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Its propulsive beat and unrelenting lyrics establish self-destruction as fantasy before a brief moment of sobering clarity when the drums fall away and Chatten moves from spitting, almost-rap into an almost-psalm, his baritone rich and dreamy. It’s accompanied by a cinematic music video from director Aube Perrie (Megan Thee Stallion, Harry Styles, The Hives) that captures the song’s cathartic intensity to brilliant effect.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eRomance\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis Fontaines D.C.s most ambitious, expansive record yet, its 11 tracks constellating ideas that have been percolating among Grian Chatten (vocals), Carlos O’Connell (guitar), Conor Curley (guitar), Conor Deegan (bass), and Tom Coll (drums) since they released Skinty Fia in 2022. These ideas crystalised while touring the U.S. and Mexico with Arctic Monkeys as the five band members shared music and found a throughline with artists that deftly build out their own sprawling creative worlds: the attitude and aesthetic sheen of artists like Shygirl and Sega Bodega, the bolshy sonic palettes of hip hop and heavy metal, Mos Def, A$AP Ferg, OutKast and Korn. They had time apart to build more singular visions for what future music could be: O’Connell went to Spain’s Castile-La Mancha and later became a new father, while Chatten spent time in LA, and Deegan in Paris. They laid deeper roots in London. Each member spent time pushing their boundaries – experimental riffs, chord progressions, and far-flung lyrical references without intentions for a record. 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Their influences vary from legendary bands like\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Cure\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePixies\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eR.E.M.\u003c\/em\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Bloody Valentine\u003c\/em\u003e, to more contemporary acts, such as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBig Thief\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBeabadoobee\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eNewDad make music that confronts the horrors of the modern world. Julie's lyrics find beauty in her pain, with a unique perspective on her generational despair that resonates broadly. 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In summer 2026, he embarks on a major global tour, including London’s O2 and two nights at Dublin’s Aviva Stadium, with night one selling out in minutes. He has amassed over 4.5 billion streams worldwide.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dermot Kennedy","offers":[{"title":"2xLP Transparent Green (ALTERNATIVE COVER)","offer_id":51351118577880,"sku":"602488097604","price":42.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/Dermot_Kennedy_-_The_Weight_Of_The_Woods_-_2LP_Transparent_Green_Vinyl_-_2026_Indies_Exclusive_with_Alternate_Artwork.jpg?v=1769562132"},{"product_id":"dermot-kennedy-the-weight-of-the-woods","title":"Dermot Kennedy \"The Weight of the Woods\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Weight of the Woods marks a defining evolution for Dermot Kennedy, grounding his global success in the spirit and emotional honesty of his Irish roots. A gifted singer, songwriter, and storyteller, Dermot sharpens his craft across Ireland and Nashville with producer Gabe Simon. In summer 2026, he embarks on a major global tour, including London’s O2 and two nights at Dublin’s Aviva Stadium, with night one selling out in minutes. 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Originally released in Europe under the title The Early Years-Underpaid and Out of Tune, this album contains hard to find or out-of-print material from the bands early 7\" singles and EP's. The last song on this album is an exclusive live recording from the Boston Pride show in November of 1997, the last show the band ever played at the infamous Rat in Boston.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dropkick Murphys","offers":[{"title":"Default Title","offer_id":51473349574872,"sku":"45778042814","price":31.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/6550\/6520\/files\/3754294-2570219.jpg?v=1773504088"},{"product_id":"flogging-molly-float","title":"Flogging Molly \"Float\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFLOAT delivers another iteration of the band's sonic evolution. More mature yet retaining the immediacy that marks all their work, FLOAT may find the widest audience acceptance of any Flogging Molly album. Hard-charging tunes give way to more sober ruminations. 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Having underlined their status as one of the UK and Ireland's most exciting breakthrough bands with their universally-acclaimed 2024 debut Letter to Self, vocalist and guitarist Karla Chubb, bassist Sam McCann, drummer Jack Callan and new guitarist Zac Stephenson return for their second act as an evolved entity: stronger, sharper and fully assured.\"I think we came out of 2024 as quite literally different people and a completely different band to how we entered it,\" says Karla. \"There was a lot of growing and a lot of work on myself, and in the background we did a lot of work as friends and on being there for each other as a band. Letter to Self was so riddled with self-consciousness and a need to prove myself in a very male-dominated industry that really held me back in a lot of ways. 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The music the five friends from Dundalk, Ireland make is strikingly untraditional. Though to look at them, it appears that the band are a five-piece with uniform make-up of a vocalist, two guitarists, a bassist and a drummer, not a single one of them utilizes their instrument in a confined or regular fashion. Guitarists David Noonan and Mete Kalyoncuoglu make their six-strings shriek and wail, the sounds produced sounding like everything from whirring machinery to horror movie monsters. Behind them, drummer Shane Maguire uses the rim of his drums almost as much as the skins, providing a clattering, metallic backbeat. Most of the melodies on offer poke through from Rob Clarke's inventive, nodding bass lines. Then there's Katie on vocals; she's the transfixing focal point of the band. Across its 10 tracks, the album presents a coherent style and ethos ' those scything guitars, Katie's magical vocals ' but still incorporates a wide and untethered vision. 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