Will Wood & The Tapeworms "Self-Ish"

Will Wood and the Tapeworms quickly grabbed attention in the punk scene following "Everything is a Lot" due to Wood's unique writing and refusal to break character even backstage and the band's dangerously high-energy shows. Face paint, confetti, and on-stage violence became the project's calling card, making SELF-iSH's dark and intense drama an inevitable direction for Wood. Mere months after the debut, producer Kevin Antreassian offered Wood a deal on his follow-up but only had a narrow time window, so Wood improvised. Bringing together a new lineup and with the help of guitarist Mike Bottiglieri, Wood wove scraps of discarded or unfinished songs together and created a tight yet abstract psychedelic concept album with the intent of taking every risk and trying every off-kilter idea he had. SELF-iSH began its highly conceptual production process during the holiday season in 2015, and the studio became littered with notepads, graphic charts, and teeth. The result was a manic little album featuring screaming, theremin, kazoo, power drills, the sound of breaking furniture, and an almost heavy-metal twist on Wood's off-kilter vision. By the time the album was finished, the piano was bloody, and the studio was wrecked. The album became what Wood described as the "bastard child" of his discography. Will Wood's early career can be primarily defined by his experimental vocal delivery, honky-tonk piano smashing, and darkly edgy songwriting. While his stylings have matured and taken on a more precise approach, his refusal to conform to expectations and constant shifts in the genre have continued to be hallmarks of his songwriting and production. In his "Will Wood and the Tapeworms" releases (Everything Is A Lot in 2015, SELF-iSH in 2016), audiences can see the first glimpses into what would eventually become his signature style, presented in a uniquely raw and chaotic state of potential.