting a wide spectrum of styles and cultural voices into a cohesive musical vision. Composed, arranged, and co-produced alongside his wife Jane Anderson, the album reflects themes of healing, unity, and hope. 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The following year’s EP, Your Light Fades Away, expanded the palette further, fusing ferocity, shimmering melody, and nü-metal groove into something equally cinematic and claustrophobic. The “black-velvet nu-metal melodies and bleak-booming breakdowns” (Revolver) of 2025’s “half-life” were, sadly, inspired by a life-changing medical diagnosis that left Young unable to tour with Moodring or his accomplished deathcore outfit, SharpTone Records labelmates PSYCHO-FRAME.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUnable to tour and unwilling to compromise, Young focused on writing and recording new music. death fetish is the sound of transcendence—an artist refusing to disappear, even as the light fades. For all its darkness, death fetish is not a surrender. It’s a reclamation. 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Time has passed, but she remains a sensitive soul, and here her incisive introspection is tethered to newly expansive and hypnotic melodies and ornate string arrangements. While writing ‘Ricochet,’ Jordan found herself fixating on concerns she’d previously pushed out of her mind, namely death and what happens after.\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" aria-hidden=\"true\"\u003e \u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003eJordan’s early music largely dealt with matters of the heart, a territory that she tried to step beyond on ‘Ricochet.’ “Misery feels safe to write about because I am good at it,” she says, “but I’m not bathing in my own agony anymore.” To feel the pain of everything and then nothing is a lonesome contradiction. ‘Ricochet’ is a record about being caught in this whirlpool, but Jordan’s music has never been so transcendent. 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Across a career spanning more than five decades, Suzi has inspired generations of artists including Debbie Harry, Chrissie Hynde, Joan Jett, KT Tunstall, and many more. She is also renowned for her acclaimed acting career, including theatre and T.V. series, most notably her three-season iconic role as Leather Tuscadero in Happy Days (for which she received more fan mail than The Fonz). Her extraordinary catalogue of hits includes '48 Crash', 'Can The Can', 'Devil Gate Drive', 'Daytona Demon', 'The Wild One', 'If You Can't Give Me Love', 'She's In Love With You', 'Rock Hard', and the US million-seller 'Stumblin' In', her duet with Chris Norman, which became a worldwide million seller again in 2024. In 2019, she began collaborating with her son, Richard Tuckey (producer, co-writer, guitarist) and their creative partnership now reaches it's third chapter with the release of FREEDOM, their third album together. \"It's all about getting back to who you are, and it applies universally. We all wear masks to get by in this world. For me it's all about being comfortable in your own skin, having nothing to prove to anyone, and not accepting any BS! This is the journey this album takes you on. Here I am, warts and all. Take it or leave it. Choose yourself... and finally FREEDOM. Which also applies to the world we live in today. A very important word, a very important attitude and very important reality... 'FREEDOM'!\" - Suzi Quatro - Along with the single \"Freedom', the new album also includes a duet with fellow Detroit native, Alice Cooper, on a rockling duet of the MC5's classic 'Kick Out The Jams'. The album release coincides with Suzi's 2026 tour - at the age of 75, the Queen of Rock 'n' Roll shows absolutely no signs of slowing down - if anything, she is busier, bolder and more driven than ever. Produced by Richard Tuckey, and mastered by Christian Wright at Abbey Road Studios. 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When I decided to make a new record, it only seemed right to go back to what brings me the most joy, which is, Rock \u0026amp; Roll music.\u003c\/p\u003e\n\u003cp\u003eI got my Tascam 388 fixed, the same tape machine I had used to record my first album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKing Tuff Was Dead\u003c\/em\u003e. It had been sitting in my parent’s house in Vermont for the past 14 years, but I had finally dragged it out to LA.\u003c\/p\u003e\n\u003cp\u003eI stopped caring if there were mistakes.\u003c\/p\u003e\n\u003cp\u003eThere’s not enough mistakes.\u003c\/p\u003e\n\u003cp\u003eI played my old, blue, Gibson SG, Jazijoo, and she spewed mangled electrified gold.\u003c\/p\u003e\n\u003cp\u003eFor once, I sang and I didn’t hate my voice.\u003c\/p\u003e\n\u003cp\u003eI played the drums badly and bounced them in mono to one track and it sounded like glorious shit.\u003c\/p\u003e\n\u003cp\u003eI wish it sounded even worse.\u003c\/p\u003e\n\u003cp\u003eRock \u0026amp; Roll is the music of rodents and bugs. It should sound like it crept from a decrepit trashcan or a crypt or a toilet. It is not chill or vibey, autotuned or on the grid. It is not perfect, which is why it’s perfect. And I don’t care if it’s dead or alive, cool or uncool: when I hear it, and when I play it, as a chubby and balding 43 year old punk weirdo, I FEEL ENERGIZED.\u003c\/p\u003e\n\u003cp\u003eAll in all,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMoo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a full circle moment. A return to form. A return to rock. A return to Vermont. A return to myself.\u003c\/p\u003e\n\u003cp\u003eReconnecting the dots. Restarting the engine. Plugging in the stack. Finally letting King Tuff be King. Fucking. 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