{"title":"Pepperoni","description":"\u003cp\u003eRed Dot Discount \u003c\/p\u003e","products":[{"product_id":"machine-head-of-kingdom-and-crown","title":"Machine Head \"ØF KINGDØM AND CRØWN\"","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUndisputed masters of murderous riffs, pugnacious grooves and ferocious hooks since 1991, Machine Head are long established as one of the most influential and incendiary bands in the metal world. From genre-expanding triumphs like 1994's debut, Burn My Eyes, 1999's The Burning Red to the planet-conquering might of 2007's The Blackening, to the new life injected in 2014's Bloodstone and Diamonds, Machine Head have carved a singular path across the globe for over three decades now with no end in sight. Whether it be marathon 3 hour live performances, or millions of albums sold worldwide, and accolades both big and small, there aren't too many \"distractions\" clouding up the vision of Guitarist\/Vocalist\/Founder Robb Flynn these days. In 2022, Machine Head are back with their most crushing and complete album yet. ØF KINGDØM AND CRØWN is an hour-long conceptual monolith, rich in colour and dynamics but hell-bent on destruction. Set in a futuristic wasteland where the sky is always crimson red, ØF KINGDØM AND CRØWN tells the tale of two characters, both faced with incalculable trauma, whose stories become bloodily entwined as this deep, dark record progresses. \"The album and concept was loosely inspired by the Japanese anime series Attack On Titan,\" says Robb, \"in the sense that in that series, there is no \"good\" or \"bad\" guy... both sides believe they're doing the right thing, but both are committing atrocities and evil.\" Album opener, \"SLAUGHTER THE MARTYR,\" sets the tone for not only the record, but the aural and psychological exploration the listener is about to embark on. From the first dissonant note, it's certain this is not only fresh canvas spelled out with lead vocalist Robb Flynn and bassist Jared MacEachern's soaring vocal harmonies, but it's intent is as furious as anything the band has ever come up with. This track also begins the journey of our protagonists. Further exploration of the damaged psyche blasts forth on \"CHØKE ØN THE ASHES ØF YØUR HATE,\" a searing back and forth dose of Thrash Metal that could only come from the roots of the Bay Area. Unrelenting in it's attack, the breakneck pace only solidifies this as one of many standouts on ØF KINGDØM AND CRØWN. From the adrenaline rush of exorcising their inner demons to the innate feeling of solitude and regret comes \"UNHALLØWED.\" A dramatic introspective of questioning one's motives and the fallout when the debts our expended emotions come to collect. Hopeless, lost, and isolated, protagonist #2 begins the transformation from victim to victimizer over the melodic chaos courtesy of guitarist Vogg Kiełtyka. Radicalized, paranoid, and armed with a dead-end stare, the mental onslaught ignites with the song, \"KILL THY ENEMIES.\" The whiplash inducing thoughts pair up nicely with some of the thickest grooves on the album. 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Any\/all remaining copies will be on sale online from 8pm on Friday 29th April.\u003c\/p\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhitey Ford Sings The Blues\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003eis the first album from Everlast, following his departure from House of Pain and was released in 1998. The record was both a commercial and critical success, selling more than 3 million copies worldwide and certified double platinum. 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With only playing a few one-off shows over the years, in late 2020, misfortune became the inspiration for guitarist\/multi-instrumentalist Drew Slavik, and suddenly he and vocalist Chris Fox were writing another album. The result is Distractions, set for release on February 17, 2023, on the band’s new label home Good Fight Music.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormed in 2004, See You Next Tuesday made their mark in the world of extreme metal with the release of their albums Parasite (2007) and Intervals (2008), both on Ferret Music. Pushing forth on controlled chaos, the band has been able to evolve since their initial output and Distractions finds them delving into a new, modern grindcore sound. The thirteen songs on the record are full of fast and heavy guitars accompanied by an invigorating vocal performance from Fox. The true standout is in the drum work, provided by Slavik, displaying a maniacally bold use of blast beats that perfectly intertwine with his homemade samples. Distractions was recorded at Slavik’s home studio where he also handled production and mixing, and was mastered by Josh Schroeder (Lorna Shore, In Hearts Wake).\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExpanding on the writing and recording process, Slavik states:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“The writing process was amazing! I wrote in my home studio or in my head and recorded everything as it progressed. Being a mailman, I walk 8 miles a day, and I was able to listen and critique each song, every step of the way, pushing myself as a player, writer, and producer even further than ever before. My main goal musically was to write something different. I never really shot for the 'best' because that is so arbitrary, however, I strived to be unfamiliar in a sense, not just with the music, but the overall sound as well.”\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile the music came naturally, writing the lyrics ended up being a more difficult process. Eventually turning into a cathartic experience, the tracks became personal yet still up for interpretation in a broader sense. Much of the material on Distractions focuses on struggles with mental health, while a few songs explore more sensual themes. Leaning into the euphemism of the band name, the opening track “How Sensitive” reclaims what some might deem as offensive and makes it just a word. The lead single “Hey Look, No Crying” fixates on the feeling of slowly moving towards your death, encompassing the sonic energy of descending into the afterlife. Microsongs like “Glad To Be Unhappy” and “Call Me Irresponsible” use synthesizers for more frantic moments, while “Day In The Life Of A Fool” feeds into that more structured mayhem. 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The band shared stages throughout Europe with dozens of bands such as Conan, Weedeater \u0026amp; Dark Buddha Rising to name just a few. 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